Tag Archives: The Life to Come

Paperbacks to Look Out for in August 2018

Cover imageI’ve read all but one of August’s paperbacks, or at least the ones that have caught my eye, which means a nice cheap month for me. I’ll begin with Michelle de Kretser’s The Life to Come which explores modern Australia through the stories of a disparate set of characters linked by their relationship to one rather infuriating woman. Hard to encapsulate this episodic novel in a neat synopsis but de Kretser executes it with a deceptively light touch and a hefty dollop of dry, often waspish humour underpinned with compassion.

Jenny Erpenbeck’s Go, Went, Gone is also notable for its compassion, examining the plight of refugees through the lens of a recently retired, widowed academic. Richard finds himself faced with a blank future until his interest is piqued by a hunger strike staged by a group of African refugees which leads to his involvement with the occupation of Oranienplatz. Erpenbeck humanises the occupiers through their stories of the often calamitous events that made them leave their homes and the appalling difficulties of their journeys. It’s a much more conventional narrative than either The End of Days or Visitation, the other novels I’ve read by Erpenbeck, but there’s the same consciousness of Germany’s own fractured past running through it.

The past is very much present in Nicole Krauss’ Forest Dark in which two very different New Yorkers are drawn to Tel Aviv, briefly staying in the city’s Hilton: one a retired lawyer who has taken to giving away his valuables; the other a middle-aged novelist, stuck both in her writing and her marriage, lured by the familiar setting of childhood holidays. Krauss alternates Jules Epstein’s relatively straightforward story with Nicole’s discursive, highly literary narrative, building an expectation that they will meet at some point which – a little frustratingly – is unfulfilled. Rich in ideas and beautifully expressed, Forest Dark is far from an easy read but it’s Cover imagea rewarding one.

Studded with a multitude of literary allusions – even the cops read Modiano – C. K. Stead’s The Necessary Angel is about a professor at the Sorbonne who lives in a state of comfortably amicable estrangement from his wife. Max conceives an unexpected passion for a junior colleague, then a young British postgraduate appears in his study, charming him with both her flattery and eccentricity. While his wife is on holiday, a painting thought to be a Cézanne disappears from her apartment and Max finds himself in a fix. Stead’s novel manages to be both cerebral and thoroughly entertaining.

Continuing the literary allusion theme, Fiona Melrose’s Johannesburg is an homage to Virginia Woolf’s Mrs Dalloway which follows a diverse set of characters through a single day as one of them prepares for a party on December 6th, 2013. Melrose shifts smoothly from one character to another offering her readers a snapshot of South Africa’s capital on the day after the death of Nelson Mandela. It’s an ambitious, expertly executed novel which made me wonder why I hadn’t read Melrose’s first book, Midwinter.

Set in early twentieth-century Brooklyn, Alice McDermott’s The Ninth Hour is the story of Annie, rescued from poverty by the Little Nursing Sisters of the Sick Poor when her husband commits suicide leaving her pregnant and bereft. It bears all the hallmarks I’ve come to expect from a McDermott novel: understated yet lyrical writing; empathy in spades; astutely drawn characters, Cover imageall gathered together to form a quietly glorious whole infused with gentle humour.

My last August paperback is Akhil Sharma’s A Life of Adventure and Delight which I’ve yet to read. Comprising ‘elegant, unsparing and intimate stories’, Sharma’s collection combines ‘the minimalism of Chekhov and Carver with a flair for dark comedy’ say the publishers setting the bar rather high although having read the Folio Prize-winning Family Life I’d say they may well be right.

If you’d like to know more, a click on any of the first six titles above will take you to a full review here or to a more detailed synopsis for A Life of Adventure and Delight, and if you’d like to catch up with August’s new books they’re here, and here.

My 2018 Man Booker Wish List

Almost time for the 2018 Man Booker judges to announce their longlist to readers, not to mention publishers, waiting with bated breath to see if their favourites are amongst the chosen few. This year’s a special one. As I’m sure you all know, It’s the prize’s fiftieth anniversary which has been celebrated with a string of events, culminating in the coronation of Michael Ondaatje’s The English Patient as the Golden Man Booker ten days ago. There’s also been a little celebration over at Shiny New Books where contributors have been writing about their own favourites.

