Last year I was lucky enough to be asked to shadow judge the Sunday Times Young Writer of the Year Award along with Amanda, Lizzi, Paul and Lucy. It was such an enjoyable experience, both reading the shortlisted titles – all very different, all more than worthy of the award – and meeting other bloggers plus, of course, the authors. This year another five bloggers will be taking a turn and I hope their experience is as rewarding as ours. Announced yesterday, this year’s shortlist looks just as enticing, made up of two novels, one short story collection and one book of poetry. Here they are:
It’ll be a tough choice for both the sets of judges, I suspect. If you’d like to keep up with what the shadow judges are up to you can follow their posts via the links below or on Twitter using #YoungWriterAwardShadow.
The shadow judges will annouce their winner on 28th November followed by the judges a week later. The prize will be awarded at the London Library on Thursday, December 6th. Good luck to all and have fun!
April was a wee bit light on new titles for me, making up for it with a plethora of paperbacks to keep an eye on. In contrast May sees me spoilt for choice with a very attempting array of new novels on offer beginning with Jessica Andrews’ debut, Saltwater, which follows a young woman from her Sunderland working-class home to the seductive delights of London where she’s won a university place. Lucy finds the transition from one life to another overwhelming, never quite losing her feelings of being an outsider and eventually fleeing to her late grandfather’s cottage in Ireland. ‘Lyrical and boundary-breaking, Saltwater explores the complexities of mother-daughter relationships, the challenges of shifting class identity and the way that the strongest feelings of love can be the hardest to define’ according to the publishers. I do like the sound of this one which puts me in mind a little of Sara Baume’sA Line Made by Walking.
Rosie Price’s debut, What Red Is, seems to explore similar themes, albeit more dramatically, following the inseparable Kate and Max through their four years at university. Max’s wealthy, socially assured family are very different from Kate’s whose life is shattered by an incident in a bedroom during a party at Max’s parents’ London house just after graduation. ‘What Red Is explores the effects of trauma on mind and body, the tyrannies of memory, the sacrifices involved in staying silent, the courage of a young woman in speaking out’ say the publishers. Price’s novel has drawn comparisons with all manner of authors, from David Nicholls to Meg Wolitzer, but I’m taking my cue from a couple of people whose opinions I trust in my Twitter feed where it’s been popping up for months.
Students and their relationships, both with each other and their teachers, are the subject of Susan Choi’s Trust Exercise which sees Sarah and David fall obsessively in love in their first term at a performing arts school where teachers and students become dangerously close. Twenty years later, the students’ lives remain marked by what happened in the secret, enclosed world of their school. ‘Captivating and brilliant, Trust Exercise is a novel about the treacherous terrain of adolescence, how we define consent, and what we lose, gain, and never get over as we navigate our way into adulthood’s mysterious structures of sex and power’ say the publishers promisingly. I enjoyed Choi’s My Education very much and like the sound of this one.
Set in one of England’s new towns Andrew Cowan’s Your Fault takes us from the ‘60s into the ‘70s, following Peter from his first memory to his first love. Each chapter marks one year in Peter’s life, as his future self tells Peter’s story back to him. ‘It’s an untold story of British working-class experience, written with extraordinary precision and tenderness’ according to the publishers which sounds more unusual then it should. I do like the sound of that structure
Rather than telling the story of one life, Bernardine Evaristo’s Girl, Woman, Other tells the story of twelve very different characters’ lives, most of them black British women. ‘Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible’ promise the publishers. That structure certainly makes it irresistible to me. Evaristo’s Mr Loverman was an absolute joy raising hopes for this one.
I’m rounding off this first instalment of May’s new titles with a collection of short stories by Julia Armfield, salt slow, which sounds a little surreal. It focusses on women and their experiences in society, apparently, exploring themes of isolation, obsession and love. ‘Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea-side towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants’ according to the publishers, bringing to mind Michael Andreasen’s The Sea Beast Takes a Lover. Like Nicole Flattery, whose Show Them a Good Time I enjoyed very much, Armfield is the winner of The White Review Short Story Prize. An award to keep an eye on, clearly.
As ever, a click on a title will take you to a more detailed synopsis should any take your fancy. More soon…