Faber and Faber

Cover image for Fulfillment by Lee Cole

Fulfillment by Lee Cole: ‘Despair and Late Capitalism’ or ‘The Hero’s Journey’

Lee Cole’s Groundskeeping was one of my books of the year back in 2022 raising my expectations for his second. Fulfillment sees two half-brothers returning to Kentucky, one with his hopes dashed and in debt, the other married and apparently successful, teaching for a term at a local university. For anyone discomfited by that extra

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Cover image for On the Calculation of Volume by Solvej Balle

On the Calculation of Volume 1 by Solvej Balle (transl. Barbara J. Haveland): Here we go again

Recently shortlisted for this year’s International Booker Prize, the first book in Solvej Balle’s septology comes garlanded with praise from a wide range of writers including Jon McGregor whose endorsement swung it for me; that and its intriguing premise. On the Calculation of Volume 1 follows Tara Selter who wakes up every morning to find

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Cover image for The Sequel by Jean Hanff Korelitz

The Sequel by Jean Hanff Korelitz: ‘But they’re never as good as the first book, are they?’

I raced through Jean Hanff Korelitz’s The Plot while on last year’s Central European rail jaunt. It’s a literary thriller about a blocked writer who uses the surefire plot a student recounts to him after he learns of the student’s death with dire consequences. I dithered about reading The Sequel, having learnt my lesson with

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Cover image for Old God's Time by Sebastian Barry

Old God’s Time by Sebastian Barry: ‘This is the saddest story I have ever heard’

That subtitle isn’t a quote from Sebastian Barry’s new novel – as some of you may have spotted, it’s the opening line from Ford Maddox Ford’s The Good Soldier – but it’s the phrase that came into my head many times while reading it. Set in mid-1990s Ireland, Old God’s Time follows a recently retired

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Cover image for Fight Night by Miriam Toews

Fight Night by Miriam Toews: ‘That’s patriarchy, Swiv, make a note’  

Given that it features a child narrator, I was a wee bit wary of Miriam Toews’ Fight Night despite having enjoyed her previous novels. It’s such a difficult trick to pull off, painfully clunky if mishandled. Toews’ new novel takes the form of a letter written by nine-year-old Swiv to her father who her grandmother

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