Tag Archives: The Muse

Paperbacks to Look Out for in December 2016

Cover imageIn previous years I’ve merged December’s paperback and hardback offerings but the three paperbacks I have my eye on this year merit a post of their own, kicking off with Jessie Burton’s The Muse, cunningly published at the end of the month to capture the Christmas book token trade. Set in seventeenth century Amsterdam, The Miniaturist was hugely successful a few years back. Burton’s second novel begins in 1967 with Odelle Bastien, who left her Trinidadian home five years before, about to find her niche working in a London art gallery. One day a lost masterpiece with a story behind it is delivered, purported to be by the legendary Isaac Robles. Burton’s novel untangles the painting’s history taking her readers to Spain in 1936. Lots of very complimentary reviews when it was published in hardback.

I’m not sure Rachel Cantor’s Good on Paper got much coverage at all when it was first published here in the UK. A frustrated young woman with a few published short stories under her belt, is stuck in the temping world. Her life seems about to be transformed when a Nobel Prize winning author offers her the opportunity to translate his book. Unfortunately, as instalments of the manuscript roll in, it becomes clear that the book is untranslatable. ‘A deft, funny, and big-hearted novel about second chances, Good on Paper is a grand novel of family, friendship, and possibility.’ say the publishers which sounds like rather a nice way to round off the reading year.

My last choice, Andrea Canobbio’s Three Light-Years, is the only one I’ve reviewed. Still living inCover image the same apartment building as his mother, his ex-wife and her new family, forty-three-year-old Viberti longs for a child. He meets Cecilia whose son is suffering from an eating disorder and manages to get the boy to eat by distracting him with a conversation about James Bond. Before long Viberti and Cecilia are having lunch together. Subtle, often funny, sometimes infuriating this is not a novel for those wanting a conventional love story – there are times when you want to give Viberti and Cecilia a good shaking – but I enjoyed it very much. Nicely ambivalent ending, too, much like life.

That’s it for December. A click on the title of the first two will take you to a fuller synopsis while the third link is to my review. If you want to catch up with December hardbacks, here they are

Books to Look Out For in June 2016: Part 1

Cover imageJune really is a bumper month for fiction. I know I frequently kick these previews off with that kind of pronouncement but such were the many interesting looking titles on offer that there were nearly enough books for a three-parter which seems excessive even for my eyes-bigger–than-stomach tendencies. Several of them are set in that fabled decade the 1960s, beginning with Emma Cline’s debut The Girls which has been attracting attention for a good few months now. Set in the summer of 1969, it’s about fourteen-year-old Evie Boyd entranced by the girls in their short dresses and long tatty hair who live on a Californian ranch, deep in the hills with the charismatic Russell. ‘Rumours of sex, frenzied gatherings, teen runaways. Was there a warning, a sign of things to come? Or is Evie already too enthralled by the girls to see that her life is about to be changed forever?’ say the publishers. Cline’s novel is based on the notorious Manson murders and seems to have caused quite a stir already.

Following an immensely successful debut with a second novel is a nerve-wracking time for writers, I’m sure. Set in seventeenth century Amsterdam Jessie Burton’s The Miniaturist was hugely successful two years back. Her second novel, The Muse begins in London in 1967 with Odelle Bastien who left her Trinidadian home five years before and who is about to find her niche working in a London art gallery. One day a lost masterpiece with a story behind it is delivered to the gallery, purported to be by the legendary Isaac Robles. Burton’s novel untangles the painting’s history taking her readers to Spain in 1936.  ‘Seductive, exhilarating and suspenseful, The Muse is an addictive novel about aspiration and identity, love and obsession, authenticity and deception – a magnificent creation and a story you will never forget’ say the publishers.

