Tag Archives: Saltwater

Paperbacks to Look Out For in April 2020: Part Two

Cover imageUnlike the first part of April’s paperback preview, I’ve read none of the following six titles. I’ll begin with the one that tempts me most – Matias Faldbakken’s The Waiter set in Oslo where the eponymous waiter works at the city’s grandest restaurant. Our waiter knows his clientele well, tending to their every whim while watching their various shenanigans. ‘Exquisitely observed and wickedly playful, The Waiter is a novel for lovers of food, wine, and of European sensibilities, but also for anyone who spends time in restaurants, on either side of the service’ say the publishers which sounds just great A vicarious dining experience to enjoy until we can all go back to the real thing.

Taffy Brodesser-Akner’s Fleishman in Trouble is one of those books of which I’m a little wary. It was all over my neck of the Twitter woods last summer which could well mean just a literary flash in the pan but its premise is an appealing one. Toby Fleishmann is about to launch himself into his longed-for single life when his ex-wife disappears leaving him in sole charge of his familial responsibilities and impelled to solve the mystery of what has happened to her, while wondering if their marriage was not quite how he saw it. ‘A blistering satirical novel about marriage, divorce and modern relationships, by one of the most exciting new voices in American fiction’ say the publishers.

I’m not entirely sure about Tim Lott’s  When We Were Rich either but, once again, its premise is an appealing one. Six people gather on a London rooftop on Millennium Eve to watch the fireworks on the Thames. All seems rosy as the economy booms but mass immigration from Eastern Europe is causing rumbles of discontent and religious fundamentalism is making itselfCover image known. How will these six weather the challenges ahead? ‘Sad, shocking and often hilarious, it is an acutely observed novel of all our lives, set during what was for some a golden time – and for others a nightmare from which we are yet to wake up’ say the publishers. Apparently, this new novel sees the return of characters who first appeared in White City Blue, a novel I read but about which I can remember nothing.

I’m also a little doubtful about Mary Loudon’s My House is Falling Down which sees a marriage under strain when Lucy falls in love with Angus. Lucy is determined not to deceive her husband but is shocked by his reaction to her affair. ‘Infused with her trademark precision, clarity and dark humour, Mary Loudon’s searing, highly-charged novel My House is Falling Down is a fearless exploration of what infidelity means when no one is lying, and how brutal honesty may yet prove the biggest taboo in our relationships’ say the publishers which suggests an original take on the somewhat hackneyed theme of middle-aged infidelity.

A multitude of bloggers whose opinions I trust sang the praises of Ray Robinson’s The Mating Habits of Stags when it was first published last year although it hadn’t appealed to me at first sight. After a violent act, widower Jake is evading capture on the wintery Yorkshire moors musing about his beloved wife and the child that is not his. His actions will change the friend who is devasted by the news of what he’s done forever. ‘As beauty and tenderness blend with violence, this story transports us to a different world, subtly exploring love and loss in a language that both bruises and heals’ according to the publishers.

After all those doubts, I’m ending on a more positive note with the winner of this year’s Portico Cover imageprize – Jessica Andrews’ debut, Saltwater which follows a young woman from her Sunderland working-class home to the seductive delights of London where she’s won a university place. Lucy finds the transition from one life to another overwhelming, never quite losing her feelings of being an outsider and eventually fleeing to her late grandfather’s cottage in Ireland. ‘Lyrical and boundary-breaking, Saltwater explores the complexities of mother-daughter relationships, the challenges of shifting class identity and the way that the strongest feelings of love can be the hardest to define’ according to the publishers. I do like the sound of this one which puts me in mind a little of Sara Baume’s A Line Made by Walking.

 That’s it for April’s new novels. A click on a title will take you to a more detailed synopsis for any that have snagged your attentions and if you’d like to catch up with the first batch it’s here, new titles are here and here. Lots to keep us all entertained and take our minds of things a little this month. Stay safe, and keep washing your hands.

Books to Look Out for in May 2019: Part One

Cover imageApril was a wee bit light on new titles for me, making up for it with a plethora of paperbacks to keep an eye on. In contrast May sees me spoilt for choice with a very attempting array of new novels on offer beginning with Jessica Andrews’ debut, Saltwater, which follows a young woman from her Sunderland working-class home to the seductive delights of London where she’s won a university place. Lucy finds the transition from one life to another overwhelming, never quite losing her feelings of being an outsider and eventually fleeing to her late grandfather’s cottage in Ireland. ‘Lyrical and boundary-breaking, Saltwater explores the complexities of mother-daughter relationships, the challenges of shifting class identity and the way that the strongest feelings of love can be the hardest to define’ according to the publishers. I do like the sound of this one which puts me in mind a little of Sara Baume’s A Line Made by Walking.

Rosie Price’s debut, What Red Is, seems to explore similar themes, albeit more dramatically, following the inseparable Kate and Max through their four years at university. Max’s wealthy, socially assured family are very different from Kate’s whose life is shattered by an incident in a bedroom during a party at Max’s parents’ London house just after graduation. ‘What Red Is explores the effects of trauma on mind and body, the tyrannies of memory, the sacrifices involved in staying silent, the courage of a young woman in speaking out’ say the publishers. Price’s novel has drawn comparisons with all manner of authors, from David Nicholls to Meg Wolitzer, but I’m taking my cue from a couple of people whose opinions I trust in my Twitter feed where it’s been popping up for months.

Students and their relationships, both with each other and their teachers, are the subject of Cover imageSusan Choi’s Trust Exercise which sees Sarah and David fall obsessively in love in their first term at a performing arts school where teachers and students become dangerously close. Twenty years later, the students’ lives remain marked by what happened in the secret, enclosed world of their school. ‘Captivating and brilliant, Trust Exercise is a novel about the treacherous terrain of adolescence, how we define consent, and what we lose, gain, and never get over as we navigate our way into adulthood’s mysterious structures of sex and power’ say the publishers promisingly. I enjoyed Choi’s My Education very much and like the sound of this one.

Set in one of England’s new towns Andrew Cowan’s Your Fault takes us from the ‘60s into the ‘70s, following Peter from his first memory to his first love. Each chapter marks one year in Peter’s life, as his future self tells Peter’s story back to him. ‘It’s an untold story of British working-class experience, written with extraordinary precision and tenderness’ according to the publishers which sounds more unusual then it should. I do like the sound of that structure

Rather than telling the story of one life, Bernardine Evaristo’s Girl, Woman, Other tells the story of twelve very different characters’ lives, most of them black British women.Joyfully polyphonic and vibrantly contemporary, this is a gloriously new kind of history, a novel of our times: celebratory, ever-dynamic and utterly irresistible’ promise the publishers. That structure certainly makes it irresistible to me. Evaristo’s Mr Loverman was an absolute joy raising hopes for this one.

Cover imageI’m rounding off this first instalment of May’s new titles with a collection of short stories by Julia Armfield, salt slow, which sounds a little surreal. It focusses on women and their experiences in society, apparently, exploring themes of isolation, obsession and love. ‘Throughout the collection, women become insects, men turn to stone, a city becomes insomniac and bodies are picked apart to make up better ones. The mundane worlds of schools and sea-side towns are invaded and transformed, creating a landscape which is constantly shifting to hold on to the bodies of its inhabitants’ according to the publishers, bringing to mind Michael Andreasen’s The Sea Beast Takes a Lover. Like Nicole Flattery, whose Show Them a Good Time I enjoyed very much, Armfield is the winner of The White Review Short Story Prize. An award to keep an eye on, clearly.

As ever, a click on a title will take you to a more detailed synopsis should any take your fancy. More soon…