This second batch of 2015 goodies covers April and May, and is made up entirely of women writers. No plan there – just the way this particular cookie crumbled. I’ll begin with The Shore, Sara Taylor’s beautifully packaged debut which appeared on both the Baileys longlist and the newly resurrected Sunday Times/ Peters Fraser Dunlop award shortlist. Taylor’s novel is made up of a set of interconnecting stories spanning a century and a half in the lives of the inhabitants of three small islands off the coast of Virginia. The Shore is the name given to the islands, all within a stone’s throw of each other, and the novel focuses on the two families who dominate them – one impoverished the other prosperous – both intertwined through marriage. Taylor’s writing is striking, her characters believable and her storytelling entrancing. Can’t say better than that.
My second April book is Valeria Luiselli’s The Story of My Teeth, commissioned as part of an exhibition by the Mexican juice factory that appears in the novel. Inspired by the nineteenth-century Cuban practice of employing a ‘tobacco reader’ who read to the workers to relieve their boredom, Luiselli arranged for her fiction to be read to the juice factory workers in instalments, incorporating their suggestions into the next episode just as Dickens did with his serialised novels. Ostensibly the somewhat outlandish story of Gustavo Sánchez Sánchez, aka Highway, who has one aim in life – the perfect set of gnashers – the novel’s really about the art of storytelling. Often witty and fantastical, it’s a brilliantly original piece of work and translator Christina MacSweeney’s Chronologic is a wonderful finishing touch, putting Highway’s life into context and illuminating his many allusions.
Christine Dwyer Hickey is the kind of author about whom there’s not a great deal of brouhaha – no fanfare of Twitter trumpets heralding her next novel or drip feed of showy publicity – which in some ways is a relief and in others a shame. I’m not sure she has the readership she deserves. Written in precise, quiet and unshowy prose The Lives of Women, follows Elaine, back from the States on her first visit home in many years, as she remembers the summer back in the ‘70s which has shaped her adult life. The story’s an old one – and sad – but told with great skill and the hope of redemption. If you’ve not yet come across Hickey, I hope you’ll try one of her books. I rate her enough to have included her on my Man Booker wish list but, as with the Baileys, the judges failed to agree with me.
A God in Ruins has recently made its way on to the Costa shortlist, although for the life of me I fail to understand why it wasn’t on the Man Booker longlist at the very least. It was the one title I’d have bet my shirt on. Beginning in 1925, it’s the story of Teddy, brother of Ursula Todd whose many lives were lived in Life After Life. In her author’s note Atkinson says she likes ‘to think of it as a “companion” piece rather than a sequel’ and indeed that’s how it reads. Atkinson flashes forward and back seamlessly, deftly tossing observations from the future, literary allusions, thoughts on nature, riffs on trivia such as the unthinking cruelty of parents when naming their children, into her narrative and stitching it all together beautifully. It’s a wonder from beginning to its intensely moving end.
I know I’m beginning to sound like a broken record here – or perhaps proving my incompetence as a literary prize judge, not that I’m likely to become one – but here’s yet another novel that appeared on my Man Booker wish list but not on theirs. The Mountain Can Wait is sad story of Tom Berry and his son who has knocked down a young woman in the early hours after a party then fled. Sarah Leipciger’s writing is remarkable: she’s nailed that stripped-down, spare simplicity which conveys so much in a single phrase, and she’s a mistress of ‘show not tell’. The sense of place is strikingly vivid: in just a few words she made me feel that I was striding around the Canadian bush. It’s a beautifully expressed novel, one of the finest debuts I’ve read this year.
Rounding off this second selection is Jane Smiley’s Early Warning, the second instalment of her The Last Hundred Years Trilogy which reflects the twists and turns in America’s fortunes from 1920 until an imagined 2020 through an Iowan farming family. The first part, Some Luck, made it on to last year’s books of the year posts for me – and many others – so I was looking forward to seeing what happens to the Langdons next. It opens in 1953 with a funeral neatly passing the baton on to the next generation and finishes in 1986 with a revelation which offers another pleasing twist in the lives of the family. Published here in the UK in October, Golden Age completed the trilogy, and suffice to say it’s the equal of the other two.
That’s it for the second selection. A click on a title will take you to my review and if you’d like to catch up with the first post, it’s here. More to follow shortly when yet another Man Booker unfulfilled wish will be aired.