If I Knew You Were Going to be This Beautiful I Never Would Have Let You Go: Novel or short stories, and does it matter?

Cover imageNow there’s a title certain to be mangled in bookshops throughout the land and a brave one for a debut. I wonder if Judy Chicurel’s publishers tried to talk her out of it. It’s the title of the final chapter of the book whose meaning becomes clear towards its end. Set in the summer of 1972, If I Knew… is narrated by Katie, the adopted daughter of a white-collar family who spends her time in Elephant Beach’s rundown Comanche Street, a district frequented by drunks and druggies.

Already long past its glory days as a glamorous Long Island resort, Elephant Beach – like the rest of America – is in the grips of recession. Times are hard, money is tight and the Vietnam War still rages. Besotted with the reclusive Luke, back from the war and grappling with the aftermath, Katie waits for life to happen to her while watching it pick up her friends and shake them around: Marcel has taken off with her boyfriend, fleeing her parents’ unhappiness; Liz and Nanny take up with useless men – one a chancer, the other a stoner; Georgie gets beaten up because he’s gay despite the protection of the ferocious Feeney sisters. She talks to Mitch, the Purple Heart whose leg was shot to pieces in Vietnam, hoping to find a way to Luke but making a friend instead. All through the long summer after graduation, Katie longs for Luke, holds her friends hands through their troubles, quarrels with her mother, hangs out at the Starlight Lounge and drinks chocolate egg creams at Eddy’s. By the end of it she finally comes into herself.

At first I was a little disappointed at what I took to be Chicurel’s bitty style. Marketed as a novel in this country, it’s described as a ‘debut collection’ on her website however ‘episodic’ best fits it for me particularly as it’s strikingly cinematic at times, ripe for adaptation by HBO or the like. Chicurel has a nice feel for characterisation – the larger than life Feeney sisters, aka the Hitters, are nicely balanced by the likes of Mitch, coolly sage yet self-destructive. The intensity of Katie’s passion for Luke is thoroughly convincing in all its romantic teenage naïveté. Elephant Beach is grungy in a ‘seen better days’ kind of way while the effects of the Vietnam War and its cast aside blue-collar vets, left to cope the best they can, are well drawn. What ever you choose to call it – linked short stories or novel – the small-town American setting with its tight-knit group of characters at its core drew me in and kept me engrossed to the end.

11 thoughts on “If I Knew You Were Going to be This Beautiful I Never Would Have Let You Go: Novel or short stories, and does it matter?

  1. hastanton

    Was interested to read your opinion of this one . It was not a flawless debut but it was a very atmospheric one ….and you’re right , ripe for a TV adaptation .

    Reply
    1. Susan Osborne Post author

      I was attracted by the premise – small-town American novels are right up my street – but a little put out to begin with. Once used to the episodic structure, I enjoyed it. I think it’s right up HBO’s street, too.

      Reply
  2. Claire 'Word by Word'

    Sounds a little like Olive Kitteridge. Done well these kind of stories create a thread that makes us want to continue at the same leaving gaps that we hope might be filled but aren’t always.

    Alice Hoffman’s Blackbird House is another of my favourites that does this successfully in my view.

    Well written characters can take us anywhere with pleasure!

    Reply
    1. Susan Osborne Post author

      And I love Olive Kitteridge! You’re quite right about the importance of strong charactericisation, Claire. It’s key to a good novel.

      Reply
    1. Susan Osborne Post author

      Thank you, Anne, and I agree, it’s a vey poignant moment – perhaps that’s why her publishers let her keep it.

      Reply
  3. naomifrisby

    I said I thought it was a set of interlinked short stories (of course, we’re not allowed to say that in the UK because it won’t sell) and low and behold, during my reading for In the Media one week, I came across this:

    Bloom: If I Knew You Were Going to Be This Beautiful, I Never Would Have Let You Go, could be described as both a “collection” and a “novel.” Which do you feel is most accurate? Can you talk a bit about the narrative format of the book?

    Judy Chicurel: Collection of linked stories is the most accurate description.

    The whole piece is here, if you want to read it: http://bloom-site.com/2014/10/29/qa-with-judy-chicurel/

    Reply
    1. Susan Osborne Post author

      Finger on the pulse there, then! I think it’s a shame that it’s marketed as a novel here, although I take your point about short stories and their failure to sell well but calling it a novel sets you up for something else

      Reply
      1. naomifrisby

        Always! Yes, I agree with you. It wasn’t what I was expecting and it left me disorientated because I had a different set of expectations for it. It makes it harder to review.

        Reply
  4. litlove

    Episodic I can be ho-hum about, although I do love anything usually that’s about American small town life. Definitely a book I would look out for in the bookshop where I could read through the first few pages!

    Reply
    1. Susan Osborne Post author

      I was expecting (hoping for) a Shotgun Lovesongs experience which it wasn’t but once I accustomed myself to the style I enjoyed it.

      Reply

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