Tag Archives: Books Published in August 2019

Books to Look Out for in August 2019: Part Two

August’s first instalment progressed smartly through the twentieth century while staying in the United States but this second preview lacks any neatly cohesive thread, I’m afraid. You may have noticed that it’s the centenary year of the Bauhaus school of design, the background for Theresia Enzensberger’s Blueprint which opens at the beginning of the 1920s. Luise dreams of becoming an architect, enrolling herself in the Bauhaus university where she’s taught by Walter Gropius and Wassily Kandinksy. While her art school friends immerse themselves in their work, street fights are breaking out in Berlin. ‘From technology to art, romanticism to the avant-garde, populism to the youth movement, Luise encounters themes, utopias and ideas that still shape us to the present day’ say the publishers. I already have my eye on Naomi Wood’s The Hiding Game which shares the Bauhaus theme but I’m tempted by this one, too.

Back to the States for the next two titles beginning with Lot by Bryan Washington, set in Houston where a mixed-race boy, working in the family restaurant and fending off his brother’s blows, is coming to the realisation that he’s gay. ‘Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms’ say the publishers promisingly.

Luis Alberto Urrea’s The House of Broken Angels is set in San Diego where Big Angel is about to hold what may well be his last rowdy birthday party when his mother dies. Big Angel’s half-brother is in attendance at what is now both a party and a wake, all too well aware of his mixed race. The weekend passes in a celebration of both lives and the telling of a multitude of stories. ‘Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank’ say the publishers.

It’s its structure that attracts me to Livia Franchini’s debut, Shelf Life, which comes highly rated by Sophie Mackintosh who described it as ‘whip-smart and slyly heartbreaking’. Thirty-year-old Ruth works in a care home and has just been dumped by her fiancé. As she works her way through the week’s shopping list item by item, she tells her story which reveals a life spent looking after everyone else but herself. Sounds a bit thin, doesn’t it, but as a lover of lists I can’t resist the lure of this one.

I’m signing off August with Deborah Levy’s The Man Who Saw Everything, which begins in 1989 when Saul Adler is hit by a car on Abbey Road. Apparently unscathed, he visits his girlfriend who insists on photographing Saul on the famous crossing then dumps him. Saul takes off to Berlin, two months before the Wall comes down. In 2016, he’s hit by a car on Abbey Road, dipping in and out of consciousness as a group of people gather at his hospital bedside, including his ex-girlfriend. ‘Slipping slyly between time zones and leaving a spiralling trail, Deborah Levy’s electrifying new novel examines what we see and what we fail to see, until we encounter the spectres of history – both the world’s and our own’ Very much like the sound of that.

That’s it for the second batch of August’s new titles. A click on a title will take you to a more detailed synopsis for any that have caught your eye, and if you’d like to catch up with the first instalment it’s here. Paperbacks soon…

Books to Look Out for in August 2019: Part One

After the paucity of potential treats on offer in July, I’m glad to say we’re back to two posts for August’s new title preview the first of which stays put in the United States throughout, beginning with Téa Obreht’s Inland, an exploration of  the history and myths of the American West through frontierswoman Nora and Lurie, a former outlaw. ‘Mythical, lyrical, and sweeping in scope, Inland is grounded in true but little-known history. It showcases all of Tea Obreht’s talents as a writer, as she subverts and reimagines the myths of the American West, making them entirely – and unforgettably – her own’ say the publishers. It’s been eight years since Obreht won the then Orange Prize for Fiction with The Tiger’s Wife which I loved so hopes and anticipation are high for this one.

Moving on a century or so, Patrick Flanery’s Night for Day is set in Los Angeles in 1950, taking place over just one day in the midst of the Communist witch hunt. Director John Marsh and screenwriter Desmond Frank are trying to complete a noir update of the Orpheus myth, each of them struggling with personal and political difficulties. ‘With as much to say about the early years of the Cold War as about the political and social divisions that continue to divide the country today, Night for Day is expansive in scope and yet tenderly intimate, exploring the subtleties of belonging and the enormity of exile-not only from one’s country but also from one’s self’ say the publishers. It’s the setting of this one that interests me although it weighs in at well over 600 pages which is a little off-putting.

We’re staying in the American ‘50s for a while with David Bowman’s Big Bang which explores the decade leading up to the Kennedy assassination on the premise that the event defined the late twentieth century. Lucille Ball, Frank Sinatra, Norman Mailer, Arthur Miller, Howard Hunt and a young Jimi Hendrix all make appearances, apparently.’ Written with an almost documentary film like intensity, BIG BANG is a posthumous work from the award-winning author of Let the Dog Drive. A riotous account of a country, perhaps, at the beginning of the end’ according to the publishers. I’m not entirely sure about this, not least because it’s another 600+ chunkstser.

Another decade, another book, another doorstopper and then some at just over 1,000 pages. Lewis Shiner’s Outside the Gates of Eden begins in the ‘60s and takes us all the way to the twenty-first century as it traces the rise and fall of counterculture through Alex and Cole who meet in high school. Alex would prefer to be an artist rather than join the family business while Cole’s future is decided at a Bob Dylan conference in 1965. ‘Using the music business as a window into the history of half a century, Outside the Gates of Eden is both epic and intimate, starkly realistic and ultimately hopeful, a War and Peace for the Woodstock generation’ say the publishers somewhat ambitiously. I’m very attracted to this one but somewhat intimidated by its length.

I’m finishing this first batch with Mary Beth Keane’s Ask Again, Yes set in an upstate New York town where everything looks neatly and tidy. The Gleesons and the Stanhopes are neighbours, both new to Gilliam, but while the adults remain frostily separate their children form a friendship which will be threatened by a tragedy whose origins will remain hidden for many years. ‘A story of love and redemption, faith and forgiveness, Ask Again, Yes reveals the way childhood memories change when viewed from the distance of adulthood – villains lose their menace, and those who appeared innocent seem less so. A story of how, if we’re lucky, the violence lurking beneath everyday life can be vanquished by the power of love’ say the publishers which sounds a little run of the mill but it’s much loved by Meg Wolitzer which has swung it for me.

Here endeth part one of August’s rather weighty new novels. As ever, a click on a title will take you to a more detailed synopsis should you want to know more. Second instalment soon…