Another year, another Man Booker Prize longlist in the offing, except this year its reverted to the Booker Prize, thanks to a change of sponsorship with Crankstart stepping into the funding breach as of June 1st this year. To be eligible for the prize all books must be published in the UK between October 1st 2018 and 30th September 2019, and have been written in English. Regular readers will know that any similarity between my wish list and the judges’ longlist is likely to be entirely coincidental. The judges usually allow themselves twelve, although they sometimes stretch to thirteen and this year I have, too. Their list will be revealed on Wednesday, 24th July but here’s mine – wishes not predictions – in no particular order, with links to my reviews.
It’s quite possible that I’ll read a gem I’d loved to have included here before September 3rd when the shortlist is announced but I’m sticking to the tried and tested. And if I had to choose one? That’s a tough decision this year. It’s a toss-up between A Stranger City, The Dutch House and Land of the Living, although there are several others I’d be loath to relinquish.
What about you? What would you like to see on the list, and what do you think the judges will plump for?
Rowan Hisayo Buchanan’s debut, Harmless Like You, was one of my books of 2016. I loved it for its poignancy leavened with wry humour, and for the striking images shining brightly from its pages. That same deft writing is evident in Starling Days which follows Mina and Oscar from New York to London where Oscar is hoping Mina will find some distraction from what ails her.
Mina is picked up by a patrol car, gazing over the edge of the George Washington Bridge in New York. Her husband comes to collect her, his mind full of memories of her overdose on their wedding night. Mina and Oscar have been together for over ten years but married for just six months. He has never known her well. Her childhood was filled with the sadness of loss, not least of the grandmother who brought her up. Now nearly thirty, her academic career is chequered and her idea for a monograph on women survivors stalled. Oscar’s father offers an opportunity to get Mina away, asking him to oversee the renovation of a set of apartments in London. Oscar works for his father importing sake and exotic beers to the States but their relationship is scratchy. Oscar was brought up by his mother in Britain, the product of a one-night stand. Oscar and Mina try to settle in: Oscar consumed with worry about Mina, she at a loss to know how to occupy herself. Called back to the States on the pretext of business, Oscar is presented with a series of revelations that turns his relationship with his father on its head. Back in London, alone and desperate, Mina turns to the sister of Oscar’s oldest friend for solace. Each, it seems, has decided their future lies elsewhere.
Buchanan’s compassionate, empathetic novel explores the effects of mental illness from both sides of a relationship, switching perspectives between Mina and Oscar. It lays bare both the sheer exhaustion of living with the constant worry of what a beloved partner might do to themselves and the relentless debilitation of a disordered mind. Similar themes run through Buchanan’s debut but her new novel is infused with a deeper melancholy and there are moments of aching sadness:
And she saw herself as if from a great height – this small tattooed woman with the bleached hair crying for her husband’s affection. This small woman dressed to look like a rebel just begging to be held.
Unlike Harmless Like You, there are no slapstick moments such as the hairless therapy cat in its ‘festive jumper’ – although I did think the lovely Benson would make an excellent therapy dog – but the same wry, dark humour brightens the tone:
There was no word for the woman whose husband your mother had borrowed
Given the nature of its story, this was bound to be a more sombre novel than Buchanan’s first, made all the more so by the heartfelt note at its end in which she addresses readers dealing with their own difficulties:
Every day you try again is an act of bravery. Although this is worthy of pride, you may not feel able to be proud of yourself. But I would like to wish you congratulations on being here today
Inevitably, July means summer reading which means fewer books for me, not being of the reading by the pool persuasion or doing anything by the pool for that matter. That said, I’m starting off with what will be a surefire summer bestseller: David Nicolls’ Sweet Sorrow. I loved One Day which was commercial fiction perfection as far as I’m concerned. This new one explores young love over a summer in which sixteen-year-old Charlie meets Fran. It’s described by the publishers as ‘a hymn to the tragicomedy of ordinary lives, a celebration of the reviving power of friendship and that brief, blinding explosion of first love that perhaps can only be looked at directly once it has burned out’. I suspect I’ll probably be reading this one happily ensconced on a sofa.
