
Alongside the likes of Sebastian Barry, William Trevor and Colm Tóibin, Deirdre Madden belongs in the Irish, understated yet beautiful pared back prose school of which I’m such a fan. Time Present and Time Past seems a little outside her usual territory. In it Fintan Buckley begins to experience auditory hallucinations – changes in consciousness which take him outside straightforward linear time – sparking an interest in memory and his own past. Not entirely sure about that but I admire her writing so much that I’m willing to give it a try.
Andrew Sean Greer’s The Impossible Lives of Greta Wells also plays with time and memory, something he’s already approached in an altogether different way in The Confessions of Max Tivoli about a man who ages backwards. Unable to cope with the loss of her twin shortly after their thirty-first birthday, Greta begins a course of electro-convulsive therapy in which she meets other versions of herself and her brother. I know – sounds outlandish and possibly tricksy, but I so enjoyed Max Tivoli that I shall be reading this one, too.
The next four I’ve tried, tested and reviewed. 
Now for two tasty bits of gothic the first of which is Diane Setterfield’s Bellman & Black, a subtle tale full of strikingly vivid descriptions in which Will makes that age-old pact so beloved by gothic writers in exchange for the fulfilment of his ambition – building the finest funeral emporium in the world. We all know it won’t end well but Setterfield keeps up a page-turning pace while engaging her readers’ sympathy for Will as he clatters down an ever narrower path. The second is Lauren Owen’s debut The Quick which admittedly gets off to a bit of a slow start but once you’re in it’s hard to put it down. Set firmly in vampire territory, it takes you from the glittering environs of London’s gentry to the grimy slums of Salmon Street in an increasingly page-turning chase. It’s peopled by vivid characters, pleasing drawn: Augustus Mould’s careful note-taking and scientific interest in the undead are worthy of a nineteenth century Mengele while the valiant Angeline Swift, daughter of a tightrope walker, and Shadwell, father of her undead fiancé, brave terrible danger in their attempts to protect the quick.

If you enjoyed last Friday’s unsung women writers post at The Writes of Women in which there’s more about Deirdre Madden, one of my unsung, you might like to check out part two, Naomi and Antonia’s choices. HeavenAli has also written a post about Susan Glaspell, who featured in part one. Let me know if there are any women writers whose praises you would like to sing.
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I like the sound of the Deidre Madden ….will look out for that one !
It’ll definitely be added to my shaming TBR! It’ll have to be good to beat Molly Fox’s Birthday, though.
Nice addition to look at pbks too. Sedition sounds the one for me from your choices.
Thanks, Annabel. Sedition was wonderful, very playful. I’m sure you’d like it.
I’m very excited about the new Deirdre Madden, like you I loved Molly Fox’s Birthday, Authenticity was excellent too.
She’s such a fine writer! This one sounds a little different but I’m sure it will be good.
An interesting round-up, Susan. I often find these posts useful for the library stuff I do; the Waldman, in particular, will fly off the shelves.
Oh, that’s great to hear, Jacqui. They’re fun to research and write so it’s nice to know they’re useful, too.
The Quick is sitting on my shelf, but I have to start on the books for the Summer School this week, so I don’t know if I’ll get round to it any time soon. But thank you for reminding me about ‘Sedition’ that is onee that I’ve been meaning to pick up but had temporarily forgotten about.
Sedition is my favourite, Alex, wonderfully witty but with a sharp point to make. It’s closely followed by Bellman & Black.