Susan Osborne

Coer image for Bloody Awful in Different Ways by Andrev Walden

Bloody Awful in Different Ways by Andrev Walden (transl. Ian Giles): Seven dads in seven years

Andrev Walden’s Bloody Awful in Different Ways was a huge bestseller in Sweden, winning the country’s prestigious August Prize in 2023. It’s pitched at readers who loved Frederik Bachman’s A Man Called Ove which didn’t appeal to me but I liked the sound of this slice of autofiction which begins with young Andrev, aged seven

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Cover image for And Notre Dame is Burning Down

And Notre Dame is Burning by Miriam Robinson: ‘Do you know this man?’

I was in two minds about reading Miriam Robinson’s And Notre Dame is Burning, attracted by the idea of a fragmented, non-linear narrative which I often enjoy but wondering if it might be too ambitious for a debut. Robinson’s novel follows Esther over five years or so in which time seems to flatten for her

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Cover image for The Place of Shells by Mai Ishizawa

The Place of Shells by Mai Ishizawa (Transl. Polly Barton): Trauma, grief and memory

I’ve often mentioned the power of novellas on this blog, how in the right hands a few pages can convey much more than several hundred. Mai Ishizawa’s prize-winning debut, The Place of Shells, is a fine example of that for me. Set during the pandemic, it’s narrated by an unnamed academic from Tōhoku, whose coastline

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