Nicola Barker is the other end of the literary spectrum from David Nicholls, often wacky and innovative. I still haven’t got around to reading H(a)ppy but have fond memories of The Cauliflower®. I Am Sovereign follows a forty-year-old teddy bear maker trying to sell his Llandudno house. A viewing by prospective buyers sets in train a series of events that cause all concerned to question reality. ‘As religious epiphanies bump up against declarations of love, examinations of subjectivity hurtle into meditations on the history of culture, our entire understanding of the book – and of the boundaries between fiction and real life – is radically upended. A tour de force in miniature form that twists the novel into new shapes as the characters sabotage the fictional world they inhabit, I Am Sovereign sees Nicola Barker at her most joyful, provocative and riotous’ say the publishers promisingly.
We’re back in much more straightforward territory with Anna Hope’s new novel, I suspect. I enjoyed both Wake and The Ballroom very much so hopes are high for Expectation which sees three friends living in East London, their lives full of art, love and delight. A decade later, Hannah, Cate and Lissa are trying to cope with the inevitable disillusionments and difficulties of adult life, each thinking the others’ lives are better than theirs, and each wondering how to make their life more meaningful. ‘Expectation is a novel of the highs and lows of friendship – how it can dip, dive and rise again. It is also about finding your way: as a mother, a daughter, a wife, a rebel. Most of all, it explores that liminal space between expectation and reality, the place – full of dreams, desires and pain – in which we all live our lives’ say the publishers whetting my appetite nicely.
Naomi Wood’s The Hiding Game is about the Bauhaus movement, a school of art and design whose ethos and style I find very appealing. Wood’s novel follows Paul Beckermann who arrives at the school in 1922 and becomes entranced by both the teaching and his fellow students, falling in love with one of them. Political tensions and its own internal rivalries result in the group’s disintegration leaving Paul with a secret he’s forced to face when an old Bauhaus friend contacts him, many years later. ‘Beautifully written, powerful and suspenseful, Naomi Wood’s The Hiding Game is a novel about the dangerously fine line between love and obsession, set against the most turbulent era of our recent past’ say the publishers. I very much enjoyed Mrs Hemingway, Wood’s take on Ernest Hemingway’s marriage so I’m looking forward to this one.
Two American novels published in July sound like catnip to me. The first, Regina Porter’s The Travelers, follows two families – one Irish-American, the other African-American – beginning in 1942 as America recovers from the Second World War. ‘Illuminating more than six decades of sweeping change – from the struggle for civil rights and the chaos of Vietnam to Obama’s first year as President – James and Agnes’s families will come together in unexpected, intimate and profoundly human ways. Romantic and defiant, humorous and intellectually daring, Regina Porter brilliantly explores how race, gender and class collide in modern-day America – and charts the mishaps and adventures we often take to get closer to ourselves and to home’ say the publishers which sounds right up my literary alley.
As does Salvatore Scribona’s The Volunteer which spans four generations of fathers and sons, beginning in 1966 when Vollie Frade enlists in the US Marine Corps to fight in Vietnam. ‘From the Cambodian jungle, to a flophouse in Queens, to a commune in New Mexico, Vollie’s path traces a secret history of life on the margins of America, culminating with an inevitable and terrible reckoning. Scibona’s story of a restless soldier pressed into service for a clandestine branch of the US government unfolds against the backdrop of the seismic shifts in global politics of the second half of the twentieth century’ say the publishers promisingly.
I’m ending July’s new titles as I began with a novel I’d be amazed if I didn’t love – Rowan Hisayo Buchanan’s Starling Days. Oscar and Mina move to London after a patrol car picks her up on the George Washington Bridge, apparently about to jump off. Oscar hopes that getting away from New York will help Mina recover but finds their love tested when another woman offers Mina both friendship and attraction. I loved Buchannan’s debut, Harmless Like You, which was both poignant and wryly humorous. I’m hoping for more of the same with Starling Days.
That’s it for July’s new novels. A click on a title will take you to a more detailed synopsis should you want to know more. Paperbacks soon…