Tag Archives: Paperbacks published in June 2019

Paperbacks to Look Out for in June 2019: Part Two

Cover imageThis second batch of June paperbacks is as jam-packed with potential goodies as the first, a few of which I’ve already sampled including Sonia Zinovieff’s Putney which explores the fallout of childhood abuse through Ralph who’s aroused by Daphne’s boyish beauty when she is nine and he is twenty-seven. Daphne is the child of bohemian parents caught up in their own affairs, looking anywhere but at what’s happening under their noses. Forty years later, Ralph is oblivious to Daphne’s chaotic, rackety life while she works on a collage commemorating her time with him in a flat a stone’s throw away from her childhood home. This subject could so easily have been mishandled but Zinovieff explores it with consummate skill in a thoroughly accomplished novel.

I reviewed Finnish writer Philip Teir’s debut, A Winter War, back in 2015 when I described it as the perfect winter read. It may seem a bit lazy but it’s hard to resist describing The Summer House as the perfect summer read. Julia, Erik, ten-year-old Anton and twelve-year-old Alice are off to Mjölkviken for the summer where Erik plans to put his work troubles behind him and Julia wants to finish her novel but finds herself pulled back into her past. Teir’s second book explores the dynamics of modern family life with the same empathy and deftness as he did in his first. Well worth packing if you’re after an intelligent holiday read.

As is Patrick deWitt’s French Exit, a pleasingly caustic caricature of the wealthy upper classesCover image which takes its readers from New York City to Paris in the company of Frances Price, her son Malcolm and Small Frank, their cat. After years of jaw-dropping extravagance Frances is running out of money so why does she spend much of her time trying to divest herself of the 185,000 euros she has stashed in her handbag, and why is such an ancient cat so important to her. I’ve been a keen fan of deWitt’s fiction since reading his darkly comic ripping yarn, The Sisters Brothers and although the latter remains my favourite, French Exit is a welcome treat.

Cherise Wolas’ The Family Tabor sounds rather more conventional. Harry Tabor is about to be honoured as Man of the Decade in recognition of his work with the many Jewish refugees he’s helped to settle in America. Years ago, Harry uprooted his own family taking them across the States from Connecticut to the South West. ‘Wolas examines the five members of the Tabor family as they prepare to celebrate Harry. Through each of their points of view, we see family members whose lives are built on lies, both to themselves and to others, and how these all come crashing down during a seventy-two-hour period’ according to the blurb which sounds highly entertaining.

Rick Gekoski’s A Long Island Story is set in the summer of 1953 when the Grossmans and their two children relocate from Washington DC to Long Island. The move unsettles the couple who Cover imagebegin to wonder if their lives might have been different, and if their marriage is worth fighting for. It’s described by the publishers as ‘a portrait of a couple in crisis, of a unique and fascinating period in US history and of a seemingly perfect family fighting their demons behind closed doors’ which sounds quite promising to me.

I’ve always been surprised at how few novels are set in offices given how many of us have worked in them and what political hothouses they can be. Halle Butler’s The New Me looks at the life of a thirty-year-old temp as she watches her permanently employed peers and wonders if she will ever join their ranks. Then a vacancy arises and Millie contemplates the possibility of a life of stability and perks. ‘Will it bring the new life Millie is envisioning – one involving a gym membership, a book club, and a lot less beer and TV – finally within reach? Or will it reveal just how hollow that vision has become?’ ask the publishers.

Colleagues of a very different sort feature in Aja Gabel’s The Ensemble. Jana, Brit. Daniel and Henry are musicians, ill-suited as friends but drawn together by their art. Their chequered careers encompass ‘devastating failure and wild success, heartbreak and marriage, triumph and loss, betrayal and enduring loyalty. They are always tied to each other – by career, by the intensity of their art, by the secrets they carry, by choosing each other over and over again’ apparently. This one could go either way but I like the idea of a disparate group of characters locked together by their work.

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I’m finishing off June’s paperbacks with J M Holmes’ How Are You Going to Save Yourself about four young men who’ve grown up together but have drifted apart in adulthood as they try to cope with society’s expectations, family pressures and their own self-images. Described as ‘both humorous and heart-breaking’ it’s ‘a timely debut about sex, race, family and friendship’, apparently which sounds good to me.

That’s it for June’s paperbacks. A click on the first three titles will take you to my review, and to a more detailed synopsis for the other five. If you’d like to catch up with the first instalment it’s here. New novels are here and here.

