Fiction Reviews

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Cover image for The Trio by Johanna Hedman

The Trio by Johanna Hedman (transl. Kira Josefsson): If you like Sally Rooney…

The blurb for Swedish writer Johanna Hedman’s The Trio put me in mind a little of Liza Klaussmann’s slightly disappointing This is Gonna End in Tears which I reviewed last week. Both feature a group of close friends revisited later in life, which is what attracted me, but that’s where the similarity ends. As you’ll […]

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Cover image for This is Gonna End in Tears by Liza Klaussmann

This is Gonna End in Tears by Liza Klaussmann: ‘Redemption was always possible in the third act’  

I tend not to be lured by the onslaught of summer reading that hits bookshops around June or so but there’s usually one novel aimed squarely at that market I hope will hit the spot. Last year’s was The Paper Palace which turned out to be much darker than I expected. This year’s is Liza

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Cover image for Still Born by Guadaloupe Nettel

Still Born by Guadalupe Nettel (transl. Rosalind Harvey): The many forms of mothering

It’s some time since I’ve read anything from Fitzcarraldo who divide their list into white covers for non-fiction and a gorgeous cobalt blue for fiction. Mexican author Guadalupe Nettel’s fourth novel, Still Born, caught my eye with its theme of motherhood as a choice. It follows two friends – both in their mid-thirties, both intensely

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Cover image for Stargazer by Laurie Petrou

Stargazer by Laurie Petrou: ’There were so many ways a story could go’  

It was the theme of female friendship that drew me to Canadian author Laurie Petrou’s Stargazer. I was slightly dismayed to discover that it was published under a crime imprint but while there is a crime Petrou’s novel is a world away from the kind of police procedural I’m happy to watch on TV. Set

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Cover image for Hearts and Bones by Niamh Mulvey

Hearts and Bones: Love Songs for Late Youth by Niamh Mulvey: Another fine Irish collection

I’m on a winning streak with Irish women authors this year. I’m sure to hit a dud eventually but Niamh Mulvey’s debut, Hearts and Bones, certainly isn’t it. This slim collection comprising ten stories comes with a subtitle which sets the tone, echoed by that brilliant jacket, as its narrators, mostly women, look back at

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