Susan Osborne

Cover image for History. A Mess. by Sigrún Pálsdóttir

History. A Mess. by Sigrún Pálsdóttir (transl. Lytton Smith) ‘This day, after I was redie, I did eate my breakfast’

Given that I live with an historian whose PhD we both suffered through, it was inevitable that I would read Icelandic writer Sigrún Pálsdóttir’s History. A Mess. That and it’s published by the excellent Peirene Press who have recently moved to my hometown. Pálsdóttir’s novella follows an unnamed narrator convinced that she’s discovered the identity

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Cover image for The Sharing Economy by Sophie Berrebi

The Sharing Economy by Sophie Berrebi: ’Unlimited access to the cookie jar’

Having read Jo Bloom’s Permission which explores very similar territory not so long ago, I was in two minds about reading Sophie Berrebi’s The Sharing Economy which sees woman pushing the boundaries of her open marriage but there was mention of art and Amsterdam in the blurb then another blogger spurred me on. Set in

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Cover image for Old God's Time by Sebastian Barry

Old God’s Time by Sebastian Barry: ‘This is the saddest story I have ever heard’

That subtitle isn’t a quote from Sebastian Barry’s new novel – as some of you may have spotted, it’s the opening line from Ford Maddox Ford’s The Good Soldier – but it’s the phrase that came into my head many times while reading it. Set in mid-1990s Ireland, Old God’s Time follows a recently retired

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Cover image for Nothing Special by Nicole Flattery

Nothing Special by Nicole Flattery: ‘I could become someone of my own invention’  

I would have been keen to read Nicole Flattery’s first novel anyway, having enjoyed her excellent short story collection, Show Them a Good Time, but its premise is intriguing. In 1967, two young high school students helped transcribe tapes of conversations and monologues made by Andy Warhol’s coterie on which he based A Novel. Flattery’s

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