Tag Archives: Sarah Waters

Six Degrees of Separation – from Memoirs of a Geisha to Capital #6Degrees

Six Degrees of Separation is a meme hosted by Kate over at Books Are My Favourite and Best. It works like this: each month, a book is chosen as a starting point and linked to six other books to form a chain. A book doesn’t need to be connected to all the others on the list, only to the one next to it in the chain.

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I’m somewhat late to this month’s party, having spent a week in Spain (more of which next week). We’re starting with Arthur Golden’s Memoirs of a Geisha which took the bestseller charts by storm back in the late ‘90s. Although I’ve read it, I can’t say it stands out in my memory.

Given the Japanese connection I can’t resist linking to a book by one of my favourite writers, Haruki Murakami. Last month I wrote a Blast from the Past post about one of his wackiest novels, A Wild Sheep Chase. To balance that I’ve chosen South of the Border, West of the Sun, a much more accessible pieces of fiction about a happily married man forced to remember his past when his childhood sweetheart reappears.

Cats pop up all over the place in Murakami’s fiction which takes me to Takashi Hiraide’s elegantly pared-back The Guest Cat about a reclusive young couple who open up their home and hearts to a stray cat and are then faced with the prospect of moving. Short but not slight, it’s a thoughtful rather lovely book.

Cats are not known for paying their way as opposed to Sarah Waters’ characters in  The Paying Guests which sees an impoverished war widow and her daughter reluctantly take in lodgers. Lots of readers loved Waters’ first twentieth-century set novel but I much prefer her Victorian pastiches.

One of the best examples of Victorian pastiche I’ve read is Charles Pallisers’ The Quincunx which I pulled off the shelves earlier in the year for H who was recovering from a nasty chest infection. It’s many years since I read it but I do remember it has a satisfyingly convoluted plot and an equally pleasing unreliable narrator.

I haven’t read Anthony Trollope’s Palliser series but H tells me I really should given that I’m a fan of state of the nation novels. Made up of six separate books, the series was once known as the Parliamentary Novels and was adapted for TV back in the days before the BBC thought it was a good idea to condense a long piece of fiction into four parts.

Which leads me to a more recent state of the nation novel of which there are many to choose from but I’m plumping for John Lanchester’s Capital because of its clever premise – surveying the nation through the fortunes of one London street just after the global financial collapse of 2008.

This month’s Six Degrees of Separation has taken me from an ageing woman’s memories of her life as a geisha in early twentieth-century Japan to a single London street holding up a mirror to my own nation in 2008. Part of the fun of this meme is comparing the very different routes other bloggers take from each month’s starting point. If you’re interested, you can follow it on Twitter with the hashtag #6Degrees, check out the links over at Kate’s blog or perhaps even join in.

Paperbacks to Look Out For in June 2015

The Paying GuestsI’ve reviewed all but two of the June paperbacks that have caught my eye so forgive me if I cram the lot into a single post and let the reviews speak for themselves. I’ll start with one that I haven’t got around to reading although I’ve had a copy for some time: Sarah Waters’ Baileys shortlisted The Paying Guests. I’m a big fan of Waters’ earlier novels but not so much her last two. In this one, she’s shifted her gaze from the 1940s to the ‘20s, setting her book in Camberwell where Frances and her widowed mother have fallen on hard times and are taking in lodgers. The arrival of Lilian and Leonard Barber, neither as genteel as the Wrays, shakes up the household in what Waters has called a love story ‘in which the love is forbidden, in all sorts of ways; it’s a story in which the love is dangerous’.

My second unreviewed title is Peter Buwalda’s much lauded Bonita Avenue, described as ‘a darkly hilarious tale’ in which a vulnerable young man finds himself embraced by his girlfriend’s family headed by the multi-talented Professor Sigerius. Things go horribly wrong, apparently, with all sorts of shenanigans from an explosion in a firework factory to a forgotten murderer turning up. Translated from the Dutch, it sounds as if it’s from the same school as Herman Koch’s The Dinner and Esther Gerritsen’s Craving.

There are two other translated titles on this month’s list, both by German authors, each very different from the other. Hard to choose which is my favourite but if pushed I’d plump for Jenny Erpenbeck’s The End of Days, although it’s a bit of a Marmite novel: you’ll either marvel at the way Erpenbeck adroitly handles the constant shifts in narrative throughout her complex novel or you’ll despair of ever keeping track as she views the Eastern European twentieth century through a woman whose fate is constantly re-imagined rather in the way that Kate Atkinson does with Ursula Todd in Life After Life. I thought it was excellent, but I’m a Marmite fan.

Written in a mixture of three different first-person narratives with third-person sections crisscrossing time and assorted other devices you’d think that Daniel Kehlmann’s F might become a little fragmented but Kehlmann is so deft that it flows beautifully, following Arthur Friedland and his two sons whose visit to a hypnotist when they boys are children has unforeseen consequences that will reverberate through all their lives.

Emma Freud’s Mr Mac and Me is the first of two novels I enjoyed so much that I included Cover imagethem on my Baileys Prize wish list although the judges disagreed. Impoverished and homeless, Charles Rennie Mackintosh and his artist wife Margaret spent the first year of the First World War on the Suffolk coast at Walberswick. Freud tells their story from the point of view of Thomas Maggs, the thirteen-year-old son of a local publican with whom the Mackintoshs strike up a friendship. Such a shame to see that the beautiful hardback jacket has been swapped for a rather prosaic image.

Set on the Norfolk coast, not so very far from Walberswick, Sarah Perry’s After Me Comes the Flood was another surprising omission from the Baileys longlist. Its premise is enticing enough and it’s beautifully written, too. A middle-aged man exhausted by the seemingly endless heatwave that’s hit London shuts up shop and heads off to his brother’s house in Norfolk. He’s forgotten to take a map but is convinced he knows the way until his car breaks down miles from anywhere. He spots a house on the horizon and makes for it only to find himself welcomed as if he’s expected and ushered into a room which has been prepared for him where he finds boxes labelled with his name.

The last two are by American authors, the first of which has a title that I’m sure has been mangled constantly up and down the land: Judy Chicurel’s If I Knew You Were Going to be This Beautiful I Never Would Have Let You Go. It’s the title of the final chapter of the book whose meaning becomes clear towards its end. Set in the summer of 1972, If I Knew… is narrated by Katie, the adopted daughter of a white-collar family who spends her time in Elephant Beach’s rundown Comanche Street, a district frequented by drunks and druggies. It’s an episodic novel which draws you in nicely.

Lucky UsFinally, Amy Bloom’s much more manageably titled Lucky Us follows Eva whose mother dumps her unceremoniously on her father’s doorstep. Beginning in 1939, it’s a story of tangled relationships stretching over a decade. Lucky Us has an empathetic quality which makes its many flawed characters both attractive and believable.

That’s it for June paperbacks, a rather longer post than I’d intended but too short to spread over two. A click on first two titles will take you to Waterstones website for a more detailed synopsis; the rest are reviewed on this blog. If you want to see which June hardbacks I’m eagerly anticipating, they’re here and here.