Another year, another Man Booker Prize longlist in the offing, except this year its reverted to the Booker Prize, thanks to a change of sponsorship with Crankstart stepping into the funding breach as of June 1st this year. To be eligible for the prize all books must be published in the UK between October 1st 2018 and 30th September 2019, and have been written in English. Regular readers will know that any similarity between my wish list and the judges’ longlist is likely to be entirely coincidental. The judges usually allow themselves twelve, although they sometimes stretch to thirteen and this year I have, too. Their list will be revealed on Wednesday, 24th July but here’s mine – wishes not predictions – in no particular order, with links to my reviews.
It’s quite possible that I’ll read a gem I’d loved to have included here before September 3rd when the shortlist is announced but I’m sticking to the tried and tested. And if I had to choose one? That’s a tough decision this year. It’s a toss-up between A Stranger City, The Dutch House and Land of the Living, although there are several others I’d be loath to relinquish.
What about you? What would you like to see on the list, and what do you think the judges will plump for?
I’m a great fan of Christine Dwyer Hickey’s writing and was delighted when The Narrow Land turned up. It’s been quite some time since The Lives of Women and I’d wondered if there was a new one from her in the offing. This beautifully jacketed book, adorned with Edward Hopper’s ‘Sea Watchers’, spans the summer of 1950, one of many he spent with his wife, Josephine, at their Cape Cod summer home. Dwyer’s novel explores the marriage between these two artists – one acclaimed, the other not.
Jo Hopper is both fiercely possessive of her husband and resentful of the attention he attracts. Her own work is overlooked, despite her many protestations that she is also an artist, her attempts to secure an exhibition frustrated. Her waspish outspokenness and inability to bite her tongue have won her a reputation yet she longs to be accepted. Into this walks ten-year-old Michael, a German war orphan rescued by the charity set up by the Kaplans, the Hoppers’ neighbours. Traumatised by the war, Michael is not quite the summer companion Mrs Kaplan had envisaged for her grandson, spending much of his time on his own until he meets Jo with whom he forms an unlikely connection. When they’re invited to the Kaplans’ annual Labor Day party, Jo is both eager at the prospect of having an audience to impress and reluctant to be seen as simply a wife rather than an artist in her own right. The taciturn Edward has his own reasons for attending having spied a possible muse in Katherine Kaplan after a summer of straining for an image that will form the centre of his next work.
Hickey’s novel is such a pleasingly nuanced piece of writing. It would have been easy simply to focus on Edward Hopper but Hickey chooses to explore the character of his wife from whose perspective a great deal of the narrative is delivered. Jo’s waspish tirades, which occasionally degenerate into physical fighting, leave her incapable of kind words or displaying the affection she feels but her connection with Michael reveals another side to her, curious and engaging. The Hoppers may be centre stage, but Michael is the quiet star of the show, his plight explored with sensitivity and compassion. The well-meaning Kaplans, suffering their own wartime losses, offer hospitality to this child who has witnessed what to them is unimaginable, yet fail to understand what he’s been through and how that might affect his behaviour. All of this is couched in Hickey’s subtle yet precise writing, unshowy and often appropriately painterly:
The zest of summer still on the air, the roadsides plush with wildflowers that don’t yet know their days are numbered
He never even raised his hand to comfort his slapped ear
Some of these days he can hardly remember. They seemed to have slipped through the cracks in the floorboards as soon as he got out of bed
Hickey’s novel ends with Edward Hopper finding his long sought inspiration in an unexpected place, resulting in ‘Cape Cod Morning, 1950’.
The longlist for my favourite UK literary award, The Women’s Prize for Fiction, is due to be announced next Monday. Only novels written by women in English published between April 1st 2018 and March 31st 2019 qualify. Over the past few years I’ve failed miserably in predicting what took the judges fancy but truth be told I’d much rather indulge myself with a fantasy list rather than speculate as to what they think. What follows, then, is entirely subjective, wishes rather than predictions. I’ve followed the same format as previous years, limiting myself to novels that I’ve read with a link to a full review on this blog. So, in no particular order here’s my wish list for the 2019 Women’s Prize for Fiction:
Several of my favourite writers are listed here – Kate Atkinson, Amy Bloom, Siri Hustvedt, Georgina Harding – but I’d be delighted if any one of these fifteen snags the judges’ attention. We’ll see. Any titles that you’d love to see on the judges’ list?
That’s it from me for a few days. We’re off for what could be our last weekend as European citizens abroad. I may need tissues. Back next week to tell you all about it.