By contrast, the synopsis of Susan Beale’s The Good Guy isn’t anything hugely special but there’s something about it that draws me in. Perhaps it’s that old third-party dynamic. Still in the ‘60s but this time in suburban New England it’s about Ted – a car-tyre salesman married to Abigail – whose chance encounter with Penny sets him off inventing a new life for the both of them until ‘fantasy collides with reality, the fallout threatens everything, and everyone, he holds dear’, apparently. Could be as dull as ditch water but it’s got a great jacket and John Murray often publish interesting novels.

Staying in the ‘60s, Jill Dawson’s The Crime Writer follows Patricia Highsmith to a cottage in Suffolk where she is concentrating on her writing and avoiding her fans while conducting an affair with a married lover. When a young journalist arrives determined to interview her, things take a dark turn. ‘Masterfully recreating Highsmith’s much exercised fantasies of murder and madness, Jill Dawson probes the darkest reaches of the imagination in this novel – at once a brilliant portrait of a writer and an atmospheric, emotionally charged, riveting tale’ say the publishers. Dawson has a particular talent for taking the bare bones of a life and working it up into a richly imagined novel.Cover image

Natasha Walter – she of Living Dolls and The New Feminism fame – has a debut novel out in June which also takes the story of historical figures and fictionalises it. Laura Leverett has been living in Geneva since her husband disappeared in 1951. Ostensibly a conventional wife and mother, Leverett has been living a double life since 1939 when she met a young Communist woman aboard a transatlantic liner. When she marries a man with similar sympathies she becomes caught up in a world of espionage which will take her from wartime London to Washington in the grips of McCarthyism. Based on the relationship between the Cambridge spy Donald Maclean and his wife Melinda Marling, A Quiet Life is ‘sweeping and exhilarating, alive with passion and betrayal’ according to the publishers. This is the third Cold War novel to have caught my attention this year although Walter has stiff competition to beat: the other two were Francesca Kay’s The Long Room and Helen Dunmore’s Exposure, both excellent.

This next one is eagerly anticipated, by me anyway. It’s the third in Louisa Young’s First World War series which began with My Dear, I Wanted to Tell You and continued with The Heroes’ Welcome. Those who have read the first two novels will be familiar with several of the characters which apparently reappear in Devotion, although the baton has been handed onto the next generation now faced with the prospect of another war as Tom, adoptive son of Nadine and Riley, falls in love with Nenna whose father supports Mussolini. The first two instalments of this series were a joy – compassionate and humane without a hint of sentimentality.

Winding back to the end of the First World War and the Spanish influenza epidemic that swept the world, Sjón’s Moonstone is set in Iceland in 1918 against a backdrop of an erupting volcano and coal shortages. Sixteen-year-old Mani loves the movies, even dreaming about them, but everything changes when the ‘flu hits Iceland. ‘Capturing Iceland at a moment of profound transformation, this is the story of a misfit in a place where life and death, reality and imagination, secrets and revelations jostle for dominance’ say the publishers. Make of that what you will.  It’s so unusual to see an Icelandic novel in the publishing schedules that seems to have nothing to do with crime that I feel I should give this one a go.

Everyone is WatchingFinally, at least for this first batch, Megan Bradbury’s Everyone is Watching is set in New York which is usually enough to guarantee any novel a place on my list but this one sounds particularly attractive, apparently featuring the city itself as the main protagonist. From Walt Whitman in 1891 to Robert Mapplethorpe in 1967, from Robert Moses in 1922 to Edmund White in 2013, Bradbury’s novel is about the artists and writers who have made New York a city that captures the imagination. ‘Through the lives and perspectives of these great creators, artists and thinkers, and through other iconic works of art that capture its essence, New York itself solidifies. Complex, rich, sordid, tantalizing, it is constantly changing and evolving. Both intimate and epic in its sweep, Everyone is Watching is a love letter to New York and its people – past, present and future’ say the publishers which suggests that it could either be a great sprawling mess of a novel which rambles about all over the place or a resounding success. We’ll see.

That’s it for the first batch of June titles. As ever a click on a title will whisk you off to a more detailed synopsis.