Tag Archives: Books published in February 2018

Books to Look Out for in February 2018: Part Two

Cover imageThe second batch of February’s new titles is something of a mixed bag. I’ll begin with Tyler Keevil’s No Good Brother which sounds like a slice of adventure. Two brothers – one honest, the other not – set off on a journey to settle a debt with a notorious gang which will take them across land and sea dogged by customs officials, freak storms and a distinct sense of luck running out. ‘Quick-witted and beautifully observed, No Good Brother is an exquisite portrait of brotherly love and loyalty, examining the loss of innocence and the ties that bind us’ say the publishers. An uncharacteristic choice for me but the blurb’s put me in mind of Patrick deWitt’s wonderful The Sisters Brothers.

Joseph Cassara’s The House of Impossible Beauties sounds altogether different. Set in New York City from the late ‘70s to the early ‘90s with AIDS on the horizon, the novel was inspired by the House of Xtravaganza and follows a group of gay and transgender young adults around the drag ball scene. Apparently, it was inspired by the documentary ‘Paris is Burning’ which I haven’t seen but the book sounds right up my alley.

I’m not so sure about Jessie Greengrass’ Sight but her short story collection, An Account of the Cover imageDecline of the Great Auk, According to One Who Saw It, was so highly rated that it seems worth investigating. It follows a woman through her preparations for motherhood as she remembers the death of her own mother and the time she spent with her psychoanalyst grandmother. Significant medical discoveries are woven through her memories, apparently. ‘Wonderfully intelligent, brilliantly written and deeply moving, Sight is a novel about how we see others, and how we might know ourselves’ say the publishers.

This next one comes garlanded with praise from Margaret Atwood, no less. Katherena Vermette’s The Break tackles the tricky subject of female violence. A young mother living close by the eponymous strip of land on the edge of a Canadian town spots a girl in trouble and calls the police but when they turn up, they can find nothing. Their investigation reveals a string of wrenching stories about the people surrounding the girl. ‘Through the prism of one extended, intergenerational family, Vermette’s urgent story shines a light on the power, violence and love shared between women of all cultures, creeds and age’ say the publishers Cover imagewhich sounds very ambitious but Naomi over at Consumed by Ink, whose opinion I trust, was hugely impressed as you can see from this review.

I’m ending February’s new titles on a gentler note with an author whose previous work I’ve enjoyed very much. Judith Hermann’s Letti Park is a collection which explore the way in which random encounters with strangers can change our lives profoundly. Both Hermann’s novel Where Love Begins and Alice, her set of interlinked short stories, are fine examples of subtle, quietly effective writing so hopes are high.

That’s it for February. A click on a title will take you to a more detailed synopsis, and if you’d like to catch up with the first part of the preview it’s here. Paperbacks to follow soon…

Books to Look Out for in February 2018: Part One

Cover imageFebruary’s shaping up quite nicely with lots of new titles and paperbacks to ease us through those dark, dank days and long nights here in the Northern Hemisphere. I’ll begin with Hallgrímur Helgason’s The Woman at 1000 Degrees whose eighty-year-old narrator lives alone in a garage, laptop and hand grenade at the ready. Herra recounts her adventurous life in a voice ‘by turns darkly funny, bawdy, poignant, and always, always smart’ taking us from ‘war-torn Europe, then to Argentina and finally to post-crash Iceland where the last pieces of this haunting puzzle fall into place’ according to the publishers, putting me in mind of the excellent Himmler’s Cook.

We’re sticking with an Icelandic author although not the country for Hotel Silence by Auđur Ava Ólafsdóttir whose wonderfully eccentric Butterflies in November was a treat for me. Divorced, lonely and despairing, Jonas takes himself off on holiday not caring where he goes and with no thought of return. He fetches up at the dilapidated Hotel Silence in the middle of a war-torn country. As he learns more about his hosts and the horrors they’ve endured, his own troubles begin to dwindle into insignificance and he pitches in to help. Very much looking forward to this one.Cover image

Jillian Medoff’s This Could Hurt is set in an American HR department which may not sound the most riveting of backdrops but those of us who’ve done (or are still doing) time in offices know that they’re fertile ground for quiet drama. Five colleagues are hoping their small company will weather the economic storm, led by a steely head of the department. ‘Compelling, flawed, and heartbreakingly human, these men and women scheme, fall in and out of love, and nurture dreams big and small. As their individual circumstances shift, one thing remains constant – Rosa, the sun around whom they all orbit’ say the publishers going on to describe it as ‘achingly funny’ which makes it sound very attractive.

My next choice takes us to Paris where C. K. Stead’s The Necessary Angel sees a New Zealand academic involved in a complicated love life which encompasses his estranged French wife, his younger colleague and a troubled young English student. A missing Cézanne throws a further spanner into the works. ‘As much an ode to the power of literature as a nuanced exploration of love, fidelity and the balance of power within relationships’ say the publishers. I like the sound of that.

I’m ending this first batch of new titles, still in Paris, with one I’m not entirely sure about: Alicia Drake’s I Love You Too Much. Largely ignored by the adults around him, thirteen-year-old Paul watches from the fringes of his mother, her lover and his father’s lives. Before long he’s seen something he shouldn’t but finds unlikely consolation in Scarlett, a rebellious classmate. ‘I Love You Too Much is a novel of extraordinary intelligence and heart, a devastating coming-of-age story told from the sidelines of Parisian perfection’ say the publishers. It’s the potential for cliché that niggles me here but we’ll see.

That’s it for now. A click on a title will take you to a more detailed synopsis should you be interested. There’ll be another selection of February treats shortly.