Regular readers will know that any similarity between my wish list and the 2018 Man Booker judges’ longlist is likely to be entirely coincidental. To be eligible for the prize all books must be published in the UK between October 1st 2017 and 30th September 2018 and have been written in English. Like the judges I’ve allowed myself twelve, although they sometimes stretch to thirteen. Their list will be revealed on Tuesday 24th July but here’s mine – wishes not predictions, see above – in no particular order, with links to my reviews.

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Sugar Money                                   The Ninth Hour                        A Long Way from Home

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The Immortalists                         From a Low and Quiet Sea             White Houses

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The Life to Come                                         Putney                              All Among the Barley

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Transcription                                     Bitter Orange                Now We Shall Be Entirely Free

 

It’s quite possible that I’ll read a gem I’d loved to have included here published before 30th September – I’m reasonably sure that Patrick deWitt’s French Exit would make my cut and William Boyd’s Love is Blind is due in September– but I’m sticking to novels I’ve read. And if I had to choose one? That would be Kate Atkinson’s Transcription but no doubt the judges will disagree with me on that yet again.

What about you? What would you like to see on the list, and what do you think the judges will plump for?

My wish list for the Women’s Prize for Fiction 2018

The longlist for the only UK award that really excites me these days, The Women’s Prize for Fiction, is due to be announced next Thursday. Only novels written by women in English published between April 1st 2017 and March 31st 2018 qualify. Over the past few years I’ve failed miserably in my suggestions but truth be told I’d much rather indulge myself with a fantasy list rather than speculate as to what the judges think. What follows, then, is entirely subjective, wishes rather than predictions. The judges are restricted to twelve on their longlist but given that this is my indulgence I’ve decided to ignore that and include two extra that I couldn’t bear to drop. I’ve followed the same format as 2017, 2016 and 2015, limiting myself to novels that I’ve read with a link to a full review on this blog. So, in no particular order here’s my wish list for the 2018 Women’s Prize for Fiction:

The End We Start From                   The Lie of the Land               Conversations with Friends

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Johannesburg                                        Home Fire                                   Sugar Money

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The Ninth Hour                                    The Life to Come                                 Sisters

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The Break                                                Asymmetry                  Miss Boston and Miss Hargreaves

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All Day at the Movies                           Before Everything

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I’ll be happy if even one of these takes the judges’ fancy. A click on a title will take you to my review should you want to know more..

How about you? Any titles you’d love to see on the longlist?

The Life to Come by Michelle de Kretser: The way we live now

Cover imageLast year’s reading got off to a very satisfying start with a book by an Australian author – Jennifer Down’s compassionate, clear-sighted and lovely debut, Our Magic Hour. Coincidentally, this year’s has also begun with a beautifully crafted, thoroughly engaging Australian novel. I’d read and enjoyed Michelle de Kretser’s Questions of Travel a few years ago but The Life to Come feels like a much more ambitious novel to me, managing to be both funny and poignant as it examines the state of modern Australia through the stories of a disparate set of characters linked by their relationship to one woman.

The novel opens in the 1990s with George, an aspiring novelist, taking over a house left empty by an elderly cousin. When he bumps into an old student from his tutoring days in need of somewhere to live, he offers her a room. Pippa espouses all the right ideas but seems incapable of living by them, constantly spouting earnest platitudes. When she declares an ambition to become a novelist, George can barely conceal his sneer. Several years later, Cassie unburdens herself to Pippa over coffee. Cassie has fallen in love with Ash – half-Scottish, half Sri Lankan – but it’s clear that she wants a very different relationship from the one he’s prepared to offer. Pippa seems too caught up in her own annoyance at finding only one copy of her novel in a bookshop to offer much consolation. Soon she will be in Paris, awarded a residency to work on her next novel, where she becomes friends with Céleste who grew up in Australia and now works as a translator when not yearning after her married lover, Sabine. Céleste finds herself unexpectedly missing Pippa when she goes home, despite worrying that she might make an appearance as one of Pippa’s characters. Pippa’s novels continue to be relentlessly autobiographical, her husband’s imagined affair and its consequences offering material for the next one. In the book’s final section, Pippa befriends her elderly Sri Lankan neighbour, inviting her to tea with every appearance of solicitude beneath which lurks an ulterior motive. The novel ends with a literary festival which hosts both Pippa and George.

