
Mary Beth Keane’s Ask Again, Yes moves us north from Texas taking us to a small upstate New York town where everything looks neat and tidy. The Gleesons and the Stanhopes live next door to each other, both new to Gilliam, but while the adults remain frostily separate their children form a friendship which will be threatened by a tragedy whose origins will remain hidden for many years. ‘A story of love and redemption, faith and forgiveness, Ask Again, Yes reveals the way childhood memories change when viewed from the distance of adulthood – villains lose their menace, and those who appeared innocent seem less so. A story of how, if we’re lucky, the violence lurking beneath everyday life can be vanquished by the power of love’ say the publishers which sounds a little run of the mill but it’s much loved by Meg Wolitzer which has swung it for me.
Sarah Blake’s The Guest Book leaves small town life behind with the story of a family who come from old money, sure of their entitlement. The Miltons are the epitome of privilege in 1935 but even they’re not immune from tragedy, consoling themselves by buying a small island off the coast of Maine. By the beginning of the twenty-first century the island is up for sale causing 
Set not so very far away from Maine, Richard Russo’s Chances Are sees three men, friends since their student days back in the ‘60s, get together one September day. Each is very different from the other but each has his own secret and they all remain intrigued by the disappearance of the fourth friend back in 1971. ‘Shot through with Russo’s trademark comedy and humanity, Chances Are also introduces a new level of suspense and menace that will quicken the reader’s heartbeat throughout this absorbing saga of how friendship’s bonds are every bit as constricting and rewarding as those of family’ says the blurb promisingly. I’ve enjoyed several of Russo’s novels in the past. At his best, his writing is reminiscent of early John Irving.
We’re heading west for Andrew Ridker’s The Altruists which sees a professor in a Midwestern college who seems to have a good deal on his plate, from money problems to children who refuse to speak to him. When he invites them home for a reconciliation a whole can of worms opens up. ‘The Altruists is a darkly funny (and ultimately tender) family saga in the tradition of Jonathan Franzen and Zadie Smith. It’s a novel about money, privilege, politics, campus culture, dating, talk therapy, rural sanitation, infidelity, kink, the American beer industry, and what it means to be a ‘good person’’ say the publishers. I’ll take the Zadie Smith bits but leave the Franzen, thanks.

That’s it for August’s first batch of paperbacks. As ever, a click on a title will either take you to my review or to a more detailed synopsis for any that take your fancy. If you’d like to catch up with new titles, they’re here and here. Second instalment soon…
Discover more from A Life in Books
Subscribe to get the latest posts sent to your email.







Zadie Smith and Franzen are rather different writers, so not sure how comparing this book to both can work…
As is so often the case in blurbs!
Oh no – another very tempting list! They all sound brilliant (with perhaps the exception of the Ridker – I’m totally with you on the Franzen front).
He’s not up my literary alley at all! More to come next week, Liz.
I’ve also enjoyed the Russo novels that I’ve read, especially Empire Falls and The Bridge of Sighs, Somehow I missed the hardback edition of this so may well pick up the paperback.
I also loved Straight Man which did a fine job at nailing academia according to my partner and is also very funny with it.
On Swift Horses is going straight on my list!
I like the look of that one very much, Cathy.
Ask Again, Yes was a bit too bleak for me, and The Altruists was a DNF. But I did enjoy the Russo.
Oh, that’s a shame about The Altruists. I though it might be a cheery read. Glad to hear the Russo hit the spot.
I tried an earlier book by Mary Beth Keane – Fever. It had a lot of promise but the writing was so awful I couldn’t finish it. I decided she was not for me
I loved “On Swift Horses.” There were times, though, that I felt impatient with the beautiful writing because it took the focus off the dramatic action by drawing attention to itself. I’ll be interested in what you think, if you read it.
That’s very encouraging. Not likely to review it, I’m afraid, as I have quite a pandemic-delayed backlog but I’ll definitely be reading it.