Tag Archives: Stay with Me

Paperbacks to Look Out for in March 2018: Part Two

Cover imageWhereas I’d read all the first batch of March paperbacks, I’ve read none of these – something I hope to remedy shortly. I’m particularly looking forward to Ayòbámi Adébáyò‘s Stay with Me which takes us to Nigeria in the turbulent 1980s where Yejide is desperate for a child. She’s tried everything she knows, from medical consultations to pilgrimage, with no success until finally her in-laws insist on a new wife for their son. ‘Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayòbámi Adébáyò weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief, and the all-consuming bonds of motherhood’ says the publisher which sounds almost too heartrending to bear.

Edward Docx’ Let Go My Hand explores secrets and lies through the lens of three sons and their father who has asked them to join him on a last journey through Europe. While Louis has his doubts about the idea, his two half-brothers are much more reluctant, unwilling to forgive their dying father his past transgressions. ‘Let Go My Hand is a darkly comic and deeply moving twenty-first-century love story between a son, his brothers and their father. Through these vividly realized characters, it asks elemental questions about how we love, how we live, and what really matters in the end’ according to the publisher. I’ve not had much luck with Docx’ fiction in the past but the idea of exploring the dark family secrets theme from a male point of view is an unusual one.

Given all that’s been happening in the US over the past few years, it’s a brave author who decides to write a piece of fiction about contemporary America but perhaps Hari Zunzru’s White Tears isn’t the state of the nation novel it first appears, more a comment on race relations. Two very different New Yorkers, friends since college, share a passion for music and are now the rising stars of the city’s music scene. A chance discovery of an old blues song sets in train a chain of events which leaves them in grave danger. ‘Electrifying, subversive and wildly original, White Tears is a ghost story and a love story, a story about lost innocence and historical guilt. This unmissable novel penetrates the heart of a nation’s darkness, encountering a suppressed history of greed, envy, revenge and exploitation, and holding a mirror up to the true nature of America today’ say the publishers.

Daniel Magariel’s One of the Boys is about two brothers who move from Kansas to Albuquerque with their father after their parents’ acrimonious divorce. He works from home while they settle into their new school but his behavior becomes increasingly disturbing. ‘Brutal and urgent, this masterful debut is a story of survival: two brothers driven to protect each other from the father they once trusted’ say the publishers. I’ve seen several good reports of this one from people whose opinion I trust.

Cover imageWolfgang Herrndorf’s Sand is also here thanks to a trusted blogger’s opinion. It’s set in the North African desert where an amnesiac man is fleeing armed pursuers. Four Westerners are murdered in a commune and a suitcase of worthless currency disappears. ‘Enter a pair of very unenthusiastic detectives, a paranoid spy whose sanity has baked away in the sun, and a beautiful blonde American with a talent for being underestimated. Sand is a gripping thriller – part Pynchon, part Le Carre, part Coen brothers – an unsettling, caustically funny tale of pursuit and madness’ say the publishers which doesn’t sound very far up my alley but this review over at Elle Thinks is very convincing.

That’s it for March’s paperbacks. A click on a title will take you to a more detailed synopsis and if you’d like to catch up with the first part it’s here. New titles are here.

Books to Look Out for in March 2017: Part One

Cover imageThere’s a timeline flowing neatly through this first batch of March titles, beginning with Helen Dunmore’s Birdcage Walk set in 1792 in her home town of Bristol with the French Revolution still playing out across the Channel. Recently married, Lizzie comes from a Radical background but her husband is a property developer whose future prosperity relies on stability rather than the prospect of war and social unrest. John believes not only that Lizzie is too independent and questioning but that she belongs to him by law and must live according to his wishes. A new Dunmore is always a joy and the scene seems set nicely here for an exploration of political and domestic tensions.

Over half a century later, the beginning of the American Civil War is the setting for George Saunders’ first novel Lincoln in the Bardo. The basis of Saunders’ story is the death of Lincoln’s eleven-year-old son and its effects on his father, rumoured to have frequently visited his son’s grave despite the war ravaging his country. ‘From this seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of realism, entering a thrilling, supernatural domain both hilarious and terrifying’ according to the publisher. I’m not entirely sure what to make of that but it’s the novel’s central question – ‘how do we live and love when we know that everything we hold dear must end?’ – together with Saunders’ reputation that makes this one attractive.

Sana Krasikov’s The Patriots moves us on to the 1930s where Florence is desperate to escape her Brooklyn family. A new job and relationship take her to Moscow but she later finds she has no way back. Florence’s actions have repercussions that reverberate down through the generations as her son will find when his own work forces him to investigate his mother’s past. ‘Epic in sweep and intimate in detail, The Patriots is both a compelling portrait of the entangled relationship between America and Russia, and a beautifully crafted story of three generations of one family caught between the forces of history and the consequences of past choices’ says the publisher which sounds much more interesting than your average family saga.Cover image

Ayòbámi Adébáyò‘s Stay with Me takes us to Nigeria in the turbulent 1980s where Yejide is desperate for a child. She’s tried everything she knows, from medical consultations to pilgrimage, with no success until finally her in-laws insist on a new wife for their son. ‘Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayòbámi Adébáyò weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief, and the all-consuming bonds of motherhood’ says the publisher which sounds almost too heartrending to bear. I spotted Naomi over at The Writes of Women raving about this on Twitter last December and so my hopes are high.

That’s it for the first tranche of March goodies. As ever, a click on a title will take you to a more detailed synopsis should you want to know more. Part two follows shortly…