Tag Archives: Let Go My Hand

Paperbacks to Look Out for in March 2018: Part Two

Cover imageWhereas I’d read all the first batch of March paperbacks, I’ve read none of these – something I hope to remedy shortly. I’m particularly looking forward to Ayòbámi Adébáyò‘s Stay with Me which takes us to Nigeria in the turbulent 1980s where Yejide is desperate for a child. She’s tried everything she knows, from medical consultations to pilgrimage, with no success until finally her in-laws insist on a new wife for their son. ‘Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayòbámi Adébáyò weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief, and the all-consuming bonds of motherhood’ says the publisher which sounds almost too heartrending to bear.

Edward Docx’ Let Go My Hand explores secrets and lies through the lens of three sons and their father who has asked them to join him on a last journey through Europe. While Louis has his doubts about the idea, his two half-brothers are much more reluctant, unwilling to forgive their dying father his past transgressions. ‘Let Go My Hand is a darkly comic and deeply moving twenty-first-century love story between a son, his brothers and their father. Through these vividly realized characters, it asks elemental questions about how we love, how we live, and what really matters in the end’ according to the publisher. I’ve not had much luck with Docx’ fiction in the past but the idea of exploring the dark family secrets theme from a male point of view is an unusual one.

Given all that’s been happening in the US over the past few years, it’s a brave author who decides to write a piece of fiction about contemporary America but perhaps Hari Zunzru’s White Tears isn’t the state of the nation novel it first appears, more a comment on race relations. Two very different New Yorkers, friends since college, share a passion for music and are now the rising stars of the city’s music scene. A chance discovery of an old blues song sets in train a chain of events which leaves them in grave danger. ‘Electrifying, subversive and wildly original, White Tears is a ghost story and a love story, a story about lost innocence and historical guilt. This unmissable novel penetrates the heart of a nation’s darkness, encountering a suppressed history of greed, envy, revenge and exploitation, and holding a mirror up to the true nature of America today’ say the publishers.

Daniel Magariel’s One of the Boys is about two brothers who move from Kansas to Albuquerque with their father after their parents’ acrimonious divorce. He works from home while they settle into their new school but his behavior becomes increasingly disturbing. ‘Brutal and urgent, this masterful debut is a story of survival: two brothers driven to protect each other from the father they once trusted’ say the publishers. I’ve seen several good reports of this one from people whose opinion I trust.

Cover imageWolfgang Herrndorf’s Sand is also here thanks to a trusted blogger’s opinion. It’s set in the North African desert where an amnesiac man is fleeing armed pursuers. Four Westerners are murdered in a commune and a suitcase of worthless currency disappears. ‘Enter a pair of very unenthusiastic detectives, a paranoid spy whose sanity has baked away in the sun, and a beautiful blonde American with a talent for being underestimated. Sand is a gripping thriller – part Pynchon, part Le Carre, part Coen brothers – an unsettling, caustically funny tale of pursuit and madness’ say the publishers which doesn’t sound very far up my alley but this review over at Elle Thinks is very convincing.

That’s it for March’s paperbacks. A click on a title will take you to a more detailed synopsis and if you’d like to catch up with the first part it’s here. New titles are here.

Books to Look Out for April 2017: Part One

Cover imageDespite the many and varied delights on offer in April there’s absolutely no contest as to which of them sits at the top of my list. Jon McGregor’s Reservoir 13 has already met with a warm reception on social media and this time I’ve no doubt it’s justified. McGregor writes in lyrical, gorgeous prose – contemplative and beautiful. This new novel chronicles thirteen years following the disappearance of a teenage girl on holiday with her parents in the English countryside. One family has been devastated but village life goes on with all its small joys, sadnesses and mundane routines, always with a consciousness of what has happened. This sounds the perfect theme for McGregor whose quietly captivating If Nobody Speaks of Remarkable Things examined the events of a single day. Apologies for the gush but McGregor’s work is not to be missed. There’s even more gush if you can face it in my first Blast from the Past post which featured his So Man Ways to Begin, another lovely novel.

The theme of Donna Morrissey’s The Fortunate Brother sounds similar to Reservoir 13 in that it explores the aftermath of a tragedy in a small community, this time in Newfoundland. Suspicion falls on the Now family when a body is discovered in the local lake but as investigations progress it seems that there’s far more to the tragedy than meets the eye. ‘Compassionate and wise, beautiful and brutal, The Fortunate Brother is the story of a family and a community in turmoil and confirms Donna Morrissey’s place as one of Canada’s foremost storytellers’ say the publishers. I’m constantly being tempted by Canadian fiction not published in the UK by Naomi over at Consumed by Ink so I think I’ll snap this one up.

More dark secrets and revelations in Elanor Dymott’s Silver & Salt in which Ruthie’s father has Cover imagerecently died, prompting her return to his remote Greek villa from which she has been excluded for fifteen years. She and her elder sister settle into a sort of happiness, putting their dark childhoods behind them until the arrival of an English family and their daughter ’triggers a chain of events that will plunge both women back into the past, with shocking and fatal consequences. Devastating in its razor-sharp exploration of a tragic family legacy, Silver & Salt is the story of two sisters, bound by their history and driven to repeat it’ according to the publisher which sounds like perfect summer reading to me although a little premature.

Chequered family history seems to be something of a theme this April. Edward Docx’ Let Go My Hand explores secrets and lies through the lens of three sons and their father who has asked them to join him on a last journey through Europe. While Louis has his doubts about the idea, his two half-brothers are much more reluctant, unwilling to forgive their dying father his past transgressions. ‘Let Go My Hand is a darkly comic and deeply moving twenty-first-century love story between a son, his brothers and their father. Through these vividly realized characters, it asks elemental questions about how we love, how we live, and what really matters in the end’ according to the publisher. I’ve not had much luck with Docx’ fiction in the past but the idea of exploring the dark family secrets theme from a male point of view is an unusual one.

I have no such doubts about Delphine de Vigan’s Based on a True Story after reading No and Me last year. Identity theft seems to be the much darker theme of this one. The person doing the stealing is L., Delphine’s best friend with whom she has become enthralled. L. is the kind of beautifully turned out woman who seems to know what to do in every circumstance. Chillingly, she begins to dress like her new friend, offering to answer her emails, finding her way into every aspect of Delphine’s life until she takes control of it. It sounds quite riveting, and all the more so given that the author has given her protagonist both her name and her profession, not to mention that title.

Cover imageI began this first batch of April titles with one about which I have no doubts whatsoever but I’m ending it with another that could backfire horribly. Paul Bassett Davies’ Dead Writers in Rehab sees Foster James waking up in a strange house, assuming he’s taken a step too far for his few remaining friends and is back in rehab again. Then Ernest Hemingway punches him in the face, he finds himself in a group therapy session with Hunter S. Thompson, Collette, William Burroughs and Coleridge, later encountering Dorothy Parker. What’s going on? ‘This is a love story. It’s for anyone who loves writing and writers. It’s also a story about the strange and terrible love affair between creativity and addiction, told by a charming, selfish bastard who finally confronts his demons in a place that’s part Priory, part Purgatory, and where the wildest fiction can tell the soberest truth’ says the publisher. Hmm… We’ll see. Great jacket, though.

That’s it for the first part of April’s preview. If you’d like to know more, a click on a title will take you to a more detailed synopsis. As seems to be so often the case, part two will have its feet firmly planted in the US.