Book covers should entice readers the way roses entice bees – like their survival depends on it.
It begins with Three Fathers, a tender exploration of what each of her three very different fathers mean to her prefaced by a rather lovely photograph of Patchett with all three at one of the family’s many weddings. The Paris Tattoo explores memories of her 1983 Eurorail tour with a friend, both of them struck with admiration for a svelte waitress with a delicate tattoo. In How to Practice she recalls helping her dear friend, Tavia, clear the home of her father, an avid collector of just about anything, prompting Patchett’s own clearout which proves harder than she expected until she makes a discovery. How Knitting Saved My Life, Twice is a lovely hymn of praise to familial love and friendship as Patchett remembers being taught to knit by her grandmother and the friend who threw her skeins of wool as a lifeline out of the pit of grief into which she’d been plunged. There Are No Children Here is made up of 22 reflections on Patchett’s choice not to have children, some funny, all matter of fact, many of which struck a chord given my own happily
I was starting to understand what she needed might have been colour rather than conversation, breath rather than words
At over 60 pages, the titular essay is by far the longest and deserves a paragraph of its own. It begins with Patchett asked to interview Tom Hanks, struck by his publicist Sooki and her gorgeous black velvet coat emblazoned with peonies. Hanks later narrates The Dutch House and visits Parnassus, the bookstore Patchett co-owns but rather than an account of a friendship with a film star this is about the relationship between Sooki and Patchett, at first conducted by email then suddenly intensified when Sooki is diagnosed with pancreatic cancer and Patchett asks her surgeon husband for help. Karl finds a clinical trial at his hospital which Sooki can join and, with characteristic generosity, Patchett insists she moves in. Then covid hits, thrusting these three comparative strangers into an unexpected intimacy which ripens into the closest of bonds.
How other people live is pretty much all I think about. Curiosity is the rock upon which fiction is built.
Bloomsbury Books: London ‎ 9781526640963 336 pages Hardback
Sold! This is the story of a happy marriage meant a lot to me at a certain rough point in my life.
It would make a lovely Christmas present to yourself.
Oh believe me, I have given myself a LOT of bookish Christmas presents this month!
I’m sure you deserve each and every one of them!
I bought this last week Susan, as I like Patchett’s fiction. Sounds like I’m in for a treat! Have a very happy Christmas x
A great one to dip into over the holidays, Cathy, and a very happy Christmas to you, too, although I’ll be back with some January temptations on Monday! xx
Well there goes all my good intentions… 🙂
You might be lucky – maybe none of them will appeal!
I’m an Anne Patchett fan, and enjoy essays, so this one is definitely on my Wish List
Two boxes ticked! It’s a treat, Alison. I hope you enjoy it as much as I did.
Have a library copy. So very glad you loved it. Now I’m eager to dip in over Christmas!
Cheers
You’re welcome! It’s the perfect book to dip in to. I hope you love it as much as I did.
These essays sound absolutely wonderful. I have only read one book by Anne Patchett, and that was a long time ago. I think this would be a brilliant reintroduction to her work.
The whole collection is a delight!
Back in the days when I could sit carefree in an indoor space with a load of strangers, I went to a talk by Ann Patchett and she was as warm and wonderful as your review suggests. I’ve only read her fiction – and I’m a bit behind on that – so I really must pick up her essays. This sounds such a treat.
Halcyon days! I imagine that was a lovely event. These would be perfect if your concentration is wobbly with fatigue or stress.
I loved learning, via interviews, about her process of building this collection. In short, she gave a set of essays to a friend and asked them to name the weak link. Repeated twice. Then her publisher recommended one to remove. And then IIRC she wrote two more? That part I’m hazy on, the number. She has a way of pulling you into her subject matter….I love it.
That’s so interesting! She certainly does, both in fiction and non-fiction.