Fewer new April titles have snagged my attention than I’d hoped, although there were so many at the beginning of the year that may not be such a bad thing. I’ll start with the Gun Love by Jennifer Clement, author of the impressive Prayers for the Stolen, published in the UK a few years ago. Fourteen-year-old Pearl lives in the front seat of a wrecked car in a Florida trailer park while her mother lives in the back. Under the driver’s seat sits a gun given to Margot by her boyfriend, a regular visitor to the back seat. ‘Gun Love is a hypnotic story of family, community and violence. Told from the perspective of a sharp-eyed teenager, it exposes America’s love affair with firearms and its painful consequences’ say the publishers. I remember circling Prayers for the Stolen for some time, expecting unremitting grimness given that it was about kidnapped girls but it surprised me, and I’m hoping for the same with this one.
Diana Evans’ Ordinary People is set in South London, far from Pearl and Margot’s trailer park. Melissa is sinking after the birth of her baby while Michael fails to remain faithful to her. Further out into the suburbs, Stephanie is happy with Damian and their children until the death of his father seems to pull the carpet from underneath him. ‘Set against the backdrop of Barack Obama’s historic election victory, Ordinary People is an intimate, immersive study of identity and parenthood, sex and grief, friendship and aging, and the fragile architecture of love’ say the publishers enticingly.
Sarah Françoise’s Stories We Tell Ourselves is about another marriage in trouble, or perhaps a whole series of them. Joan and Frank have spent three decades in an unfinished house in the French Alps. Frank is involved in an epistolary affair with his German ex-girlfriend, and Joan is losing patience but it’s Christmas. They’re about to be visited by their three children, all wrestling with their own relationship difficulties. ‘Written with a rare precision and insight, the author explores the thorniness of familial love and its capacity to endure with warmth, wit and disarming honesty’ say the publishers, a promise which if it’s fulfilled could result in an entertaining read.
No prizes for guessing the subject matter of Joanna Walsh’s Break.up but what’s interesting is the way in which Walsh approaches her subject, apparently blending fiction with essays on all manner of things according to the blurb. Walsh’s book is rooted in the idea that the internet has resulted in ex-partners becoming near inescapable. After an affair conducted mostly online, her narrator travels across Europe relying purely on chance to shape her journey. ‘From Rome to Budapest, Freud to Foucault, algorithms to nostalgia, this is a stimulating, original work which dismantles what we know of love, and how we make art from it, and finds a new form and language for the way we love now’ say the publishers. Walsh writes both fiction and non-fiction so may well be able to pull off what sounds like an ambitious piece of writing. She’s also the person behind #ReadWoman.
Lucy Wood’s lovely first novel, Weathering, was a 2015 favourite for me. I still haven’t got around to reading her much-praised collection Diving Belles and Other Stories but that hasn’t stopped me lusting after her new one, The Sing of the Shore, comprising stories set in Cornwall. ‘These astonishing, beguiling stories of ghosts and shifting sands, of static caravans and shipwrecked cargo, explore notions of landscape and belonging, permanence and impermanence, and the way places can take hold and never quite let go’ according to the publishers. Weathering was striking for its gorgeous, lyrical writing raising expectations for more of the same.
I’m ending with Roland Schimmelpfennig’s One Clear Ice-cold January Morning at the Beginning of the 21st Century, one of the lengthiest titles I’ve come across in some time. The lure here is its Berlin backdrop and its translation by Jamie Bulloch whose work I’ve come to admire. A wolf crosses the border from Poland into Germany, making its way to Berlin. Schimmelpfennig’s novel traces the lives of the people whose path the wolf crosses, from the construction worker who photographs it to the woman who burns her mother’s diaries on a Berlin balcony. ‘Those who catch sight of the wolf see their own lives reflected, and find themselves searching for a different path in a cold time. This first novel of Germany’s most celebrated contemporary playwright is written in prose of tremendous power and precision’ say the publishers which sounds very promising.
That’s it for April’s new titles. A click on any title that takes your fancy will lead to a more detailed synopsis. Paperbacks soon…