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The Lives of Stella Bain by Anita Shreve: Commercial or literary fiction, and does it matter?

There’ve been a few exchanges in my booky little Twitter corner recently about commercial and literary fiction, how one is thought to be more worthy of serious attention than the other. I haven’t been joining in partly because I’m not sure what I think about it. I do know that my own reading would be

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The Snapper by Brian Kimberling and The Lemon Grove by Helen Walsh

Last week was the first birthday of Tinder Press, an imprint of Headline publishers. I remember being excited by the first clutch of titles they published and thought them very canny in transferring Maggie O’Farrell from the Headline Review imprint to Tinder for their launch title, Instructions for a Heatwave. I think they’ve every reason

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The Tell-tale Heart by Jill Dawson: What happens when your heart is not your own

It’s just an organ – vital, of course – but it simply pumps blood around our circulatory systems in order that we can continue to live. If it weakens, we eventually die. Yet it’s become very much more than that in our lexicon of symbols – we speak from the heart, it’s recognised as the

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The People in the Photo by Hélène Gestern (transl. by Emily Boyce): A beautifully constructed page turner

The People in the Photo seemed an entirely appropriate novel to read after finishing Ben Watt’s reconstruction of his parents’ story. It begins with a description of a photograph from a local Swiss newspaper: three young people – two men and a woman – are bathed in sunlight against an Alpine backdrop, wearing white and

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