Tag Archives: Sarah Françoise

Paperbacks to Look Out for in November 2018

Cover imageJust a handful of paperbacks for November, none of which I’ve read although I did toy with Laurie Canciani’s The Insomnia Museum before taking off on holiday earlier in the year then somehow never got around to reading it. It’s about seventeen-year-old Anna who has spent the last twelve years building the titular museum with her father using his hoard of junk. One day when her insomniac father finally falls asleep she steps outside their flat into a world stranger than the one they’ve constructed inside it. ‘In this dazzlingly original debut novel, Laurie Canciani has created a world that is terrible, magical, and richly imagined’ say the publishers making me think I should look at it again

Sarah Françoise’s Stories We Tell Ourselves sounds much more straightforward. It’s about a marriage in trouble, or perhaps a whole series of them. Joan and Frank have spent three decades in an unfinished house in the French Alps. Frank is involved in an epistolary affair with his German ex-girlfriend, and Joan is losing patience but it’s Christmas. They’re about to be visited by their three children, all wrestling with their own relationship difficulties. ‘Written with a rare precision and insight, the author explores the thorniness of familial love and its capacity to endure with warmth, wit and disarming honesty’ say the publishers, a promise which if it’s fulfilled could result in an entertaining read

Jonathan Dee’s The Locals features a character fleeing New York for a small town in New England just after 9/11. Hedge fund manager Phillip Hadi employs Mark Firth, recently swindled by his financial advisor, to make his new home secure. These two men are from very different worlds: one rural middle class, the other urban and wealthy. Hadi’s election to mayor has a transforming effect on Firth’s home town, one that will have implications for Firth and his extended family. ‘The Locals is that rare work of fiction capable of capturing a fraught American moment in real time. It is also a novel that is timeless in its depiction of American small town life’ say the publishers which sounds very appealing to me.

After beginning this short preview with a debut it feels fitting to end it with a collection from anCover image author whose first novel was published in 1964 when she was twenty and who’s still going strong. Shena Mackay’s short story collection Dancing on the Outskirts draws on five decades of writing. Known for her darkly comic, sometimes surreal observations of suburbia, Mackay is one of those writers who has quietly garnered a loyal following and a good deal of a critical acclaim. I’m expecting a treat.

That’s it for November. A click on a title will take you to a more detailed synopsis and if you’d like to catch up with new titles they’re here and here. With publishing eyes firmly fixed on a bright shiny Christmas, I suspect there won’t be much to snag my attention for December but you never know…

Books to Look Out for in April 2018

Cover imageFewer new April titles have snagged my attention than I’d hoped, although there were so many at the beginning of the year that may not be such a bad thing. I’ll start with the Gun Love by Jennifer Clement, author of the impressive Prayers for the Stolen, published in the UK a few years ago. Fourteen-year-old Pearl lives in the front seat of a wrecked car in a Florida trailer park while her mother lives in the back. Under the driver’s seat sits a gun given to Margot by her boyfriend, a regular visitor to the back seat. ‘Gun Love is a hypnotic story of family, community and violence. Told from the perspective of a sharp-eyed teenager, it exposes America’s love affair with firearms and its painful consequences’ say the publishers. I remember circling Prayers for the Stolen for some time, expecting unremitting grimness given that it was about kidnapped girls but it surprised me, and I’m hoping for the same with this one.

Diana Evans’ Ordinary People is set in South London, far from Pearl and Margot’s trailer park. Melissa is sinking after the birth of her baby while Michael fails to remain faithful to her. Further out into the suburbs, Stephanie is happy with Damian and their children until the death of his father seems to pull the carpet from underneath him. ‘Set against the backdrop of Barack Obama’s historic election victory, Ordinary People is an intimate, immersive study of identity and parenthood, sex and grief, friendship and aging, and the fragile architecture of love’ say the publishers enticingly.

Sarah Françoise’s Stories We Tell Ourselves is about another marriage in trouble, or perhaps a whole series of them. Joan and Frank have spent three decades in an unfinished house in the French Alps. Frank is involved in an epistolary affair with his German ex-girlfriend, and Joan is losing patience but it’s Christmas. They’re about to be visited by their three children, all wrestling with their own relationship difficulties. ‘Written with a rare precision and insight, the author explores the thorniness of familial love and its capacity to endure with warmth, wit and disarming honesty’ say the publishers, a promise which if it’s fulfilled could result in an Cover imageentertaining read.

No prizes for guessing the subject matter of Joanna Walsh’s Break.up but what’s interesting is the way in which Walsh approaches her subject, apparently blending fiction with essays on all manner of things according to the blurb. Walsh’s book is rooted in the idea that the internet has resulted in ex-partners becoming near inescapable. After an affair conducted mostly online, her narrator travels across Europe relying purely on chance to shape her journey. ‘From Rome to Budapest, Freud to Foucault, algorithms to nostalgia, this is a stimulating, original work which dismantles what we know of love, and how we make art from it, and finds a new form and language for the way we love now’ say the publishers. Walsh writes both fiction and non-fiction so may well be able to pull off what sounds like an ambitious piece of writing. She’s also the person behind #ReadWoman.

Lucy Wood’s lovely first novel, Weathering, was a 2015 favourite for me. I still haven’t got around to reading her much-praised collection Diving Belles and Other Stories but that hasn’t stopped me lusting after her new one, The Sing of the Shore, comprising stories set in Cornwall. ‘These astonishing, beguiling stories of ghosts and shifting sands, of static caravans and shipwrecked cargo, explore notions of landscape and belonging, permanence and impermanence, and the way places can take hold and never quite let go’ according to the publishers. Weathering was striking for its gorgeous, lyrical writing raising expectations for more of the same.

Cover image I’m ending with Roland Schimmelpfennig’s One Clear Ice-cold January Morning at the Beginning of the 21st Century, one of the lengthiest titles I’ve come across in some time. The lure here is its Berlin backdrop and its translation by Jamie Bulloch whose work I’ve come to admire. A wolf crosses the border from Poland into Germany, making its way to Berlin. Schimmelpfennig’s novel traces the lives of the people whose path the wolf crosses, from the construction worker who photographs it to the woman who burns her mother’s diaries on a Berlin balcony. ‘Those who catch sight of the wolf see their own lives reflected, and find themselves searching for a different path in a cold time. This first novel of Germany’s most celebrated contemporary playwright is written in prose of tremendous power and precision’ say the publishers which sounds very promising.

That’s it for April’s new titles. A click on any title that takes your fancy will lead to a more detailed synopsis. Paperbacks soon…