Book news, reviews and recommendations
Chloe Michelle Howarth’s Heap Earth Upon It is very different from Sunburn, her debut, a story of sexual awakening set across glorious hot summer days. This new one is a dark, brooding novel which follows the O’Learys who have left their home village hoping to put a distance between themselves and the most recent of […]
Heap Earth Upon It by Chloe Michelle Haworth: Truth will out Read More »
I dithered about reading Andrew Michael Hurley’s Saltwash, put off by his reputation for writing folk horror, not a genre I’m attracted to, but I liked its premise so decided to take the plunge, helped along by a few NetGalley reviews by fans disappointed by its lack of menace. Tom and Oliver have been matched
Saltwash by Andrew Michael Hurley: ‘Tide in, tide out. All’s forgotten’ Read More »
I snapped up Souvankham Thammavongsa’s Pick a Colour as soon as I spotted it on NetGalley having enjoyed her 2020 Giller-Prize-winning short story collection, How to Pronounce Knife, in which she writes about the immigrant experience. Her new one is a novella set over one day in a nail salon run by Ning. They all
Pick a Colour by Souvankham Thammavongsa: A day in the life Read More »
As he mentions in his acknowledgements, Damian Barr’s The Two Roberts grew out of a fascination with Robert MacBryde and Robert Colquhoun after he spotted a social media post during lockdown. The two Roberts, as they came to be known, were working class Scottish artists who met on their first day at the Glasgow School
The Two Roberts by Damian Barr: ‘The Golden Boys of Bond Street’ Read More »
It was Ann Patchett’s glowing puff that swung it for me with acclaimed short story writer Patrick Ryan’s, Buckeye. I liked the sound of its premise but thought I might find the spiritualism mentioned in the blurb a bit too much to swallow. Ryan’s first novel follows two families, linked by a devastating secret, over
Buckeye by Patrick Ryan: If you like Ann Patchett… Read More »
I’d taken on too many titles for review when Andrew Porter’s The Imagined Life popped up on NetGalley but I couldn’t resist both its premise and that cover so jumped in. Porter’s novel sees a middle-aged man who’s been carrying the burden of his father’s disappearance since he was twelve years old, determined to get
The Imagined Life by Andrew Porter: ‘In the imagined life, so much is different’ Read More »
I’ve enjoyed several novels over the past few years about the ownership of stories – Andrew Lipstein’s Last Resort springs to mind as does Hanff Korelitz’s The Plot – which is why I put up my hand for Dominic Amerena’s debut, I Want Everything. When our unnamed narrator is discharged from one of his many
I Want Everything by Dominic Amerena: Who owns the story? Read More »
It’s nine years since I reviewed Nicola Barker’s The Cauliflower® describing it as a Marmite novel – love it or hate it for those not acquainted with the expression. Her new one, TonyInterruptor, is more conventional although not a novel that lends itself to an easy synopsis, tossing around ideas between its small cast of
TonyInterruptor by Nicola Barker: ‘Is this honest? Are we all being honest here?’ Read More »
I was in two minds about reading Ruth, Kate Riley’s debut, but that clever cover and a pithy one-line puff from Jenny Offill swung it for me. It’s told from the point of view of the eponymous character, born into an Anabaptist community in 1963, following her through childhood, marriage and motherhood into middle age.
Ruth by Kate Riley: A world apart Read More »
Andrev Walden’s Bloody Awful in Different Ways was a huge bestseller in Sweden, winning the country’s prestigious August Prize in 2023. It’s pitched at readers who loved Frederik Bachman’s A Man Called Ove which didn’t appeal to me but I liked the sound of this slice of autofiction which begins with young Andrev, aged seven
I was taken by the blurb for Nell Stevens’s The Original but its 400-page length kept me dithering. It was the puffs from Olivia Laing and Claire Fuller that finally decided me. Largely set in the last year of the nineteenth century, it follows Grace, an unhappy, unwelcome addition to Inderwick Hall, and the dilemma
The Original by Nell Stevens: The value of a copy Read More »