Tag Archives: Gun Love

Paperbacks to Look Out for in April 2019: Part One

Cover imageI’m delighted to tell you that whereas there were just a few brand spanking new titles that took my fancy for April, it’s choc-a-bloc with tasty-looking paperbacks most of which I’ve yet to read. I’ll begin with one that I have: David Chariandy’s Brother, an eloquent story of grief and loss set against a backdrop of urban immigrant poverty. Returning to her home town, Aisha finds that Michael has become a recluse since the death of his brother Francis in a shooting ten years ago and is determined to bring him back into the world. Exploring themes of grief, racism and social deprivation while weaving Michael’s memories of Francis through Aisha’s visit, Brother packs a quietly powerful punch for such a short book.

Having been shortlisted for a multitude of literary prizes, including the Man Booker, Esi Edugyan’s Washington Black won the 2018 Scotiabank Giller Prize for which Brother was longlisted in 2017. The eponymous eleven-year-old is chosen as a personal servant to one of the brothers who have taken over a Barbados sugar plantation, a man obsessed with the idea of flying which results in disaster for him. ‘From the blistering cane fields of Barbados to the icy wastes of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness and mystery of life’ say the publishers.

Carys Davies’ West sounds entirely different but has also met with a great deal of acclaim. When widower Cy Bellman hears of the discovery of huge ancient bones in Kentucky he takes himself off to investigate, leaving his young daughter behind in Pennsylvania. Davies’ novel tells the story of Cy’s journey and of Bess, waiting at home for his return. ‘Written with compassionate tenderness and magical thinking, it explores the courage of conviction, the transformative power of grief, the desire for knowledge and the pull of home, from an exceptionally talented and original British writer’ say the publishers promisingly.Cover image

Thomas Bourke’s The Consolation of Maps seems to explore similar themes of loss and the desire for knowledge. Kenji Tenabe sells antique maps in a prestigious Tokyo gallery but is presented with an unexpected offer of a job in America working for a woman who has never recovered from the death of her lover. ‘Moving across countries and cultures, The Consolation of Maps charts an attempt to understand the tide of history, the geography of people and the boundless territory of loss’ say the publishers which sounds interesting if a little woolly.

Louisa Hall’s Trinity is about the pursuit of a different kind of knowledge, telling the story of Robert Oppenheimer, who oversaw the development of the atomic bomb, from the perspective of seven fictional characters and revealing the contradictory nature of this brilliant scientist. ‘Blending science with literature and fiction with biography, Trinity asks searing questions about what it means to truly know someone, and about the secrets we keep from the world and from ourselves’ according to the blurb. It sounds fascinating and Annabel’s review over at Annabookbel has whetted my appetite further. I’ve not read much fiction about the development of the bomb which shaped the second half of the twentieth century apart from TaraShea Nesbit’s The Wives of Los Alamos, Lydia Millett’s Oh Pure and Radiant Heart and Joseph Kanon’s Los Alamos.

Cover imageI’ll end this first instalment with Gun Love by Jennifer Clement, author of the impressive Prayers for the Stolen, published in the UK a few years ago. Fourteen-year-old Pearl lives in the front seat of a wrecked car in a Florida trailer park while her mother lives in the back. Under the driver’s seat sits a gun given to Margot by her boyfriend, a regular visitor to the back seat. ‘Gun Love is a hypnotic story of family, community and violence. Told from the perspective of a sharp-eyed teenager, it exposes America’s love affair with firearms and its painful consequences’ say the publishers. I remember circling Prayers for the Stolen for some time, expecting unremitting grimness given that it was about kidnapped girls but it surprised me, and I’m hoping for the same with this one.

