Alexis Schaitkin’s Saint X suffered more than most from the upheavals which struck last year’s schedules, appearing in print nine months or so after it was first due to be published. Truth be told I wasn’t at all sure about it when it arrived. I wondered if it might be a step too far into crime or, perhaps, beach read territory for me but given that it’s published by Picador, one of my favourite imprints, I thought I’d give it a try. Spanning several decades, Schaitkin’s debut explores the fallout of a young woman’s death while on a family holiday in the Caribbean.
The sea transforms to liquid silver as the day draws to a close. Sunset yields to the lavender fleece of twilight. Stars blink awake.
For the Thomas family, their trip to Saint X is an escape from New York’s bitter winter. Their older daughter, Alison, has just started college. Beautiful, apparently assured and idolised by her seven-year-old sister, Claire, she sneers inwardly at her parents’ attempts to be friendly to their luxury resort’s staff. Edwin and Clive patrol the beach, serving cocktails to this new batch of wealthy Americans – Edwin the charming extrovert, Clive his bumbling counterpart. These two live the other side of the island, a different world from the one the Thomases temporarily inhabit. Unbeknownst to her parents, Alison sneaks out at night, leaving Claire to wonder what she’s up to, until on the last night she doesn’t come back. Suspicion inevitably falls on Edwin and Clive. Many years later, now in her twenties and living in New York, Claire spots Clive’s name on her cab driver’s license. Over the course of that winter, Claire is pulled back into her childhood, researching Alison’s death online, listening to her audio diaries and stalking Clive until at last a surprising connection is made.
She was what all the dead are: whatever the living make of them
Inevitably, given its premise, there’s a thread of suspense running through this sophisticated, skilfully constructed novel but it’s much more about the psychological effects of Alison’s death on all those involved, some of them tangentially, than solving the mystery of what happened. Schaitkin tells this story of obsession and grief, largely from Clive and Claire’s perspectives, carefully fleshing out the backstories of her characters. Her social observation is acute, from the chasm between the islanders and the well-meaning tourists keen to show how liberal they are to the reality TV shows that plumb the depths of human prurience in their depiction of missing girls. Both Claire’s obsession, sparked by her chance encounter, and Clive’s wrecked life are compassionately portrayed. A little reminiscent of Jon McGregor’s Reservoir 13 in its overarching theme, Saint X is an impressive, thought provoking and immersive novel whose ending is well done, both expected and unexpected.
Picador: London 2020 9781529014273 320 pages Hardback
I like the sound of this – generally the fallout on those left behind is more interesting to me that reading a crime story in itself. Jon McGregor is one of my favourite authors so that is a very enticing comparison!
Definitely more interesting. I think that’s what made The Killing such a success.
I love crime novels, I’m currently reading Thr3e by Ted Bakker. And reading your review gives me that delicious feeling when I read novels that are files with suspense about solving a crime.
Where can I get this novel please?
Clever title! If you’re in the UK, I’d recommend Waterstones or Blackwells but Amazon will probably have it. I hope you enjoy it if you do read it.
Probably not entirely my kind of book, yet the premise and that lovely cover do make it seem like a great holiday read, and a hugely intruiging story.
I wasn’t convinced it would be for me either but Schaitkin draws you into her story.
This sounds like a fascinating book, Susan. Thanks for reviewing it.
You’re welcome, Mary. I’m glad I overcame my initial reservations about this one.
The Jon McGregor is an interesting comparison, Susan, especially in terms of the theme. Probably not one for me, although it might well suit some of our book subscription readers and other customers. Thanks for the review, I’ll definitely keep it in mind – and, as Ali says, it looks like a compelling holiday read.
It’s the exploration of the ripple effects of a taumatic incident which reminded me of Reservoir 13, Jacqui. No match for McGregor’s writing but so few authors are!
How long have you been tracking Picador as a favourite imprint, do you remember a certain book/author pulling it onto that particular track of your reader’s radar, or did it happen over time? This does sound like an interesting reading experience, and it’s doubly fun when a book we were uncertain about does manage to clinch our attentions.
Decades! It stood out for me as a quality list when I was a bookseller and still does. Always nice to be pleasantly surprised by a book.
Hmmm. Might need to reconsider this one on the strength of your review.
That jacket suggests a very different read. I think the Joyce Carol Oates and Oyinkan Braithwaite puffs on it are a better guide. Hope you enjoy it if you do decide to read it, Kate.
This sounds quite fascinating. I was under the impression it was mostly a thriller so your review has me more interested now!
It begins like a thriller and there’s a thread of suspense throughout but it’s much more about the psychological fallout. If you’ve seen The Killing that might be a useful comparison. Hope you enjoy it if you decide to read it.