Tag Archives: Everything I Don’t Remember

Paperbacks to Look Out for in June 2017: Part Two

Cover imgeWhereas a family theme – conventional or otherwise – ran through the first installment of June’s paperback preview, this one’s much more of a hodge-podge. Given the time of year, a book aimed fairly and squarely at the summer reading market seems as good a place to start as any. Invincible Summer has a structure that never fails to appeal to me. It follows four young people, inseparable at university, and now facing the realities of life as young adults: Eva’s off to the City; Benedict decides to pursue a PhD; siblings Sylvie and Lucien indulge themselves in a life of art, travel and adventure. Summer reunions bring them back together but recreating the intimate bonds of student friendship isn’t always easy.

Structure was what attracted me to Jonas Hassen Khemiri’s prize-winning Everything I Don’t Remember. It’s the story of a young man who dies one April afternoon in Stockholm, his car wrecked in a crash which some speculate may have been suicide, others are sure was an accident. Khemiri tells Samuel’s story through a series of interviews with those who knew him – some fleetingly, others intimately – conducted by an author planning to write a book about him. Given that the novel is a made up of interwoven fragments it’s remarkably cohesive, not to mention utterly addictive. An immensely enjoyable book, cleverly constructed and completely engrossing.

Struggling for links here but I can just about work structure in again given that Anna Noyes’ Cover imageGoodnight, Beautiful Women is a collection of short stories. Noyes’ stories share the backdrop of smalltown Maine, and they’re about women. Men tend to be somewhere off stage, their presence – or absence – often keenly felt. These are stories about ordinary, everyday people sometimes emotionally damaged, often struggling to get by. Single parents fretting about their kids; children overhearing too much; mental illness and too much alcohol; sexual misadventure and abuse, are recurring themes. Noyes writing is carefully crafted yet immediate – sometimes dreamlike, sometimes sharp and clean. Ron Rash came to mind for me although the Washington Post compares Noyes to Alice Munro with which, I’m sure, her publishers will have been very much more delighted.

Also about women, I’ll Take You There took me by surprise. It’s that rare thing: an enjoyable, commercial novel with a broad, deep streak of feminism running through it, and it’s written by a man. A divorced professor of film studies, Felix adores his daughter and is on good enough terms with his ex-wife. He’s the brother of two sisters, both of whom he loves dearly. One Monday night, as he sets up in the gloriously old-fashioned cinema in which he runs his film club, an apparition appears introducing herself as Lois Weber, a silent movie director much overlooked by her male colleagues and wanting the record put straight. There’s a nice vein of humour running through Lamb’s novel and although I suspect I won’t be investigating his backlist any time soon, this one’s well worth your time.

Cover imageMy final June choice is Colson Whitehead’s The Underground Railroad which was surrounded by a good deal of pre-publication brouhaha in hardback, not least because President Obama took it on holiday with him – remember those halcyon days? Cora is a slave in Georgia, an outcast amongst her fellow slaves since childhood. When Caesar arrives from Virginia he tells her about the Underground Railroad, offering a means of escape from her misery which Cora chooses to take. The novel follows her arduous journey through the South, a slave catcher snapping at her heels. ‘As Whitehead brilliantly recreates the unique terrors for black people in the pre-Civil War era, his narrative seamlessly weaves the saga of America, from the brutal importation of Africans to the unfulfilled promises of the present day’ say the publishers. A tough read, I’m sure, but not to be missed.

That’s it for June’s paperbacks. Should you be interested, a click on a title will take you to my review or to a more detailed synopsis for the ones I’ve not yet read. If you’d like to catch up with June’s new titles they’re here and the first batch of paperbacks is here.

Everything I Don’t Remember by Jonas Hassen Khemiri (transl. Rachel Willson-Broyles): A story in many voices

Cover imageWhat attracted me to Jonas Hassen Khemiri’s prize-winning novel was its structure. It’s the story of a young man who dies one April afternoon in Stockholm, his car wrecked in a crash which some speculate may have been suicide, others are sure was an accident. Khemiri tells Samuel’s story through a series of interviews with those who knew him – some fleetingly, others intimately – conducted by an author planning to write a book about him.

Samuel is an administrator at the Migration Board. It’s not the job he dreamt of as an undergraduate hoping to change the world but bills have to be paid. He has a little trouble with his memory, worries about his grandmother’s dementia and sometimes does outlandish things, adding to his Experience Bank. When he meets Vandad they seem to hit it off and soon he’s moved in with his new friend, so different from Samuel with his bulky body and shady dealings. When Samuel falls in love with the idealistic, politically active Laide, Vandad looking jealously on. Samuel opens the doors of his grandmother’s house first to one of Laide’s women in trouble, then another and before long things have got out of hand. As the year rolls on, Vandad becomes increasingly resentful, Laide’s possessiveness becomes more apparent and Samuel finds himself caught in the middle. One spring day, Samuel takes his grandmother for a driving assessment, delivers her back to her nursing home then – late for work – jumps into her car and drives off. This is the bare outline of Samuel’s story, fleshed out through the many interviews our nameless writer records with those that knew Samuel, each with their own version to tell.