Paperbacks to Look Out for in June 2019: Part One

Cover imageThis June is bursting at the seams with tempting paperbacks – enough to fill two long posts – of which I’ve already read and reviewed several beginning with one of my books of last year, Sarah Moss’ Ghost Wall. Longlisted for this year’s Women’s Prize for Fiction, Moss’ novel is a powerful exploration of controlling violence and its consequences, all wrapped up in a tense, atmospheric piece of storytelling. Together with three students and their professor, seventeen-year-old Sylvie and her parents, Bill and Alison, spend the summer living as Ancient Britons in the shadow of Hadrian’s Wall. Bill’s menacing control of both Sylvie and Alison pervades the book offset with a degree of waspish humour and gloriously evocative descriptions of the summer landscape. The climax is horrifying: hard to read yet impossible to tear yourself away from it. Still mystified as to why this superb novel didn’t make it on to the Women’s Prize shortlist.

Ghost Wall was one of a succession of novellas that so impressed me in 2019 including Hubert Mingarelli’s Four Soldiers which came as no surprise given the excellence of A Meal in Winter. A company of Red Army soldiers is ordered to make camp as winter closes in. Four of them form a tightly bonded group over the ensuing months, stumbling upon a pool near their new camp which becomes the calm centre of their days with the advent of spring. As the weather improves the return to marching looms large and with it the end of their peace. Written in plain, clean prose, Mingarelli’s book quietly captures the comradeship of soldiers with humanity and compassion

Andrew Miller’s Now We Shall Be Entirely Free follows Captain John Lacroix who has been invalided out of the disastrous Peninsular War, exploring themes of war and culpability in a story taut with a thread of suspense. Finding himself unable to return to war, Lacroix travels to Scotland where he is embraced by a utopian community but two men are on his tail, one with a sinister motive. I loved Andrew Miller’s Ingenious Pain so much that I included it in my One-Hundred-Book Library and Pure came a close second but I’ve found some of his contemporary-set novels disappointing. Having read this new one, I’ve come to the conclusion that he’s is at his best when writing historical fiction.

I reviewed Rebecca Makkai’s The Hundred-Year House back in 2014, finding it a little disappointing after very much enjoying her first novel, The Borrower. That said, The Great Believers sounds very appealing. It spans thirty years, beginning in 1985 with Yale Tishman acquiring an extraordinary collection of 1920s artwork for a Chicago gallery. AIDs cuts a swathe through Yale’s life leaving just one person dear to him – his friend’s sister Fiona who, thirty years later, is searching for her estranged daughter in Paris. ‘Yale and Fiona’s stories unfold in incredibly moving and sometimes surprising ways, as both struggle to find goodness in the face of disaster’ say the publishers, whetting my appetite nicely.

I’m not so sure about Gary Shteyngart’s Lake Success having begun Super Sad True Love Story with high hopes only to give it up but I do like the sound of a road trip through modern America, particularly one that sees a ‘master of the universe’ reduced to travelling on a Greyhound. Barry Cohen is on his way to Texas to meet his old college girlfriend hoping for a second chance having fallen foul of an insider investigation. According to Maria Semple, author of Where’d You Go Bernadette, it’s ‘the funniest book you’ll read all year. A rollicking and zinger-filled road trip [that] sneakily deepens into a poignant tale of a man trying to outrace his problems’. We’ll see.

Humour’s also on the agenda in Good Trouble, by the sound of it, a collection of short stories by Joseph O’Neill, author of the much-lauded Neverland. Good Trouble’s characters are brought face to face with both who they are and who they will never be, apparently. ‘Packed with O’Neill’s trademark acerbic humour, Good Trouble explores the maddening and secretly political space between thoughts and deeds’ say the publishers promisingly.

A. M. Homes’ Days of Awe is another collection I’m eager to sample. These thirteen pieces explore ‘our attachments to each other through characters who aren’t quite who they hoped to become, though there is no one else they can be. Her first book since the Women’s Prize-winning May We Be Forgiven, Days of Awe is another visionary, fearless and outrageously funny work from a master storyteller’ say the publishers. Looking forward to this one very much.Cover images

I’m saving what I suspect will be the very best until last with this month’s third short story collection. William Trevor’s Last Stories comprises ten pieces described by the publishers as ‘exquisite, perceptive and profound’ and for once I won’t be arguing with their superlatives. This will undoubtedly be a treat to savour for all who treasure quietly understated, elegantly lyrical prose, and that jacket is lovely.

That’s it for the first part of June’s paperback preview; pretty tempting I hope you’ll agree. Should you want to know more, A click on the first three titles will take you to my review, and to a more detailed synopsis for the other five. If you’d like to catch up with June’s new novels they’re here and here. More paperbacks soon…