That’s it for the first batch of April’s paperbacks. A click on the first title will take you to my review and to a more detailed synopsis for the other five should any pique your interest. If you’d like to catch up with the month’s new titles they’re here. More soon…

Books to Look Out for in April 2018

Cover imageFewer new April titles have snagged my attention than I’d hoped, although there were so many at the beginning of the year that may not be such a bad thing. I’ll start with the Gun Love by Jennifer Clement, author of the impressive Prayers for the Stolen, published in the UK a few years ago. Fourteen-year-old Pearl lives in the front seat of a wrecked car in a Florida trailer park while her mother lives in the back. Under the driver’s seat sits a gun given to Margot by her boyfriend, a regular visitor to the back seat. ‘Gun Love is a hypnotic story of family, community and violence. Told from the perspective of a sharp-eyed teenager, it exposes America’s love affair with firearms and its painful consequences’ say the publishers. I remember circling Prayers for the Stolen for some time, expecting unremitting grimness given that it was about kidnapped girls but it surprised me, and I’m hoping for the same with this one.

Diana Evans’ Ordinary People is set in South London, far from Pearl and Margot’s trailer park. Melissa is sinking after the birth of her baby while Michael fails to remain faithful to her. Further out into the suburbs, Stephanie is happy with Damian and their children until the death of his father seems to pull the carpet from underneath him. ‘Set against the backdrop of Barack Obama’s historic election victory, Ordinary People is an intimate, immersive study of identity and parenthood, sex and grief, friendship and aging, and the fragile architecture of love’ say the publishers enticingly.

Sarah Françoise’s Stories We Tell Ourselves is about another marriage in trouble, or perhaps a whole series of them. Joan and Frank have spent three decades in an unfinished house in the French Alps. Frank is involved in an epistolary affair with his German ex-girlfriend, and Joan is losing patience but it’s Christmas. They’re about to be visited by their three children, all wrestling with their own relationship difficulties. ‘Written with a rare precision and insight, the author explores the thorniness of familial love and its capacity to endure with warmth, wit and disarming honesty’ say the publishers, a promise which if it’s fulfilled could result in an Cover imageentertaining read.

No prizes for guessing the subject matter of Joanna Walsh’s Break.up but what’s interesting is the way in which Walsh approaches her subject, apparently blending fiction with essays on all manner of things according to the blurb. Walsh’s book is rooted in the idea that the internet has resulted in ex-partners becoming near inescapable. After an affair conducted mostly online, her narrator travels across Europe relying purely on chance to shape her journey. ‘From Rome to Budapest, Freud to Foucault, algorithms to nostalgia, this is a stimulating, original work which dismantles what we know of love, and how we make art from it, and finds a new form and language for the way we love now’ say the publishers. Walsh writes both fiction and non-fiction so may well be able to pull off what sounds like an ambitious piece of writing. She’s also the person behind #ReadWoman.

Lucy Wood’s lovely first novel, Weathering, was a 2015 favourite for me. I still haven’t got around to reading her much-praised collection Diving Belles and Other Stories but that hasn’t stopped me lusting after her new one, The Sing of the Shore, comprising stories set in Cornwall. ‘These astonishing, beguiling stories of ghosts and shifting sands, of static caravans and shipwrecked cargo, explore notions of landscape and belonging, permanence and impermanence, and the way places can take hold and never quite let go’ according to the publishers. Weathering was striking for its gorgeous, lyrical writing raising expectations for more of the same.

Cover image I’m ending with Roland Schimmelpfennig’s One Clear Ice-cold January Morning at the Beginning of the 21st Century, one of the lengthiest titles I’ve come across in some time. The lure here is its Berlin backdrop and its translation by Jamie Bulloch whose work I’ve come to admire. A wolf crosses the border from Poland into Germany, making its way to Berlin. Schimmelpfennig’s novel traces the lives of the people whose path the wolf crosses, from the construction worker who photographs it to the woman who burns her mother’s diaries on a Berlin balcony. ‘Those who catch sight of the wolf see their own lives reflected, and find themselves searching for a different path in a cold time. This first novel of Germany’s most celebrated contemporary playwright is written in prose of tremendous power and precision’ say the publishers which sounds very promising.

That’s it for April’s new titles. A click on any title that takes your fancy will lead to a more detailed synopsis. Paperbacks soon…