Tag Archives: Acts of Infidelity

Paperbacks to Look Out for in May 2019: Part Two

Cover imageBack from Genoa – of which more on Wednesday –  with the second batch of May paperbacks starting with the only one I’ve read. Lena Andersson’s Acts of Infidelity features the same sharply observed protagonist as her witty novella, Wilful Disregard, which I reviewed here a couple of years ago. Once again Ester is in the grips of monomania, this time for Olof who is performing in her play, Threesome, about a man trapped in an unhappy marriage who becomes involved with another woman. Given the novel’s title, it doesn’t take much to work out how things play between Ester and Olof. Andersson shows no mercy in skewering Ester’s deluded conviction that Olof is as besotted with her as she is with him despite his obvious indifference which may sound like a rerun of Wilful Disregard but its more sombre tone makes Act of Infidelity sadly credible.

I suspect Sara Stridsberg’s The Gravity of Love will share that tone. Jimmie Darling’s daughter visits her father in the psychiatric institution just outside Stockholm where he is in the charge of Edvard Winterson, happy to take his patients for the odd night out. When her mother disappears on holiday, the hospital becomes Jackie’s world and she makes the acquaintance of what sounds like a vivid cast of characters. ‘In Sara Stridsberg’s breathtakingly beautiful novel, the psychiatric hospital, set in a lovely park close to a lake, takes on near-mythic dimensions, both as an avenging angel and as a redeemer of lost souls’ say the publishers which sounds a little overblown but Stridsberg’s book has been much praised in Stridsberg’s native Sweden.

Sally Rooney’s quietly addictive Conversations with Friends won both prizes and accolades when it was published in 2017. Her second, Normal People, has met with a similar response. It follows Connell and Marianne, both from the same small town but from very different backgrounds, who win places at Trinity College Dublin. ‘This is an exquisite love story about how a person can change another person’s life – a simple yet profound realisation that unfolds beautifully over the course of the novel’ say the publishers promisingly. That synopsis remindsCover image me a little of Belinda McKeon’s wonderful Tender setting the bar very high for me.

In Meg Wolitzer’s The Female Persuasion a young student is taken up by a prominent feminist and finds herself treading a very different path from the one she’d expected to travel. ‘Expansive and wise, compassionate and witty, The Female Persuasion is about the spark we all believe is flickering inside us, waiting to be seen and fanned by the right person at the right time, and the desire within all of us to be pulled into the light’ according to the publishers. I’ve long been a fan of Wolitzer’s novels, reviewing The Interestings here way back in 2013.

I could have said the same about William Boyd’s work had it not been for a string of thrillers which failed to hit the mark for me. His last novel, Sweet Caress, saw a return to form that I hope will continue in Love is Blind. Set at the beginning of the twentieth century, it follows Brodie Mancour from Edinburgh to Paris where he conceives an obsessive passion for a Russian soprano with dangerous consequences. ‘At once an intimate portrait of one man’s life and an expansive exploration of the beginning of the twentieth century, Love is Blind is a masterly new novel from one of Britain’s best-loved storytellers’ say the publishers which makes me hopeful.

I’m finishing May’s paperback preview with two short story collections the first of which, Lauren Groff’s Florida, I’ve picked not because, as the publishers trumpet, it was one of Barack Obama’s books of 2018, although it has to be said that the man has excellent literary taste, but because Rebecca over at Bookish Beck rated it her favourite fiction of the same year. ‘In these vigorous stories, Lauren Groff brings her electric storytelling to a world in which storms, snakes and sinkholes lurk at the edge of everyday life, but the greater threats are of a human, emotional and psychological nature’ according to the blurb. Sounds great.

Cover imageCatherine Lacey’s second novel, The Answers, came with Margaret Atwood’s seal of approval which must be both a blessing and a curse for an author, raising stratospheric expectations. She’s followed it with Certain American States, a collection of twelve short stories which explore loss and longing, apparently. The Answers was stuffed full of smart writing so I’m hoping for the same with this collection although perhaps not the caustic humour given those themes.

That’s it for May. A click on Acts of Infidelity will take you to my review or to a more detailed synopsis for the other six titles. If you’d like to catch up with the first batch of paperbacks, it’s here. The month’s new titles are here and here.

Acts of Infidelity by Lena Andersson (transl. Saskia Vogel): Balancing the emotional books

Cover imageI reviewed Lena Andersson’s sharply observed, witty novella Wilful Disregard here a couple of years ago. It’s a study in obsession that has you squirming in your seat. Acts of Infidelity sees its main protagonist, Ester Nillson, once again in the grips of monomania, this time for Olof who is performing in her play, Threesome, about a man trapped in an unhappy marriage who becomes involved with another woman. Given the novel’s title, it doesn’t take much to work out how things will play between Ester and Olof.

Ester meets Olof at the first read-through of her play, experiencing a familiar tingling of attraction towards him. She’s a highly accomplished writer: a poet, playwright and intellectual. Intensely cerebral, she’s given to analysing the tiniest detail of their affair, balancing one interpretation against another yet choosing the one which fits her delusion no matter how outlandish or detrimental to herself. Olof is initially quiet about his marriage, blowing hot and cold with Ester, insisting that he and she are not in a relationship long after they have slept together. This is their particular dance: he breaks things off then one of them – often Ester – contacts the other and Olof carries on as if nothing has happened while Ester remains steadfast in her belief that he is on the brink of leaving his wife despite his frequent insistence that this will never happen. As the years roll past – three and a half of them – Ester’s friends become increasingly frantic in their advice, then weary, until one day she takes a decision.

While infused with a sly humour, Acts of Infidelity is altogether more sombre than Wilful Disregard. There’s the odd passing reference to Hugo Rask, the previous object of Ester’s obsession, but it’s clear she’s learned nothing from that experience. Andersson shows no mercy in skewering Ester’s self-deluded conviction that Olof is as besotted with her as she is with him while ‘Let’s get out of here’, Olof said, and proceeded to take a seat in an armchair neatly sums up Olof’s exasperatingly contradictory behaviour throughout their affair. The ‘girlfriend chorus’ listens as patiently as they did in Wilful Disregard, becoming less so as time wears on. This may sound like a rerun, then, but the difference is that sombre tone which makes Act of Infidelity sadly credible. Most of us have known friends in this kind of predicament, although perhaps not quite so extreme as Ester’s. The ending is a relief. Andersson refuses to put the blame squarely on the mistress’ shoulders as society so often does, offering instead – as you’d expect from Ester – a more complicated, nuanced interpretation.