I Want Everything by Dominic Amerena: Who owns the story?

Cover image for I Want Everything by Dominic Amerena I’ve enjoyed several novels over the past few years about the ownership of stories – Andrew Lipstein’s Last Resort springs to mind as does Hanff Korelitz’s The Plot – which is why I put up my hand for Dominic Amerena’s debut, I Want Everything. When our unnamed narrator is discharged from one of his many hospital stays, he decides to take a swim in his neighbourhood pool where he convinces himself he’s spotted Brenda Shales, once one of Australia’s most notorious bestselling novelists, who apparently disappeared without trace in the 1970s.

An innocent mistake. Innocent, then progressively less so. I acted immorally, but what did literature have to do with morality?  

Our narrator published several acclaimed short stories some time ago but has been struggling to write a novel since, whatever reputation he had dwindling to nothing. His partner, Ruth, has a successful career as an essayist, making him feel even smaller. The putative sighting of Brenda offers him a golden opportunity. He tracks her down to a care home, inveigles his way to her room, choosing not to correct a nurse’s assumption that he’s her grandson. Brenda is delighted with this young man, the son of the child she was forced to give up, happy to tell her story so that he can write it. Over the next month, she shares with him shocking secrets about the debut that made her name and the second novel which brought her notoriety and hate culminating in a lawsuit. Our narrator can hardly believe his luck, squashing niggling doubts about the original deception which led him to become Brenda’s confidant, lies piling up until he’s painted himself into a corner, dreams of the prize-winning biography that will solve Australia’s greatest literary puzzle fading fast. After a dinner party when he’s unmasked in front of Ruth, he thinks the game must be up until he conducts one last interview with Brenda.

But in fact the end, when it came, was nothing like that. Of all the scenarios I’d imagined, this one had never occurred to me. It was, truly, the last thing I expected.

Amerena’s novel is a wonderfully twisty tale about authorship and literary ambition. Our thin-skinned narrator is willing to involve himself in subterfuge and deceit, squirming more at the thought of being found out than the rights and wrongs of what he’s doing, all to see a book with his name on it. There’s much humour to be enjoyed at the expense of writers, portrayed as self-absorbed, touchy and often unscrupulous. Ruth does struggle with her conscience about a piece she wrote on her relationship with her mother but manages to overcome it, reaping the viral reward. An entertaining, smartly structured satire whose final sentence is the cherry on the cake.

Scribner: London 9781398547469 240 pages Hardback (read via NetGalley)


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17 thoughts on “I Want Everything by Dominic Amerena: Who owns the story?”

  1. Oh, this is right up my street as well! I loved the Lipstein and the Korelitz, and Lee Cole’s Groundskeeping, a more literary take on the same themes. On the TBR it goes.

  2. Well, I’ve read none of the books you mention, and sense I am missing out. The only book I’ve read recently that covers some of the same ground is Yellowface by R F Kuang. I’d be interested in this take on an apparently somewhat similar theme.

      1. Here’s the final paragraph of my review. Only you can decide … ‘It’s a melodrama. It’s a thriller. It’s a window on racial diversity as seen through the eyes of a social media and publishing world totally lacking in nuance. It’s a comic novel. It’s clever, leaving you with lots to think about as you flip-flop from ‘getting’ Juniper’s take on her theft , and finding her morally indefensible, It’s entertaining too. Shall I read more by Kuang? Much as I raced through this book, eager to find how the story ends – probably not. I’m exhausted’.

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