Susan Osborne

Cover image for Waiting for a Party by Vesna Main

Waiting for a Party by Vesna Main: ‘Memory is all. Memory is her life now.’  

Waiting for a Party is the second novel I’ve read by Vesna Main. I was so impressed by Good Day? I included it on my 2020 Women’s Prize for Fiction wishlist, knowing it didn’t stand much chance, and so was pleased to see it on the Goldsmith’s Prize shortlist later that year. Her new one

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Cover image for The Sequel by Jean Hanff Korelitz

The Sequel by Jean Hanff Korelitz: ‘But they’re never as good as the first book, are they?’

I raced through Jean Hanff Korelitz’s The Plot while on last year’s Central European rail jaunt. It’s a literary thriller about a blocked writer who uses the surefire plot a student recounts to him after he learns of the student’s death with dire consequences. I dithered about reading The Sequel, having learnt my lesson with

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Cover image for The Proof of My Innocence

The Proof of My Innocence by Jonathan Coe: More than one way of telling a story

Despite a slightly patchy experience with Jonathan Coe’s novels over past few years, I couldn’t resist The Proof of My Innocence when it was pitched to me, particularly as I’d very much enjoyed Bournville, his last novel. There’s always a thread of state-of-the-nation running through his fiction, sometimes more overt than others. This one opens

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Cover image for The History of Sound by Ben Shattuck

The History of Sound by Ben Shattuck: ‘The second half of the couplet often completes the sentence or sentiment of the first’

That subtitle sums up the structure of Ben Shattuck’s beautifully constructed The History of Sound comprising twelve stories, each with a companion piece. That alone would have made me want to read it but the promise of a film adaptation starring Paul Mescal was an added spur; shallow as that might seem, he’s a such

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