Cover image for With or Without Angels by Douglas Bruton

With or Without Angels by Dennis Bruton: A beautiful and original response to art

I was intrigued by the blurb for Douglas Bruton’s brief novella, With or Without Angels, which described the book as ‘a response through fiction’ to ‘The New World’ an artwork by the late artist Alan Smith, itself a response to the eighteenth-century artist Giandomenico Tiepolo’s ‘Il Mondo Nuovo’. In his acknowledgements, Bruton explains that after

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Cover image for Signal Fires by Dani Shapiro

Signal Fires by Dani Shapiro: Secrets, lies and the damage done

I’d not long read Dani Shapiro’s memoir of discovering that her beloved father was not her biological parent, when I spotted her new novel on NetGalley. Identity and family are the overriding themes running through Inheritance and the latter is to the fore in Signal Fires which follows the Shenkmans and the Wilfs who live

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Cover image for What You Need from the Night by Laurent Petitmangin

What You Need from the Night by Laurent Petitmangin (transl. Shaun Whiteside): The political made personal

I’m not entirely sure what made me choose Laurent Petitmangin’s What You Need from the Night. Perhaps it was because it’s been quite some time since I’ve read a French novel, or maybe the cover persuaded me with its laughing little boy on his father’s shoulders although the blurb made it clear it wouldn’t be

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Cover image for For Thy Great PainHave Mercy on My Little Pain by Victoria Mackenzie

For Thy Great Pain Have Mercy on My Little Pain by Victoria MacKenzie: Julian of Norwich and Margery Kempe

For Thy Great Pain Have Mercy on My Little Pain is one of those books I suspect I’d not have read if I hadn’t been sent it. Proof that stepping outside your comfort zone often reaps rewards. Victoria MacKenzie’s ambitious debut reimagines the lives of Julian of Norwich and Margery Kempe, both of whose books

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Cover image for Friedrichstrasse 19 by Emma Harding

Paperbacks to Look Out For in February 2023: Part Two

I’ve read just one from February’s second batch of paperbacks, attracted by its Berlin setting and its structure. Telling a city’s story through a single building and its inhabitants is such an appealing device. Żanna Słoniowska did it memorably with Lviv in The House with the Stained-glass Window. Emma Harding’s The Berliners – originally published under

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