Susan Osborne

Cover image for How to Gust a Fish by Sheila Armstrong

How to Gut a Fish by Sheila Armstrong: A striking, idiosyncratic collection

Irish writer Sheila Armstrong’s debut collection How to Gut a Fish came with a glowing endorsement from Roddy Doyle which was part of the lure for me; that and the hint of the surreal in its blurb. The collection comprises fourteen stories, none more than twenty pages long, each very different from the other. As

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Cover image for Marzhan, Mon Amour by Katja Oskamp

Marzahn, Mon Amour by Katja Oskamp (transl. Jo Heinrich): An everyday gem

Peirene Press novellas are reliably excellent but rarely cheery reads. Katja Oskamp’s Marzahn, Mon Amour bucks that trend with its tender, affectionate portrait of a community told through a set of thumbnail sketches of her clients by an unnamed writer turned chiropodist. Regular readers might notice that this is the second visit to Berlin in

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Cover image for Friedrichstrasse 19 by Emma Harding

Friedrichstrasse 19 by Emma Harding: ‘You will endure. What else can we do?’

Telling a city’s story through a single building and its inhabitants is such an appealing device. Żanna Słoniowska did it memorably with Lviv in The House with the Stained-glass Window. Emma Harding’s Friedrichstrasse 19 takes a similar tack with the added lure of exploring the history of Berlin, always a favourite setting, through the lives

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Cover image for Love, If That's What it is by Marjke Schermer

Love, If That’s What It Is by Marijke Schermer (transl. Hester Velmans): One size does not fit all

I’m a sucker for novels about long term relationships, the complicated kind rather than the reasonably straightforward happy ones although they, too, have their turbulent moments. Marijke Schermer’s Love, If That’s What It Is looked right up that particular alley with its story of the breakdown of Terri and David’s 25-year marriage, told from the

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