Susan Osborne

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The Lie of the Land by Amanda Craig: Something nasty in the woodshed…

There’s something irresistible about a state-of-the-nation novel, even if that nation has shifted cataclysmically since the novel was conceived. This isn’t the first book in that vein Amanda Craig has written – I remember enjoying Hearts and Minds which explored the lives of immigrants in London a few years back. Two characters from that novel

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In Every Moment We Are Still Alive by Tom Malmquist (transl. Henning Koch): A grief observed and endured

Acclaimed poet Tom Malmquist’s book comes labelled by the publisher as a piece of ‘auto-fiction’ – a novel based on the author’s life rather than a memoir. Already garlanded with prizes in the author’s native Sweden, it’s the story of Tom whose partner Karin dies a few weeks after the premature birth of their daughter,

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Monte Carlo by Peter Terrin (transl. David Doherty): Sliding into obsession and madness

‘Check ignition and may God’s love be with you’ is the achingly familiar quote which prefaces Peter Terrin’s novella. It might be tempting to think that Monte Carlo was written after David Bowie’s death last year but it was originally published in Holland in 2014. Sometimes it’s a struggle to work out quite why an

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When Light is Like Water by Molly McCloskey: Love in all its complexity

I have a weakness for Irish fiction. It’s often characterised by a restrained clarity – beautiful, elegant prose with a yearning quality about it – or at least the work of authors I favour fits that description. Colm Tóibín, John McGahern, William Trevor, Ann Enright, Deirdre Madden all come to mind and after reading When

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