Tag Archives: Winter

Paperbacks to Look Out for in October 2018

Cover imageBack from the blustery North Norfolk coast – more of which in a few days – with a look ahead at a few October paperbacks that have caught my eye, two of which I’ve yet to read beginning with Ali Smith’s Winter. I still haven’t got around to Autumn although it’s on my horizon, sitting patiently on a shelf waiting to be read. The second in Smith’s quartet casts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter. It’s the season that teaches us survival’ according to the publishers. I’m sure we could all do with something ‘merry’ to help us along in the so-called ‘post-truth’ era.

The second unread title in this batch is a new edition of Sylvia Townsend Warner’s final collection of short stories, Kingdoms of Elfin, which has its feet firmly planted in the fantastical. ‘Warner explores the morals, domestic practices, politics and passions of the Kingdoms of Elfin by following their affairs with mortals, and their daring flights across the North Sea’ say the publishers. I’ve enjoyed Warner’s novels in the distant past but I’m not entirely sure this is for me.

That said, those were my initial thoughts about Michael Andreasen’s collection, The Sea Beast Takes a Lover, comprising twelve surreal stories beginning with a loving son remembering the many happy times they have shared before his father is crated up in his wheelchair and dropped into the sea. In the eponymous story a crew look on helplessly, quarrelling amongst themselves, fretting about their cannibalistic admiral and being propositioned by mermaids as a many tentacled sea monster tightens her grip on what she hopes is her new lover. What makes these somewhat bonkers stories work is Andreasen’s often darkly bizarre humour and his arresting writing. You’ll either hate it or love it – I loved it.

No such doubts about Joseph Cassara’s debut. Set in the ‘80s and ‘90s, The House of Impossible Beauties focusses on four characters: Angel, Venus, Juanito and Daniel. Angel and Venus are transsexual while Juanito and Daniel are not. All of them are runaways, looking for a home. Together these four make up the House of Xtravaganza, the first Latino house on the drag ball circuit and a place of sanctuary from a harsh world with Angel at its centre. AIDs is the grim backdrop to this novel, loss and sadness always in the background together with the straight world’s prejudice and ignorance, but there’s a bright thread of humour running through it, lightening its tone.Cover image

Loss and grief also run through Benedict Wells’ The End of Loneliness which opens with forty-one-year-old Jules in hospital, recovering from a motorbike accident. When their parents were killed in a car crash in 1984, he and his siblings dealt with their grief in very different ways. Wells tells their story in Jules’ voice through his memories and dreams, from the years before his parents died to his recovery from his own accident. Written with empathy and compassion, the novel is expertly translated by Charlotte Collins whose name I’ve learned to look out for.

That’s it for October’s paperbacks. A click on a title will take you to a more detailed synopsis for the first two and to my review for the last three. If you’d like to catch up with October’s new titles, they’re here.

Books to Look Out for in November 2017

Cover imageEdging ever closer to the end of the year with this preview which may well be the last set of new titles from me unless December has more to offer than novelty books and humour. Let’s hope it does. November kicks off with a novel I’m in two minds about, Richard Flanagan’s First Person – I avoided the Man Booker Prize-winning The Narrow Road from the Deep South but very much enjoyed Gould’s Book of Fish. Based on a true story, First Person is about Kif Kehlmann, a ghost-writer who takes on the task of writing the memoir of Siegfred Heidl, about to go to trial for defrauding the banks of $700 million. ‘Everything that was certain grows uncertain as he begins to wonder: who is Siegfried Heidl – and who is Kif Kehlmann? As time runs out, one question looms above all others: what is the truth? By turns compelling, comic, and chilling, this is a haunting journey into the heart of our age’ say the publishers which sounds intriguing.

The lure of Heather, the Totality is the writer rather than the novel’s premise which sounds as if it might wander off into thriller territory. You may already know Matthew Weiner’s name from the addictive Mad Men series. Set in Manhattan – inevitably another lure for me – Weiner’s debut is about the wealthy Breakstone family whose sweet-natured, beautiful daughter Heather takes a wrong turn as a teenager. ‘An extraordinary first novel of incredible pull and menace. Heather, The Totality demonstrates perfectly [Weiner’s] forensic eye for the human qualities that hold modern society together, and pull it apart’ say the publishers. I’m hoping for some smart, stylish writing.

Set in 1950, Eliza Robertson’s debut, Demi-Gods, is also about a girl who finds herself led astray.Cover image Willa’s mother has a new boyfriend whose sons come as part of the package. When her sister pairs off with the elder son, nine-year-old Willa finds herself caught up in his younger brother’s wicked games which become sexual as they grow up. Willa’s efforts to change the nature of their relationship result in a devastating turn of events, apparently. ‘Demi-Gods explores a girl’s attempt to forge a path of her own choosing in a world where female independence is suspect. Sensitive, playful and entirely original, Eliza Robertson is one of the most exciting new voices in contemporary literature’ say the publishers which sounds up my street.

Jussi Valtonen won his country’s Finlandia Prize with They Know Not What They Do, bought by one in two Finns, apparently. Hard to imagine those kind of sales figures for a novel here in the UK. It’s about a celebrated neuroscientist living with his family in the States whose lab is targeted by animal rights activists. Shortly after the attack he’s called by the wife he abandoned in Finland over twenty years ago together with their young son who may now be after revenge. ‘As Joe struggles to protect his new family from the increasing threat of violence – and to save his eldest daughter from the clutches of an unscrupulous tech company – he is forced to reconsider his priorities and take drastic action to save those he loves’ say the publishers which doesn’t entirely sound my cup of tea but how can one in two Finns be wrong? And it’s published by Oneworld whose sharp editorial eye I trust.

I have to admit that I haven’t yet got around to Ali Smith’s Autumn, which kicked off her Seasonal Quartet last year. It’s November so it’s time for Winter whichcasts a merry eye over a bleak post-truth era with a story rooted in history, memory and warmth, its taproot deep in the evergreens: art, love, laughter. It’s the season that teaches us survival’ say the publishers. I could do with something ‘merry’ to help me along in the so-called ‘post-truth’ era.

There was a time when my heart would have sunk when I discovered that a new title from a favourite novelist was a collection of short stories but I’m a reformed character. The subjects of the stories in William Boyd’s The Dreams of Bethany Mellmoth range from an art dealer who tries to give up his philandering habits to a couple who tell the story of their relationship backwards while the eponymous Bethany’s tale is about a year of tentative self-discovery, apparently. I won’t say my heart sang as loudly as it would at the announcement of a new Boyd novel, but I am looking forward to reading this collection.

 That’s it for November’s new books. A click on a title will take you to a more detailed synopsis, should you be interested. Shortish paperback post to follow soon…