Tag Archives: Eoin McNamee

Paperbacks to Look Out for in August 2019

After a tempting array of new August titles I’m sorry to say that only a handful of paperbacks appeal, two of which I’ve read already. I was far from convinced that I’d like let alone love Robbie Arnott’s Flames which is quite some way out of my usual literary territory but it ended up as one of my 2018 favourites, even making it on to my Booker wish list. Arnott’s debut begins with the reappearance of Edith McAllister, two days dead. The McAllister women have a history of resurrection, appearing covered in barnacles or vegetation after they’ve been cremated, only to burst into flames a few days later. It comes as no surprise, then, when Edith repeats the pattern but her son is determined that his sister will escape the same fate. Wacky as that sounds, Arnott’s striking novel drew me in with its gorgeous writing.

Back to more straightforward fiction with Anna Quindlen’s Alternate Side, a perceptive exploration of middle-aged marriage which inhabits quintessential Quindlen territory. Charlie is cock-a-hoop having secured a space in the parking lot of the Manhattan cul-de-sac where he and Nora have lived for a couple of decades along with a privileged set of householders who  look to the likes of Ricky, the handyman, to keep things ticking over smoothly. One day a shocking act of violence rocks the street, setting off fault lines in relationships that will undermine some irretrievably. There’s a pleasing thread of wry humour running through this novel which is also a love letter to New York, laced with a certain ruefulness at its makeover. Quindlen’s fiction seems much over-looked here in the UK which is a shame. I’d rank her alongside Elizabeth Strout.

We’re staying in New York for Dana Czapnik’s The Falconer much praised by both Salman Rushdie and Claire Messud which seems a slightly odd combination. Czapnik’s debut follows seventeen-year-old Lucy Adler, a basketball star in the making. Less brash than she seems, Lucy falls into unrequited love with her best friend and teammate then finds herself drawn into the bohemian world of two women artists. ‘In her hit US debut, Dana Czapnik memorably captures the voice of a young woman in the first flush of freedom searching for an authentic way to live and love’ say the publishers which sounds just the ticket.

Moving on to Thailand with Pitchaya Sudbanthad’s debut, Bangkok Wakes to Rain, which tells the story of a disparate set of the city’s inhabitants through the history of one building, A nineteenth century missionary longs for New England; a 1970s jazz pianist attempts to subdue the building’s ghosts and a young woman gives swimming lessons in a near-future submerged Bangkok, apparently. I’ve always had a soft spot for this kind of structure but I’m slightly deterred by the dystopian thread.

Eoin McNamee’s The Vogue  sounds a little Gothic rather than dystopian. In 1944, two teenagers silently dance in an aerodrome. She draws the outlines of their footwork in eyebrow pencil; he loses their bet. Decades later, a body is found. ‘Set against an eerie landscape, awash with secrets, The Vogue is a grimly poetic dance through the intertwined stories of a deeply religious community, an abandoned military base, and a long-shuttered children’s Care Home’ say the publishers promisingly. Anna Burns is a big fan, apparently.

I wasn’t overly impressed by David Szalay’s All That Man Is which never seemed to coalesce as a novel but that hasn’t stopped me from casting an eye over Turbulence, described by his publishers as a short story sequence, which follows twelve characters en route across the globe. ‘Szalay deftly depicts the ripple effect that, knowingly or otherwise, a person’s actions have on those around them, and invites us to consider our own place in the vast and delicately balanced network of human relationships that is the world we live in today’ according to the blurb. It’s the idea of the journey that attracts me to this one.

That’s it for August’s paperback preview. A click on the title of one of the first two will take you to my review and to a more detailed synopsis for the rest should you want to know more. New titles can be found here and here.

Books to Look Out for in October 2018

Cover imageOctober’s the month in which the big literary guns are rolled out in the battle for our Christmas present lists although the publicity campaign for Sarah Perry’s Melmoth has already been in full swing for months. Helen Franklin is hiding from an unforgivable act she committed twenty years ago. Her sheltered life is threatened by the discovery of a manuscript telling a story in which the mythic figure of Melmoth frequently appears, complete with unblinking eyes and bleeding feet. The novel’s described by the publishers as ‘a profound, ambitiously realised work of fiction which asks fundamental questions about guilt, forgiveness, moral reckoning and how we come to terms with our actions in a conflicted world’ and having read it, I’d say they’re right. The Essex Serpent is a hard act to follow but Perry’s more than met expectations with this one.

I finally got around to reading Paraic O’Donnell’s The Maker of Swans earlier this year and enjoyed it very much. He’s a writer who knows how to spin a good yarn which raises hopes for The House on Vesper Sands. Set in a snowy London in 1893, its sounds like a second pleasing slice of Gothic involving a man whose one-time love is found stretched out in front of an altar, a seamstress with a message stitched into her skin and her employer who disappears into the night, all under the watchful eye of a society columnist keen for a real story.

Eoin McNamee’s The Vogue sounds as if it may also have a foot in Gothic territory or perhaps that’s just the slightly opaque blurb. In 1944, two teenagers silently dance in an aerodrome. She draws the outlines of their footwork in eyebrow pencil; he loses their bet. Decades later, a body is found. ‘Set against an eerie landscape, awash with secrets, The Vogue is a grimly poetic dance through the intertwined stories of a deeply religious community, an abandoned military base, and a long-shuttered children’s Care Home’ say the publishers promisingly.Cover image

Season Butler’s Cygnet sees a young girl, stranded on an island seemingly abandoned by her parents. Swan Island is home to an ageing separatist community who have turned their back on the mainland to create their own haven and have no wish to have their carefully constructed idyll shattered by an incomer, let alone a young one. ‘Cygnet is the story of a young woman battling against the thrashing waves of loneliness and depression, and how she learns to find hope, laughter and her own voice in a world that’s crumbling around her’ according to the publishers. This one could go either way but it’s an interesting premise.

Something that could also be said Barbara Kingsolver’s Unsheltered which intertwines the stories of Willa Knox who is grappling with a host of domestic problems in 2016, and schoolteacher Thatcher Greenwood whose ambitions to teach Darwinism in 1871 are met with obdurate opposition in the town. ‘A testament to both the resilience and persistent myopia of the human condition, Unsheltered explores the foundations we build in life, spanning time and place to give us all a clearer look at those around us, and perhaps ourselves’ say the publishers, rather ambitiously comparing it with George Eliot’s work. I prefer Kingsolver’s earlier fiction to her more recent novels.

I’m much more confident about Hubert Mingarelli’s Four Soldiers, described by Hilary Mantel as ‘a small miracle’. The titular soldiers set up camp in a forest close to the Romanian frontline of the Russian Civil War in the winter of 1919. They fill a lull in the fighting, trying to forget the horrors they’ve seen, enjoying a brief freedom and the beauty of their surroundings. ‘Tightly focused and simply told, this is a story of friendship and the fragments of happiness that can illuminate the darkness of war’ say the publishers. The spare prose of Mingarelli’s A Meal in Winter made a lasting impression on me when I read it five years ago

Cover image Haruki Murakami’s Killing Commendatore sounds wacky enough to please even the most ardent fan. A portrait painter discovers a strange painting in the attic of a famous artist, opening a Pandora’s box in the process. To close it he must do all manner of things involving ‘a mysterious ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious thirteen-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home, and an underworld haunted by Double Metaphors.  A tour de force of love and loneliness, war and art – as well as a loving homage to The Great GatsbyKilling Commendatore is a stunning work of imagination from one of our greatest writers’ say the publishers. Can’t wait.

That’s it for October’s new novels. As ever a click on a title will take you to a fuller synopsis should you be interested. Paperbacks soon…