Given that the novel is a made up of interwoven fragments it’s remarkably cohesive, not to mention utterly addictive. Each of the many interviewees unwittingly lets slip small details about themselves, colouring their version of events. As the writer tightens his focus on the two who were closest to Samuel, each conveys a very different view both of each other and the events of the past year. Memory, perception, love and its very different interpretations, underpin Khemiri’s novel which plays out against a backdrop of a Sweden far from comfortable with its new multicultural identity, a theme which hums in a subtle undercurrent beneath Samuel’s story. It’s an immensely enjoyable book, cleverly constructed and completely engrossing. Khemiri has written three other novels, none of which seem to be available in translation as far as I can see. I hope that will be put right soon.

Books to Look Out For in June 2016: Part 2

Cover imageTruth be told, Barkskins is only here out of nostalgia. Like so many readers, I was a huge fan of The Shipping News with its cast of eccentric, affectionately portrayed characters and its depiction of the wilds of Newfoundland. I also became a fan of Proulx’s short stories – Close Range had some wonderful, occasionally shocking and often funny pieces in it. I went off the boil with Accordion Crimes which told me far too much about accordions and not enough about the many cultures in which they’re played. Too much research which may well be an accusation levelled at Barkskins, weighing in at a doorstopping 730+ pages. Beginning in the seventeenth century, it follows Rene Sel and Charles Duquet who arrive in New France, penniless and willing to exchange their freedom for land for three years. Rene is forced to marry a Mi’kmaw woman but Duquet makes a name for himself, first as a fur trader then setting up a timber business. Proulx’s novel follows these two and their descendants across three hundred years, travelling across North America to Europe, China and New Zealand in what the publishers describe as ‘stunningly brutal conditions’. I wish I could say I was thrilled at the prospect but, in truth, my heart sinks…

I’m feeling much more enthusiastic about The Essex Serpent, Sarah Perry’s second novel, set in an Essex village in the 1890s. Rich widow Cora Seabourne moves to Aldwinter where she and the local vicar are soon at odds over the Essex Serpent said to be rampaging through the marshes, taking lives as it does so. At a time when the newly emerging theories about the natural world clash cataclysmically with the Church and all it stands for, Cora, an enthusiastic naturalist, and Will find themselves embroiled in passionate debate. ‘Told with exquisite grace and intelligence, this novel is most of all a celebration of love, and the many different guises it can take’ say the publishers. After Me Comes the Flood, Perry’s first novel, went down a storm so expectations for The Essex Serpent are high.

Back to the twentieth-first century for the rest of June’s titles, several of which herald the holiday reading season beginning with one that I’ve spotted on Twitter and particularly like the look of. Alice Adams’ Invincible Summer uses an irresistible structure following four young people, inseparable at university, and now facing the realities of life as young adults: Eva’s off to the City; Benedict decides to pursue a PhD; siblings Sylvie and Lucien indulge themselves in a life of art, travel and adventure. Summer reunions bring them back together but recreating the intimate bonds of student friendship isn’t always easy. ‘Invincible Summer is a dazzling depiction of the highs and lows of adulthood and the greater forces that shape us‘ say the publishers. I’m hoping for a nice slice of self-indulgent entertainment although nothing too sickly. This kind of novel needs a little bit of a bite to work for me.Cover image

Dean Bakopoulos’s SummerLong is aimed fairly and squarely at readers wanting to immerse themselves in an engrossing piece of entertainment by the look of it. Its main attraction for me is its small-town American setting. Realtor Don Lowry is busy hiding the fact that the marital home is in foreclosure while his wife Claire spends her time lusting after Charles, the failed actor who has come home to put his father’s affairs in order. As the temperature rises, inhibitions fall by the wayside setting the scene nicely for a bit of domestic drama. ‘Summerlong is a deft and hilarious exploration of the simmering tensions beneath the surface of a contented marriage that explode in the bedrooms and backyards of a small town over the course of a long, hot summer’ according to the publishers. Sounds like a winner.

As does Stephanie Danler’s debut Sweetbitter with its New York restaurant setting. Twenty-two-year-old Tess is determined to escape her provincial home and lands herself a job as a ‘backwaiter’ at a well-known restaurant where her colleagues are convinced that fame and fortune are just around the corner. It’s the restaurant setting – and of course, the young character making her way in New York – that attracts me perhaps in the hope of another Love Me Back, Merritt Tierce’s riveting debut which I read earlier in the year. Setting the bar far too high there, I’m sure, but you never know.

Much more sobering, Jung Yun’s Shelter seems to question the intergenerational debt when Kyung Cho, a struggling academic up to his eyes in money troubles, is faced with what to do when his prosperous parents’ lives are thrown into disarray by an act of violence. Kyung’s childhood was one of material privilege but emotional deprivation. When he decides to take his parents in, he begins to question his own qualities as a husband and father. ‘Shelter is a masterfully crafted debut novel that asks what it means to provide for one’s family and, in answer, delivers a story as riveting as it is profound’ say the publishers which sounds like something to get your teeth Cover imageinto after the fluff of Bittersweet and Invincible Summer.

Ending what’s become something of a mixed bag, Jonas Hassen Khemiri’s Everything I Don’t Remember picks up the life of Samuel, a young man who has died in a car crash, and tries to piece it together through conversations with friends, relatives and neighbours each of whom seems to have a different view of the young man they knew. It’s also the story of the writer who is re-assembling Samuel’s life ‘trying to grasp a universal truth – in the end, how do we account for the substance of a life?’ A very big question on which to end this second selection of June’s new novels. As ever, a click on a title will take you to a more substantial synopsis. And if you’d like to catch up with the first batch, here it is.