Susan Osborne

The Sunday Times Peters Fraser + Dunlop Young Writer of the Year Award, in association with the University of Warwick Shadow Panel Winner

I’m delighted to tell you that we’ve chosen Imogen Hermes Gowar’s The Mermaid and Mrs Hancock as our shadow panel winner for this year’s Young Writer of the Year Award. You can visit the award’s site here to read their announcement. Here’s a reminder of the shortlist with links to my reviews: The Mermaid and

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The Sunday Times Peters Fraser + Dunlop Young Writer of the Year Award, in association with the University of Warwick Shortlist: Kings of the Yukon by Adam Weymouth

I used to read a lot of travel writing before it was taken over by authors carting kitchen appliances round with them as a gimmick. I blame Bill Bryson: enjoyable as his books were they seemed to foster a demand for comedy in the genre, not an accusation to be made of Adam Weymouth, I’m

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The Sunday Times Peters Fraser + Dunlop Young Writer of the Year Award, in association with the University of Warwick Shortlist: Elmet by Fiona Mozley

Fiona Mozley’s Elmet has already snagged the attention of several literary prize judges: it was longlisted for the Women’s Prize for Fiction earlier this year and shortlisted for 2017’s Man Booker Prize. Set on the fringes of what was once a mining village, it’s about Daniel and Cathy whose father has built a house on

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The Sunday Times / Peters Fraser + Dunlop Young Writer Of The Year Award, in association with The University of Warwick: The Reading Cure by Laura Freeman

One of the many good things about shadow judging this award is that it’s made me review non-fiction. It’s not that I don’t read it but the last book I reviewed that wasn’t fiction was back in May. Laura Freeman’s The Reading Cure was already in my sights before the shortlist was announced but if

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The Sunday Times/Peters Fraser + Dunlop Young Writer Of The Year Award, in association with The University of Warwick Shortlist: The Mermaid and Mrs Hancock by Imogen Hermes Gowar

Regular visitors to this blog will know that I tend not to review historical novels. There are exceptions, of course – Jake Arnott’s The Fatal Tree and Andrew Miller’s Now We Shall be Entirely Free spring to mind – but generally my feet are planted firmly in the twenty-first century. You might be surprised then

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