Tag Archives: Paperbacks published in March 2018

Paperbacks to Look Out for in March 2018: Part Two

Cover imageWhereas I’d read all the first batch of March paperbacks, I’ve read none of these – something I hope to remedy shortly. I’m particularly looking forward to Ayòbámi Adébáyò‘s Stay with Me which takes us to Nigeria in the turbulent 1980s where Yejide is desperate for a child. She’s tried everything she knows, from medical consultations to pilgrimage, with no success until finally her in-laws insist on a new wife for their son. ‘Stay with Me sings with the voices, colours, joys and fears of its surroundings. Ayòbámi Adébáyò weaves a devastating story of the fragility of married love, the undoing of family, the wretchedness of grief, and the all-consuming bonds of motherhood’ says the publisher which sounds almost too heartrending to bear.

Edward Docx’ Let Go My Hand explores secrets and lies through the lens of three sons and their father who has asked them to join him on a last journey through Europe. While Louis has his doubts about the idea, his two half-brothers are much more reluctant, unwilling to forgive their dying father his past transgressions. ‘Let Go My Hand is a darkly comic and deeply moving twenty-first-century love story between a son, his brothers and their father. Through these vividly realized characters, it asks elemental questions about how we love, how we live, and what really matters in the end’ according to the publisher. I’ve not had much luck with Docx’ fiction in the past but the idea of exploring the dark family secrets theme from a male point of view is an unusual one.

Given all that’s been happening in the US over the past few years, it’s a brave author who decides to write a piece of fiction about contemporary America but perhaps Hari Zunzru’s White Tears isn’t the state of the nation novel it first appears, more a comment on race relations. Two very different New Yorkers, friends since college, share a passion for music and are now the rising stars of the city’s music scene. A chance discovery of an old blues song sets in train a chain of events which leaves them in grave danger. ‘Electrifying, subversive and wildly original, White Tears is a ghost story and a love story, a story about lost innocence and historical guilt. This unmissable novel penetrates the heart of a nation’s darkness, encountering a suppressed history of greed, envy, revenge and exploitation, and holding a mirror up to the true nature of America today’ say the publishers.

Daniel Magariel’s One of the Boys is about two brothers who move from Kansas to Albuquerque with their father after their parents’ acrimonious divorce. He works from home while they settle into their new school but his behavior becomes increasingly disturbing. ‘Brutal and urgent, this masterful debut is a story of survival: two brothers driven to protect each other from the father they once trusted’ say the publishers. I’ve seen several good reports of this one from people whose opinion I trust.

Cover imageWolfgang Herrndorf’s Sand is also here thanks to a trusted blogger’s opinion. It’s set in the North African desert where an amnesiac man is fleeing armed pursuers. Four Westerners are murdered in a commune and a suitcase of worthless currency disappears. ‘Enter a pair of very unenthusiastic detectives, a paranoid spy whose sanity has baked away in the sun, and a beautiful blonde American with a talent for being underestimated. Sand is a gripping thriller – part Pynchon, part Le Carre, part Coen brothers – an unsettling, caustically funny tale of pursuit and madness’ say the publishers which doesn’t sound very far up my alley but this review over at Elle Thinks is very convincing.

That’s it for March’s paperbacks. A click on a title will take you to a more detailed synopsis and if you’d like to catch up with the first part it’s here. New titles are here.

Paperbacks to Look Out for in March 2018: Part One

Cover imageLots of paperbacks to look forward to in March, many of which I’ve already read beginning with Sally Rooney’s award-winning debut, Conversations with Friends, which is about two best friends – once lovers – who fall into a friendship with an older couple whose marriage seems a little frayed. Rooney’s novel explores the endless exchanges that make up relationships, big and small; the misunderstandings, misconceptions and happenstance that can ultimately shape your life. Not a book in which much happens yet lives are changed irrevocably.

You could say the same about Katie Kitamura’s A Separation about a woman whose husband is missing in the Peloponnese. Their estrangement has been kept secret from every one apart from her new partner. She flies to Greece at her mother-in-law’s request where she finds herself both an observer, looking back on her relationship with her self-absorbed husband, and a participant in the dramatic turn events have taken. It’s an absorbing novel, if discomfiting, with nothing so simple as a clean resolution.

Home Fire, Kamila Shamsie’s retelling of Antigone, also begins with a separation. Orphaned Isma has finally taken up her place to study in America now that her sister and brother are grown up. A chance meeting leads to an affair back in London between her sister, Aneeka, and the son of Cover imagethe determinedly anti-terrorist, Muslim home secretary but Aneeka has an ulterior motive – a determination to bring her beloved brother back from Syria. Shamsie’s characters are carefully fleshed out and entirely credible, her writing is both beautiful and lucid, her depictions of political maneuvering and the media’s lurid sensationalism sophisticated and believable.

A second novel from a writer whose first you’ve loved as much as I did Nickolas Butler’s Shotgun Lovesongs is a tricky thing – sets the heart racing with anticipation tinged with apprehension. Set in Wisconsin and spanning nearly six decades The Hearts of Men explores what it is to be a man in America through the lens of two very different boys who form a kind of friendship in 1962. Butler is careful to avoid turning them into cartoon black and white characters but Nelson is clearly the novel’s moral compass while Jonathan represents a more louche type of manhood. It’s a deeply heartfelt novel which asks hard questions and gives no easy answers.

Sara Baume’s second novel also followed a debut which I deeply admired: Spill Simmer Falter Wither was one of my favourite books of 2015. Both novels follow a year or so in the lives of characters who sit uncomfortably in the world. In A Line Made by Walking twenty-five-year-old Frankie is an artist who takes herself off to her grandmother’s dilapidated bungalow, left empty since her death. Stumbling upon the almost perfect corpse of a robin, Frankie decides to photograph it, to make it part of an art work, a project that might rescue her from her overwhelming unhappiness and loneliness. An unsettling, deeply affecting novel.

Cover imageTom Malmquist’s In Every Moment We Are Still Alive is also deeply affecting. Labelled as a piece of autofiction it’s about the death of his partner a few weeks after the premature birth of their daughter, beginning with Karin’s emergency hospital admission and ending with their daughter’s first day at pre-school. Stunned by grief and exhausted by lack of sleep, Tom finds himself caught up in a bureaucratic nightmare in which he must prove himself to be Livia’s father. The novel plumbs the depths of Tom’s grief through which shine flashes of joy as he learns how to take care of his beloved daughter. An intensely immersive, heart-wrenching book which I hope proved cathartic for its author.

That’s it for the first batch of March paperbacks. A click on a title will take you to my review if you’d like to know more, and if you’d like to catch up with new March titles they’re here. More paperbacks soon, none of which I’ve read.