Tag Archives: Janice Galloway

Books to Look Out for in February 2019: Part One

Cover imageFebruary’s surely the dullest month of the year in my part of the world although, thankfully, not in the publishing schedules, as I hope you’ll agree. Lots of promising titles to look forward to beginning with Tessa Hadley’s Late in the Day which is about two couples who meet in their twenties. Thirty years later Alex and Christine’s evening is interrupted by a phone call: Zach has died and Lydia is distraught. Instead of uniting them in grief, Zach’s loss opens up a well of anger and bitterness between the remaining three, apparently. Hadley’s narrative moves back and forth between past and present, always an attractive structure for me.

In Steve Sem-Sanberg’s The Tempest, the past is also revisited thanks to a bereavement. Andreas returns to the house in which he grew up on an island just off the Norwegian coast. Memories surface and secrets are uncovered as he sorts through his late foster father’s belongings. ‘Rich in shimmering echoes from Shakespeare’s play, Steve Sem-Sandberg’s The Tempest is a hypnotic portrayal of the inherited guilt that seeps through generations, haunting an island overgrown with myths’ say the publishers which sounds ambitious but intriguing.

I’ve managed to get ahead of myself and have already read Frances Liardet’s We Must Be Brave which carries on the pleasing theme of flitting between past and present revealing secrets. It opens in 1940 with the discovery of a child fast asleep at the back of a coach full of Cover imagefrightened women fleeing the bombing of Southampton. Ellen, the childless wife of a first world war veteran, takes Pamela home, surprised at the love awakened by this five-year-old girl whose loss reminds her of her own past. It would have been easy to descend into schmaltziness with this kind of story but Liardet steers well clear of that while still conveying its poignancy. I’ll be posting my review next month.

As you can guess from its title, Yara Rodrigues-Fowler’s Stubborn Archivist also has one foot in the past. A young woman whose mother has left her homeland struggles to find a way to feel comfortable with herself by exploring her family history. ‘Our stubborn archivist tells her story through history, through family conversations, through the eyes of her mother, her grandmother and her aunt and slowly she begins to emerge into the world, defining her own sense of identity’ says the publisher, promisingly. I’m often drawn to the theme of immigration, inventively explored here by the sound of it.

There’s a promise of twists in Joan Silber’s Improvement which sees Kiki, settled in New York after travelling the world, worried about her niece’s relationship with her partner. When Reyna decides to put her four-year-old first, the repercussions are more profound that she might have expected.’ A novel that examines conviction, connection and the possibility of generosity in the face of loss, Improvement is as intricately woven together as Kiki’s beloved Turkish rugs and as colourful as the tattoos decorating Reyna’s body, with narrative twists and turns as surprising Cover imageand unexpected as the lives all around us’ say the publishers.

I’m winding up this preview with a book that was first published in 2015: Janice Galloway’s short story collection, Jellyfish, comprising sixteen stories which explore sex, parenthood, death, ambition and loss. Stuff of life, then. After reading Galloway’s memoirs and her novel, The Trick is to Keep Breathing, I’m eager to get my hands on this one.

That’s it for the first part of February’s preview. A click on a title will take you to a more detailed synopsis should you want to know more. Part two soon…

Books Read (But Not Reviewed) in May 2016

Cover imageI seem to be adding one each month to my books read (but not reviewed) tally after March’s miserable single score. May saw three excellent novels added to the list, each very different from the other, starting with one that I wrote a post about well over a year ago, prompted by a friend’s experience of reading a review which revealed her current read’s dramatic twist, much talked about at the time on social media, albeit obliquely. The book was Karen Joy Fowler’s We Are All Completely Beside Ourselves and I now realise how difficult it is to write about and not refer to that all important, much vaunted twist. If you’ve read it you’ll know what I’m talking about. So, all I’m going to say is that it’s told from the point of view of a woman whose brother and sister are both missing. She and her sister were particularly close – almost the same age but entirely different. The disappearance of her brother is linked to that of her sister. It’s both funny and heartrending but to do it proper justice I’d need to spill the beans which I’m determined not to do. All of which just goes to show that it’s very easy to sound off about things when you’re not in full possession of the facts.

I’d read and enjoyed both of Janice Galloway’s memoirs – This is Not About Me and All Made Up – but had not got around to any of her fiction until last month. Her first novel, The Trick is to Keep Breathing, was reissued under the excellent Vintage Classics imprint last year. They’re the publishers responsible for rediscovering both John Williams’ Stoner and Thomas Savage’s The Power of the Dog: they know their onions. Written from the point of view of a woman suffering a profound breakdown, Galloway’s increasingly fractured narrative reflects Joy’s unravelling as, failed repeatedly by her psychiatrists, she buckles under the weight of grief at the sudden death of her lover. It’s a harrowing, visceral read – utterly convincing.The Gallery of Vanished Husbands

Natasha Solomons’ The Gallery Of Vanished Husbands is a much more cheerful affair. Juliet sets off one day in possession of enough money to buy a fridge but finds herself wandering down her favourite street, the Bayswater Road, its pavements populated with artists. Throwing caution to the winds she commissions a portrait from Charlie Fussell, beginning a relationship which will eventually see her as a doyenne of the art world. Solomons’ novel takes her protagonist from the uncomfortable position of  an aguna – a Jewish woman deserted by her husband and considered to be neither a widow or a wife – into a very different world. It’s a thoroughly enjoyable and satisfying journey. Great jacket too!