Tag Archives: paperbacks published in may 2017

Paperbacks to Look Out for in May 2017: Part Two

Cover imageThis second batch of May paperbacks kicks of with Carol Birch’s Orphans of the Carnival which tells the story of Julia Pastrana. Born in 1834, Julia is a heavily hirsute Mexican woman, eager to see the world and willing to pay the price even if that means allowing herself to be exhibited in a freak show. Her travels take her to Prague, Vienna and Saint Petersburg where she’s feted by royalty, taken to a glittering ball and welcomed as the guest of honour at grand dinner parties. Money, however, is always exchanged. Woven through Julia’s tale is that of Rose, who in 1983 finds a dilapidated wooden doll in a London skip. It’s an absorbing novel – the knowledge that Julia existed makes it particularly poignant – with some gorgeously descriptive passages but what didn’t work for me was the twentieth-century thread which was something of a distraction from Julia’s extraordinary story. Still well worth reading, but no match for Jamrach’s Menagerie, one of my Blasts From the Past.

Emma Cline’s debut The Girls is also loosely based in fact – the infamous exploits of the cult which became known as the Manson Family, several of whose members committed the shocking murder of Sharon Tate, eight months pregnant with Roman Polanski’s son. One day in 1969, fourteen-year-old Evie Boyd catches sight of a group of girls flaunting their tatty splendour and laughing in the faces of the staring locals in a Californian park. Now middle-aged, living on the fringes of other people’s lives, Evie looks back at the dramatic events that shaped the course of her lonely life. Cline’s novel succeeds in engaging her readers’ sympathy steering well clear of the prurient. It’s both absorbing and thought-provoking, a little overwritten in places for me but that’s a small criticism. Cover image

Dominc Smith’s The Last Painting of Sara de Vos has a very appealing premise. It draws together a landscape painting by a woman admitted to a Dutch Guild as a master painter in 1631, the person who inherited it in the 1950s and a celebrated Australian art historian, about to curate an exhibition fifty years after forging the work, who finds herself faced with the arrival of both versions of it. ‘As the three threads intersect with increasing and exquisite suspense, The Last Painting of Sara de Vos mesmerises while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present’ says the publisher. Very much like the sound of this one.

Entirely different but also appealing, A. L. Kennedy’s Serious Sweet sees a fifty-nine-year-old senior civil servant struggling with his conscience over his government’s shenanigans and on the brink of spilling the beans. Meanwhile, Meg Williams is a forty-five-year-old bankrupt accountant just about managing to keep sober. Set over twenty-four hours in 2014, it’s about ‘two decent, damaged people trying to make moral choices in an immoral world: ready to sacrifice what’s left of themselves for honesty, and for a chance at tenderness’ says the publisher. I have a very on-again off-again relationship with Kennedy’s writing but find state-of-the-nation novels well-nigh impossible to resist, even though the nation’s in a very different state these days.

Cover imageLast but very far from least, is Paul Beatty’s Man Booker-winning The Sellout, another coup for the excellent Oneworld. Billed as a ‘biting satire’, it’s about a young man who’s been the subject of his sociologist father’s controversial studies, under the impression that the resultant book will make the family’s fortune. After his father’s murder it becomes clear that there is no book. What’s more the small town of Dickens is no longer on the map, thanks to the embarrassing nature of his father’s work. The young man sets about righting what he sees as this wrong, taking outrageous measures that land him before the Supreme Court. ‘The Sellout showcases a comic genius at the top of his game’ promises the publisher and clearly the Man Booker judges agreed.

That’s it for May’s paperback preview. A click on the first two titles will take you to my review and to a detailed synopsis for the last three. If you’d like to catch up with the first part, it’s here while May hardbacks are here.

Paperbacks to Look Out for in May 2017: Part One

Cover imageAll but one of this first selection of May paperbacks is about marriage, family or both, and the one that isn’t appears to touch on it in some way. Top of my list has to be Ann Patchett’s superb Commonwealth, one of my books of 2016 and a hoped for Baileys Prize contender. It’s the story of a family, one which increasingly extends itself as marriages multiply and children are born. Patchett is an expert in show not tell: as her novel crisscrosses the years, from the opening christening in 1964 when a gatecrasher helps change the family’s history to the present day, stories are told and re-told – sometimes with illuminating differences. With its pleasingly rounded characters, meticulously constructed narrative and thoroughly absorbing storytelling all underpinned with a gentle but wry humour, this is a wonderful novel whose ending completes a beautifully executed circle.

Jane Rogers’ Conrad and Eleanor also made an appearance on both my books of 2016 list and my Baileys wishlist. Sadly, neither Commonwealth nor Rogers’ novel was successful. Authors may well start putting in requests to be omitted from my prize wishlists soon, given their lamentable performance. Conrad and Eleanor is a nuanced portrait of a marriage in which traditional male/female roles are upended. Eleanor is engaged in medical research as is Conrad but while she’s a star in her particular sphere, his work has stalled. When Conrad fails to return from the conference he’s supposed to be attending, Eleanor is forced to take a long hard look at their marriage. Rogers resists any hint of a fairy tale ending, instead offering her readers an entirely plausible resolution. It’s a thoroughly enjoyable and absorbing novel.Cover image

As, I’m sure Maggie O’Farrell’s This Must be the Place will be too. There was a time when I cheerily dismissed O’Farrell’s novels as chick lit – not for me – until I was finally persuaded to read After You’d Gone. This one’s about Daniel, a New Yorker who lives in a remote part of Ireland, with what sounds like a somewhat complicated life: children he never sees, a father he detests and a trigger-happy, ex-film star wife. News of a woman he knew long ago is about to further spice things up.  The novel ‘crosses continents and time zones, giving voice to a diverse and complex cast of characters. At its heart, it is an extraordinary portrait of a marriage, the forces that hold it together and the pressures that drive it apart’ say the publishers. Sounds unmissable.

I’m hopeful that the same can be said of Emma Straub’s Modern Lovers which has an appealing bad boys and girls facing middle age and their own teenagers’ rebellion theme. Elizabeth, Andrew and Zoe once played in a band together but now they’re married with kids and mortgages, staring fifty in the face but still clinging to whatever shreds of coolness they can. They all live in the same Brooklyn neighbourhood and their kids are friends, some a little too friendly for their parents’ liking. Straub showed herself to be a sharp, witty social observer in her enjoyable The Vacationers, qualities that sit very well with her new novel’s premise so hopes are high

Cover imageMy last choice, Mike McCormack’s Goldsmith Prize winning Solar Bones, follows the thoughts of Marcus Conway as he stands in his kitchen ‘deconstructing with his engineer’s mind how things are built to consider them better: bridges, banking systems and marriages. In one of the first great Irish novels of the 21st century, Mike McCormack captures with tenderness and feeling, in continuous, flowing prose, a whole life, suspended in a single hour’ say the publishers. I like the sound of this one.

That’s it for the first instalment of May’s paperback preview. If you’d like to know more, a click on a title will take you to my review for the first two and to a more detailed synopsis for the others. If you’d like to catch up with May’s hardbacks they’re here. More paperbacks shortly.