Pippa is the glue that holds the novel’s episodic structure together. Through the stories of Pippa’s friends and acquaintances, de Kretser deftly explores modern life with a deceptively light touch and a hefty dollop of dry, often waspish humour. Barbs are tossed at a multitude of modern obsessions, from social media – which often felt like reading my own Twitter timeline – to faddish food. Frantic virtue signalling in the shape of Eva who never misses the chance to parade her support for ethnic diversity is neatly counterbalanced by the casual racism that her husband demonstrates, a theme which runs through the novel. The literary festival scenes towards the end are particularly amusing, and perhaps heartfelt. Throughout it all, de Kretser’s penetrating observation and mordant humour is underpinned with compassion, most movingly so in the final section which explores the loneliness of old age. This is a fine novel: perceptive and intelligent, sharp yet humane. I’ll be astonished if it’s not on my books of the year list next December.

Books to Look Out for in January 2018: Part One

Cover imageRound about now at the fag-end of the literary year, I begin to look forward eagerly to what’s coming next. The first batch of goodies kick starting this January is dominated by Australian writers, beginning with a new Peter Carey which is always something worth looking out for. A Long Way from Home is set in 1953 when the Bobbseys arrive in Bacchus Marsh, Australia. Their neighbour Willie soon becomes drawn into their orbit, persuaded to be their navigator on the Redex Trial, a car race that circumnavigates the continent. ‘As they drive into unknown territory, and cross the outback, Willie will discover the heartrending truth about his own and his country’s past’ say the publishers which sounds very promising.

Less well-known outside Australia than Carey, Helen Garner also has a book out in January. Stories: Collected Short Fiction is being issued in celebration of her seventy-fifth birthday and comprises short stories ‘all told with her characteristic sharpness of observation, honesty and humour. Each one a perfect piece, together they showcase Garner’s mastery of the form’ according to the publishers. I’ve only read The Spare Room but my memories of that are of clean, crisp prose so I have my eye out for this collection.

Michelle de Kretser’s The Life to Come covers many geographical miles taking its readers from Sydney to Paris and Sri Lanka following three people: Pippa, a writer; Celeste embroiled in an affair and Ash who suffered a tragedy in childhood. ‘Driven by riveting stories and unforgettable characters, here is a dazzling meditation on intimacy, loneliness and our flawed perception of other people… …a mesmerising novel [which] feels at once firmly classic and exhilaratingly contemporary’ say the publishers, covering all the bases. I remember very much enjoying de Kretser’s Questions of Travel a few years back.

Around the world to the American South for Eleanor Henderson’s The Twelve Mile Straight, set in Georgia in 1930 where a man is lynched for allegedly raping a white sharecropper’s daughter who has given birth to twins, one clearly white, the other suspiciously brown. Surrounded by gossip, Elma brings up her babies helped by her father and the young black housekeeper who is as close to her as a sister. ‘It soon becomes clear that the ties that bind all of them together are more intricate than any could have imagined. A web of lies begins to collapse around the family, destabilizing their precarious world and forcing all to reckon with the truth’ say the publishers, hinting at all manner of things. This one could easily backfire but it’s such an intriguing premise, a little reminiscent of Laird Hunt’s The Evening Road which I enjoyed very much,  and it’s much praised by Ann Patchett, apparently.

That’s it for the first selection of January’s new novels. A click on a title will take you to a more detailed synopsis should any take your fancy. Second batch to follow shortly, all with their feet firmly planted in the UK.