Susan Osborne

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Show Them a Good Time by Nicole Flattery: An idiosyncratic collection

I’d heard good things about Nicole Flattery’s Show Them a Good Time well before publication, not in a shouty in-your-face, can’t-get-away-from-it kind of way but enough to snag my attention. Then I spotted Jon McGregor’s and Sally Rooney’s comments, both clearly smitten with Flattery’s writing. I’m still not entirely sure what to make of it

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Memories of the Future by Siri Hustvedt: ‘One story has become another’

If you’ve been following this blog for any length of time you’ll know that I’m a Siri Hustvedt fan. Sixteen years after I first read it,  What I Loved remains one of my favourite contemporary novels. It’s more accessible than the complex, intensely cerebral The Blazing World, her last novel published five years ago. Memories

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The Braid by Letitia Colombani (transl. Louise Rogers Lalaurie): Take three women

Letitia Colombani’s The Braid is one of those elegantly structured novellas that manages to pack a great deal into fewer than two hundred pages. Three women’s stories intersect in a way that none of them can imagine when the book begins. They will remain unknown to each other yet each will have played a crucial

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Children of the Cave by Virve Sammalkorpi (transl. Emily Jeremiah and Fleur Jeremiah): What’s real and what’s not.

Peirene Press’s books are never anything but interesting. It’s founder and publisher, Meike Ziervogel, has a knack for seeking out unusual, thought-provoking fiction. For 2019 her theme is There Be Monsters. Virve Sammalkorpi’s Children of the Cave follows a nineteenth-century anthropological expedition which goes horribly wrong, posing the question who are the monsters? Iax Agolasky,

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