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When Light is Like Water by Molly McCloskey: Love in all its complexity

I have a weakness for Irish fiction. It’s often characterised by a restrained clarity – beautiful, elegant prose with a yearning quality about it – or at least the work of authors I favour fits that description. Colm Tóibín, John McGahern, William Trevor, Ann Enright, Deirdre Madden all come to mind and after reading When […]

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The Beautiful Bureaucrat by Helen Phillips: Out-Kafkaing Kafka

This is the first English language novel I’ve read from Pushkin Press, a publisher of whom I’m very fond. Their books are often a little out of the way: Hiromi Kawakami’s dreamlike Record of a Night Too Brief, Auđur Ava Ólafsdóttir’s wacky Butterflies in November and Dorthe Nors’ Mirror, Shoulder, Signal with its out-of-step protagonist,

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Paperbacks to Look Out for in June 2017: Part One

There’s a fair old mix of attention-snagging titles published in paperback this June. I’ll start with one that was hotly anticipated in hardback: Peter Ho Davies’ The Fortunes, his first novel since the much-lauded The Welsh Girl back in 2007. Spanning 150 years, Davies’ novel explores the Chinese-American experience through the lens of four characters:

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Cover image for The Last Painting of Sara de vos by Dominic Smith

The Last Painting of Sara de Vos by Dominic Smith: Art and fakery

I’m not sure how I managed to miss Dominic Smith’s novel last year, although the hardback edition’s jacket is somewhat off-putting. In his author’s note Smith tells his readers that the eponymous Sara is loosely based on one of the first women to be admitted to St Luke’s Guild in the 17th-century Netherlands, explaining that

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