Paperbacks to Look Out For in March 2026: Part One

Back from Copenhagen (more of which later in the week) with March’s first paperback preview which begins with two favourites from last year: one a novella, the other a chunkster.

Cover image for A Room Above a Shop by Anthony Shapland I was so impressed with Anthony Shapland’s use of language in A Room Above a Shop, I assumed he was a poet but he turns out to be an artist. Set in a small Welsh village in the 1980s, his powerful debut sees two men carefully find their way to a relationship then love, B working in M’s shop and living in the bedsitter above, next to M’s room. Downstairs they continue their roles of staff and shopkeeper, stifling their horror at the screaming ‘gay plague’ headlines announcing HIV/AIDS, quoted in tones of disgust by customers. The relationship between B and M is beautifully drawn, their public days hedged around with self-restraint and a performance of straightness lest anyone guess they’re lovers. Cover image for Confessions by Catherine Airey

Catherine Airey’s Confessions is an involving tale of two Irish sisters, one of whom emigrates to New York to take up an art school scholarship ticking two of my literary boxes. Máire and Rósín’s stories span several decades beginning in the 1970s when they’re growing up in an Irish village not far from the house which one will paint and the other will eventually live in, making it the setting for a choose-your-own-adventure computer video game. There’s a coincidence that may irritate some, but I was so engrossed by the time I got to it that I was more than happy to continue the ride. A long, intricately plotted, luxurious read.

Cover image for The Names by Florence KnappIn Florence Knapp’s debut, The Names, a mother needs to register her son’s birth shortly after the great storm of 1986 but can’t quite decide what to call him. Her choice will determine the course of his life whether it be Bear, as his sister would like, Julian, the name she favours, or Gordon, following his domineering father’s family tradition. ‘Powerfully moving and full of hope, this is the story of three names, three versions of a life, and the infinite possibilities that a single decision can spark. It is the story of one family, and love’s endless capacity to endure, no matter what fate has in store’ says the blurb rather portentously. I’m a sucker for that The Versions of Us structure.Cover image for Deep Cuts by Holly Brickley

I remember Canadian writer Holly Brickley’s Deep Cuts picking up lots of praise when it was first published. Its premise reminds me a little of Taylor Jenkins Reid’s Daisy Jones and the Six with its tale of musical heartbreak and life lived in the spotlight, Percy watching from the sidelines as Joe’s songs propel him to stardom. ‘Deep Cuts is an irresistible novel about passion and obsession, love and longing and, above all, our need to be heard’ says the blurb of what I hope will be a nicely turned-out piece of absorbing, easy reading.

That’s it for the first batch of March’s paperbacks. A click on a title will take you either to my review or to a more detailed synopsis should you want to know more. If you’d like to catch up with new fiction, it’s here and here.


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23 thoughts on “Paperbacks to Look Out For in March 2026: Part One”

  1. I got Confessions from the library when it first came out … and had to return it before reading a single word. Must Try Harder. This and the Shapland are my first choices from what looks like a strong field this week.

  2. I have read and reviewed Shapland and Knapp books on my Substack. I really enjoyed both debut novels. Different styles. The first is a quieter type of book than the second. Both deal with secret lives, search for love and peace, and are heartbreaking in their own ways.

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