Edward Carey’s novel arrived through my letterbox so far in advance of publication that I’d forgotten all about it, only picking it up when I felt the need for something long enough to lose myself in. Based on the early life of Madame Tussaud, Little worked a treat, taking me first to eighteenth-century Switzerland then to Revolutionary Paris before its final Baker Street destination.
When six-year-old Anne Marie Grosholtz is orphaned, she attaches herself to the otherworldly Dr Curtius who barely knows what to do with a child but welcomes her help in modelling the organs brought from Berne hospital’s anatomy department. She’s a quick learner, adept at wax modelling, but tiny and unprepossessing with her sharp chin and pointed nose. Their work gains such a reputation that soon Berne’s worthies are commissioning busts of themselves. Marie wonders if she might be paid. When a rather pompous Parisian visits, Marie gains a new name, Little, from this man who will later become her friend. Bailiffs appear on the horizon when Dr Curtius falls out of favour with the hospital, precipitating a move to Paris where they find a billet with a tailor’s widow. Marie ricochets back and forth between Dr Curtius, who conceives an unrequited passion for the widow, and the widow who insists she’s a servant, asking when she will be paid until she’s engaged to teach Elisabeth, sister of Louis XVI, a relationship that will end in disgrace. Soon, the bustling business gained from Marie’s work at court will be replaced by the grisly modelling of the Revolution’s victims. The feral boy who once guarded their home will become the Revolution’s chief executioner. Grudges will be borne and scores settled in the worst of ways. When it’s all over Marie is alone, but – sharp and resourceful as ever – she finds her own pragmatic way.
Carey tells his tale through Marie’s distinctive voice, illustrating it with her drawings for which she has a prodigious talent. She’s an engaging narrator who unfolds her blood-soaked, heartrending story with sharp insight and a pleasingly sly wit, leading us through a life begun in poverty which ends as the proprietor of one of London’s most visited attractions. Carey’s writing is as precise as his illustrations, and wonderfully evocative.
Ernst finally halted at a house thinner and smaller than the rest, squeezed in between two bullying neighbouring residences, poor and neglected
Here is a truth: people are very fascinated by themselves
Look at you, the newest children in the overstuffed toyshop!
There’s a touch of the Dickensian about Little – playfully acknowledged in Marie’s professed annoyance with that author’s notetaking close to the end of the book – although the novel that sprung to mind for me was not A Tale of Two Cities but Jonathan Grimwood’s The Last Banquet which charts another orphan’s journey through French history. Carey’s novel was an unexpected treat for me. Entertaining, erudite and absorbing: it’s one to add to your Christmas lists.