British contemporary fiction

Vover image for Exhibition by Alex Hyde

Exhibition by Alex Hyde: ’Who is the artist, and who is the muse?’  

I’d already managed to overcommit myself when Alex Hyde’s Exhibition appeared on NetGalley. It ticked so many boxes for me, I had to have it. Spanning several decades, it follows the musings of photographer Rabble Stone on her relationship with the unnamed artist whose work is about to be the subject of a major retrospective. […]

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Cover image for This, My Second Life by Patrick Charnley

This, My Second Life by Patrick Charnley: A doubly poignant debut

That lovely cover caught my eye on NetGalley before I realised that Patrick Charnley is the son of the much-missed Helen Dunmore, one of my favourite authors. This, My Second Life is Charnley’s debut which starts with a sobering author’s note telling his readers that while this is a novel, the narrator’s cardiac arrest and

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Cover image for Saltwash by Andrew Michael Hurley

Saltwash by Andrew Michael Hurley: ‘Tide in, tide out. All’s forgotten’

I dithered about reading Andrew Michael Hurley’s Saltwash, put off by his reputation for writing folk horror, not a genre I’m attracted to, but I liked its premise so decided to take the plunge, helped along by a few NetGalley reviews by fans disappointed by its lack of menace. Tom and Oliver have been matched

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Cover image for TonyInterruptor by Nicola Barker

TonyInterruptor by Nicola Barker: ‘Is this honest? Are we all being honest here?’  

It’s nine years since I reviewed Nicola Barker’s The Cauliflower® describing it as a Marmite novel – love it or hate it for those not acquainted with the expression. Her new one, TonyInterruptor, is more conventional although not a novel that lends itself to an easy synopsis, tossing around ideas between its small cast of

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Cover image for Drayton and Mackenzie

Drayton and Mackenzie by Alexander Starritt: The odd couple

I’ve had several successes with Swift Press, notably Ben Shattuck’s The History of Sound, one of last year’s favourites, enough to keep an eye on their upcoming titles. Alexander Starritt’s Drayton and Mackenzie is very different. Opening in the early 2000s, it follows James Drayton and Roland Mackenzie whose chance meeting a couple of years

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Cover image for Births, Deaths, Marriges by Laura Barnett

Births, Deaths & Marriages by Laura Barnett: A celebration of friendship

It’s ten years since I reviewed Laura Barnett’s The Versions of Us which, rereading my review, I obviously enjoyed but never got around to reading anything else by her. She writes absorbing, well turned-out fiction, tending towards the commercial end of the scale. Her new novel follows a group of six friends over the year

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Cover image for Ripeness by Sarah Moss

Ripeness by Sarah Moss: ‘Life has no form, you don’t get to choose.’

I was delighted when Sarah Moss’s Ripeness popped through my letter box. It’s the eighth book by her I’ve reviewed on this blog, starting way back in 2013 with her Icelandic memoir, Names for the Sea. This new one sees a woman in her seventies remembering the months she spent in Italy as a seventeen-year-old

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Cover image for The Proof of My Innocence

The Proof of My Innocence by Jonathan Coe: More than one way of telling a story

Despite a slightly patchy experience with Jonathan Coe’s novels over past few years, I couldn’t resist The Proof of My Innocence when it was pitched to me, particularly as I’d very much enjoyed Bournville, his last novel. There’s always a thread of state-of-the-nation running through his fiction, sometimes more overt than others. This one opens

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