Susan Osborne

Books of the Year 2015: Part 2

This second batch of 2015 goodies covers April and May, and is made up entirely of women writers. No plan there – just the way this particular cookie crumbled. I’ll begin with The Shore, Sara Taylor’s beautifully packaged debut which appeared on both the Baileys longlist and the newly resurrected Sunday Times/ Peters Fraser Dunlop

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Three Light-Years by Andrea Canobbio (transl. Anne Milano Appel): A love story

Jacqui from JacquiWine’s Journal commented on my books to look out for in December post that Three Light-Years’ jacket seemed to fit its synopsis well: a grey, rainy day in which a woman is looking over her shoulder at a man, her expression a little solemn but unreadable. We can’t see his but it should

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A Summer with Kim Novak by Håkan Nesser (transl. Saskia Vogel): A Swedish period piece

I have to admit to picking this up because it’s Swedish. I read it during what seemed to be a period of deep virtual immersion in Scandiland – watching the first series of The Legacy re-watching Borgen and reading Martin Booth’s excellent The Almost Nearly Perfect People squarely aimed at people like me who have

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A Kind of Compass (Edited by Belinda McKeon): A little cherry picking

Regular readers may have noticed that I’ve taken to reviewing short stories recently but this is my first anthology. Previous reviews have all been of collections by a single author, one whose novels I love. Two things brought me to A Kind of Compass: firstly it’s edited by Belinda McKeon both of whose novels –

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A Ghost’s Story by Lorna Gibb: A matter of punctuation

‘Tis the season of ghost stories. Halloween’s long past, I know but Christmas, when lots of us are cosily tucked up at home, offers the perfect opportunity for a few ghostly frissons. Lorna Gibb’s A Ghost’s Story is somewhat different from the more traditional scare-yourself-rigid variety such as Susan Hill’s splendidly terrifying The Woman in

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Katherine Carlyle by Rupert Thomson: A sense of belonging

I’ve admired Rupert Thomson’s work for some time. His novels are never predictable, always exploring unexpected terrain from the advertising world, satirized in Soft!, to the Medici court in Secrecy‘s seventeenth century Florence. The last one’s my particular favourite. Famously, Davie Bowie’s is The Insult which appeared as one of his 100 Must-Read Books of

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