Tag Archives: Paul Lynch

Books of the Year 2019: Part Three

Cover image This third instalment covers two months of what was a passably good summer here in the UK beginning with an unexpected treat in July. If you’ve been following this blog for a while you’ll have gathered that Kate Atkinson is one of my favourite writers. In September 2018 we were treated to Transcription then less than a year later Big Sky saw the return of Jackson Brodie after a hiatus of nine years. Jackson’s living in a cottage in his native Yorkshire looking after his teenage son while Julia, Nathan’s mother, finishes off the latest in the TV police procedural series in which she stars. It’s not long before Jackson becomes embroiled in a case that encompasses historical sex abuse, modern day slavery and people trafficking. As with the previous four Brodie novels, Big Sky tackles social issues with a sharp wit and dry humour. Fingers crossed that the BBC have Jason Isaacs lined up for an adaptation.

Rowan Hisayo Buchanan’s debut, Harmless Like You, was one of my books of 2016. I loved it for its poignancy leavened with wry humour, and for the striking images shining brightly from its pages. That same deft writing is evident in Starling Days which follows Mina and Oscar from New York to London where Oscar is hoping Mina will find some distraction from what ails her. Buchanan’s compassionate, empathetic novel explores the effects of mental illness from both sides of a relationship, switching perspectives between Mina and Oscar. It lays bare both the sheer exhaustion of living with the constant worry of what a beloved partner might do to themselves and the relentless debilitation of a disordered mind. Achingly sad at times, it’s an affecting, clearly heartfelt piece of fiction. Fingers crossed it will win the Costa Novel Award for which its been shortlisted.

Four August favourites, the first of which is set against the backdrop of the Bauhaus, the German art school whose designs I’ve long admired and whose centenary year this was. Naomi Wood’s The Hiding Game begins in 1922 with the admission of six students whose lives will become inextricably bound, telling theirCover image story through Paul whose memories are brought vividly into focus by the death of Walter, both friend and enemy. Written in the form of a confessional, it’s a story fraught with betrayal, jealousy and a tortured form of love, a tragedy in which the appalling events of Nazi Germany are personalised. It’s a smart, accomplished piece of fiction, through which Wood lightly weaves her meticulous research.

The next three novels are all published by small publishers although Paul Lynch’s Beyond the Sea is from Oneworld who’ve  bagged not one but two Booker Prizes in the last few years. Written in that spare, pared-back style which I so admire, this intense novella explores themes of faith, madness, survival and existential crisis through the story of two fishermen cast adrift after a dreadful storm. Hector and Bolivar are thrown upon themselves and each other in order to survive. As a bond forms between them, each begins to tell the other about their lives, their secrets and their fears but while Hector sees faith as their saviour, Bolivar puts his trust in resourcefulness.

My second small publisher, Charco Press, is a comparatively new kid on the block, set up to champion Latin American literature in the English-speaking world. Argentinian writer Selva Almada’s The Wind That Lays Waste is the tale of an encounter between a charismatic evangelist and the mechanic who spends much of a long hot day mending his car. Pearson and Gringo are each other’s antithesis: one a passionate believer in God and himself as God’s instrument; the other an atheist, dismissive of religion. As the day wears on, Pearson spots an opportunity resulting in a confrontation which reaches its climax as the skies crack open and the storm breaks. Almada unfolds her story in short chapters written in plain yet evocative often poetic prose, anchoring it in the parched Argentinean outback. The result is a striking, thought-provoking piece of fiction

High summer finished with a collection of short stories whose lovely jacket caught my eye on Cover imageTwitter. Comprising seventeen pieces, Chloe Turner’s Witches Sail in Eggshells is about relationships – with partners, exs and partners of exs, rivals and even old schoolmates – some with disturbing undercurrents, all delivered in nicely polished, insightful prose. There’s not one dud amongst them but you don’t have to take my word for it: the tiny Reflex Press have cleverly put one of Turner’s stories, ‘The Hagstone’, on their website for all to read.

