Fiction Reviews

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Look Who’s Back by Timur Vermes (transl. Jamie Bulloch): Who do you think you are kidding Mr Hitler?

Adolf Hitler wakes up with a dreadful headache. He’s a little bemused to find himself lying in what seems to be a wasteland. He picks himself up and makes his way to a news kiosk where he’s astonished to find that it’s August 30th 2011. He’s at a loss to know what’s happened but the

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The Last Boat Home by Dea Brøvig: Dark secrets in ’70s Norway

After the pyrotechnics of Siri Hustvedt’s new novel last week I felt in need of something a little less taxing, something engaging but not too challenging. Dea Brøvig’s The Last Boat Home looked a likely candidate. It’s a first novel set in a tiny community on the Norwegian coast. Two narrative strands alternate between the

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The Blazing World by Siri Hustvedt: An astonishing piece of work

Where to start with Siri Hustvedt’s new novel? Perhaps with a warning that it’s not an easy read. If it’s good old linear narrative you’re after best look elsewhere. The Blazing World is made up of a collection of documents relating to Harriet Burden – interviews; written statements from her friend, her lover and her

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The Lives of Stella Bain by Anita Shreve: Commercial or literary fiction, and does it matter?

There’ve been a few exchanges in my booky little Twitter corner recently about commercial and literary fiction, how one is thought to be more worthy of serious attention than the other. I haven’t been joining in partly because I’m not sure what I think about it. I do know that my own reading would be

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The Snapper by Brian Kimberling and The Lemon Grove by Helen Walsh

Last week was the first birthday of Tinder Press, an imprint of Headline publishers. I remember being excited by the first clutch of titles they published and thought them very canny in transferring Maggie O’Farrell from the Headline Review imprint to Tinder for their launch title, Instructions for a Heatwave. I think they’ve every reason

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