Donna Morrissey’s new novel comes with a hearty endorsement from one of my favourite authors, Ron Rash, who’s dubbed it ‘one of the very best novels I have read in years’. It had caught my eye even before I’d seen the press release but after reading that how could I resist? Attentive readers may have noticed that this is the second Rash endorsement I’ve fallen for recently. He was pretty keen on The Barrowfields too. Set in Newfoundland, The Fortunate Brother is the story of a murder which sets the small fishing village in which it takes place abuzz with speculation.
Kyle Now is not at all sure what he’ll do with his future. He has a university place but is unwilling to turn his back on his family, still reeling from the loss of his brother in an accident on the oil rigs. His father spends much of his time in a drunken stupor, his sister has taken off backpacking in Africa and his mother is undergoing treatment for breast cancer. Kyle is shouldering this heavy burden when Clar Gillard’s body is washed up, thought to be drowned then found to be stabbed. This is a community where nothing goes unnoticed or undiscussed. Soon the village is rife with gossip about possible culprits, fingers pointing every which way from Clar’s wife, who he frequently abused, to Kyle’s father, known to detest Clar, to Kyle, himself, beaten by Clar the night of his killing. Over the next few days, Kyle finds himself questioned by the police, stumbling over evidence and trying to keep his father’s head above water as they both face his mother’s operation. Kyle has his suspicions about the identity of the murderer but unlike the rest of the village he knows when to keep his mouth shut.
Tensions run high almost to the end of Morrissey’s taut atmospheric novel. Secrets are plentiful and well-guarded. I guessed the perpetrator correctly early on but that didn’t stop me from changing my mind right up until their identity was revealed. The Now family’s desperate grief is palpable in Morrissey’s depictions of a father unable to talk about his son’s death and a mother patiently working her way through her pain alone. Caught in the middle, Kyle’s angry struggle to protect both parents is both poignant and compellingly convincing. The portrayal of one half of a community unable to keep its mouth shut while the other seems incapable of keeping anything but shtum might seem too convenient in another setting but here in a remote village where ‘everyone was your brother or aunt or cousin or neighbour and they knew your dead like they knew their own’ it seems entirely plausible. Morrissey’s writing is admirable clipped yet vividly evocative of its setting: the landscape and weather are punishing, spoken of as if each were a person with a fickle power over the inhabitants. If The Fortunate Brother is anything to go by, Morrissey and Rash are a fine match: if you like one, I’d be surprised if you didn’t like the other.