Sadly, the end of my literary summer’s on the horizon and with it the advent of winter although autumn offered some gorgeous colours to distract me from the inevitable. The last quarter of 2019 turned up some of the best titles of the year for me including the story of a family told through the history of their house, the welcome return of Olive Kitteridge and an art heist which is very much more than that. All the above titles link to a full review on this blog should you want to know more, and if you’d like to catch up with the first two quarters they’re here and here.

Beyond the Sea by Paul Lynch: Cast adrift

I’m not sure how I’ve managed to miss Paul Lynch’s writing but as soon as I finished Beyond the Sea I added his previous novels to my list. Lynch’s prose exemplifies that spare, pared-back style which I so admire, one at which Irish writers seem to excel. In his new novella two fishermen are cast adrift after a dreadful storm, one dragooned into helping the other whose debt to drug barons has become a matter of urgency.

Bolivar is a fisherman, selfish in his pleasures and determined to take them. When a woman he has in his sights tells him the cartel he’s become involved with have come threatening violence unless he pays his debts, he takes off looking for his fishing mate who’s nowhere to be found. His boss warns him a storm has been forecast, telling him to take young Hector if he must go out to sea. Despite his reservations, Bolivar has no choice. These two set off together – one a cynical, seasoned fisherman, the other naive and inexperienced. When the storm hits, its ferocity is so great it knocks out their boat’s engine. Soon it’s clear that the radio is inoperative, too. Neither can know how long they will be cast adrift with no means of calling for help. Each deals with their plight in different ways: Hector turns to God, fashioning an effigy of the Virgin from driftwood while fixating on his two-timing girlfriend; Bolivar devises ways of using the detritus that washes their way, catching enough fish to feed them and finding ways to preserve it. As the days wear on, Hector and Bolivar are forced to overcome their antipathy but days become months and each man is faced with his essential self.

Lynch’s novella explores themes of faith, madness, survival and existential crisis with an extraordinary intensity. Hector and Bolivar are thrown upon themselves and each other in order to survive. As a bond forms between them, each begins to tell the other about their lives, their secrets and their fears but while Hector sees faith as their saviour, Bolivar puts his trust in resourcefulness. Lynch’s short stark sentences, sometimes repeated, effectively evoke a claustrophobic feeling of being stranded aboard this tiny vessel, tossed around on a seemingly endless sea. As so often when I come across a piece of writing that pushes my literary buttons quite so effectively as Lynch’s does, I’m in danger of stuffing this review full of quotes but here are just a few gems:

Time now is not time. It does not pass but rests

Grief is a thing that sits shapeless between them

Days of hammering sun, the sea the sun’s anvil

He decides the barnacles taste entirely of the sea. He wonders too if he is now like them. If now you are made of wind and rain, salty air, the blood watered to brine. How you might taste to a shark

This is such a powerful piece of fiction, beautifully expressed, and all the better for its carefully crafted brevity. So good, I included it on my Booker Prize wish list.

My 2019 (Man) Booker Wish List

Another year, another Man Booker Prize longlist in the offing, except this year its reverted to the Booker Prize, thanks to a change of sponsorship with Crankstart stepping into the funding breach as of June 1st this year. To be eligible for the prize all books must be published in the UK between October 1st 2018 and 30th September 2019, and have been written in English. Regular readers will know that any similarity between my wish list and the judges’ longlist is likely to be entirely coincidental. The judges usually allow themselves twelve, although they sometimes stretch to thirteen and this year I have, too. Their list will be revealed on Wednesday, 24th July but here’s mine – wishes not predictions – in no particular order, with links to my reviews.

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Little                                                         Flames                                   Land of the Living

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Memories of the Future              In the Full Light of the Sun            A Stranger City

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We, The Survivors                            The Narrow Land                       The Language of Birds

 

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Starling Days                                     The Dutch House                    The Hiding Game

Beyond the Sea

It’s quite possible that I’ll read a gem I’d loved to have included here before September 3rd when the shortlist is announced but I’m sticking to the tried and tested. And if I had to choose one? That’s a tough decision this year. It’s a toss-up between A Stranger City, The Dutch House and Land of the Living, although there are several others I’d be loath to relinquish.

What about you? What would you like to see on the list, and what do you think the judges will plump for?