American contemporary fiction

Cover image for Very Cold People by Sarah Manguso

Very Cold People by Sarah Manguso: ‘I felt indistinct, like someone else’s dream’  

Both its blurb and that empty chair on its cover warned me that Sarah Manguso’s Very Cold People was likely to be a bleak read but it was also what attracted me to this brief novella. Set in a small New England town, buttoned up and demarcated between rich and poor, Very Cold People sees

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Cover image for Groundskeeping by Lee Cole

Groundskeeping by Lee Cole: ‘Isn’t that what fiction is, though? Sanctioned lying?’  

This is the third novel in as many weeks I’ve read with a writing theme although it’s entirely different from either Antoine Wilson’s Mouth to Mouth or Andrew Lipstein’s Last Resort. It was part of my attraction to Lee Cole’s Groundskeeping but if I’m honest it was that lovely jacket that first snagged my attention.

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Cover image for Five Tuesdays in Winter by Lily King

Five Tuesdays in Winter by Lily King: Astute observation plus a few dark surprises

I was delighted to spot Lily King’s Five Tuesdays in Winter on Twitter having enjoyed both Writers & Lovers and Father of the Rain. It’s her first short story collection, comprising ten pieces many of which explore themes of love, relationships and parenthood, some with a darker edge than I remember from her novels. He

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Cover image for My Monticello by Jocelyn Nicole Johnson

My Monticello by Jocelyn Nicole Johnson: ’We hold these truths to be self-evident, that all men are born equal’  

Lots of brouhaha surrounding Jocelyn Nicole Johnson’s My Monticello which, as I know from experience, doesn’t always lead to a satisfying read. I wasn’t entirely sure whether to accept when I was offered a copy but decided to give it a try given it’s a Harvill Secker title, one of my favourite lists. Set against

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Cover image for Oh William! by Elaizabeth Strout

Oh William! by Elizabeth Strout: ‘We are all mysteries, is what I mean’

My sense of time has been off during the pandemic: sometimes an event seems as if it was just the other day, others years ago, both assumptions often prove to be wrong. Perhaps that’s why I was surprised to spot a new Elizabeth Strout in the publishing schedules, convinced that Olive, Again was only published

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